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Langue disponible : anglais
SOMM Recordings’ survey of Charles Villiers Stanford’s chamber music continues with his two String Quintets and Three Intermezzi arranged for cello and piano : a unique collaboration between members of the Dante and Endellion Quartets, together with pianist Benjamin Frith, sees first recordings of the String Quintet No. 2 in C minor and the arrangement of the Three Intermezzi.
Composed with Stanford’s lifelong mentor, the legendary violinist Joseph Joachim, in mind, the Quintets are the product of a master craftsman speaking with his own distinctive voice. Both were first performed in 1904 and separately owe a direct and glancing debt to Brahms. The First echoes the three-movement structure of Brahms’ First Quintet and its melodious warmth although its second movement strikingly makes use of an archaic form of Irish traditional singing – sean nós (literally “old style”).
Composed to mark the 60th anniversary of Joachim’s first visit to Britain, the Second Quintet shares what Stanford authority Jeremy Dibble in his erudite booklet notes describes as “the same serious demeanour and a similar outlook towards grand architecture” of Brahms’ First Symphony, which Joachim conducted on that occasion.
Originally composed for clarinet and piano, the Three Intermezzi of 1880 display a masterly interplay between cello and piano in Stanford’s own arrangement. © SOMM Recordings
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String Quintet No. 1 in F Major, Op. 85 (Sir Charles Villiers Stanford)
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
3 Intermezzi, Op. 13 (Version for Cello & Piano) (Sir Charles Villiers Stanford)
Benjamin Frith, Artist - Sir Charles Villiers Stanford, Composer - Richard Jenkinson, Artist, MainArtist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Benjamin Frith, Artist - Sir Charles Villiers Stanford, Composer - Richard Jenkinson, Artist, MainArtist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Benjamin Frith, Artist - Sir Charles Villiers Stanford, Composer - Richard Jenkinson, Artist, MainArtist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
String Quintet No. 2 in C Minor, Op. 86 (Sir Charles Villiers Stanford)
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Garfield Jackson, Artist - Ralph De Souza, Artist - Yuko Inoue, Artist - Sir Charles Villiers Stanford, Composer - Krysia Osostowicz, Artist, MainArtist - Richard Jenkinson, Artist
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
Chronique
SOMM Recordings’ survey of Charles Villiers Stanford’s chamber music continues with his two String Quintets and Three Intermezzi arranged for cello and piano : a unique collaboration between members of the Dante and Endellion Quartets, together with pianist Benjamin Frith, sees first recordings of the String Quintet No. 2 in C minor and the arrangement of the Three Intermezzi.
Composed with Stanford’s lifelong mentor, the legendary violinist Joseph Joachim, in mind, the Quintets are the product of a master craftsman speaking with his own distinctive voice. Both were first performed in 1904 and separately owe a direct and glancing debt to Brahms. The First echoes the three-movement structure of Brahms’ First Quintet and its melodious warmth although its second movement strikingly makes use of an archaic form of Irish traditional singing – sean nós (literally “old style”).
Composed to mark the 60th anniversary of Joachim’s first visit to Britain, the Second Quintet shares what Stanford authority Jeremy Dibble in his erudite booklet notes describes as “the same serious demeanour and a similar outlook towards grand architecture” of Brahms’ First Symphony, which Joachim conducted on that occasion.
Originally composed for clarinet and piano, the Three Intermezzi of 1880 display a masterly interplay between cello and piano in Stanford’s own arrangement. © SOMM Recordings
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 01:06:28
- 1 Livret Numérique
- Artistes principaux : Krysia Osostowicz Yuko Inoue Benjamin Frith Richard Jenkinson Ralph de Souza Garfield Jackson
- Compositeur : Sir Charles Villiers Stanford
- Label : SOMM Recordings
- Genre : Classique Musique de chambre
(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings
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