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Ronnie Wood|Slide On This

Slide On This

Ronnie Wood

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Langue disponible : anglais

Six years after its initial appearance, Ronnie Wood's fifth solo album, Slide on This, is reissued by KOCH International in a deluxe package. There is one bonus track, a remixed version of the leadoff song, "Somebody Else Might," but the real draw to this version of the album is the 56-page booklet packaged with it, which contains examples of Wood's painting. He takes as his subjects his fellow members of the Rolling Stones, along with other musical peers such as Pete Townshend and Keith Moon of the Who, the Edge from U2 (who contributes some guitar work to the album), and Bob Dylan, as well as music legends like Bessie Smith, Billie Holiday, Jimi Hendrix, and Jim Morrison, and even a few animal portraits. As a fine artist, he has talent and a certain flair, although it's hard to imagine that these paintings would be represented by prestigious galleries if it weren't for his musical career. Wood has been in one band or another since his teens, and his solo recordings have tended to rely heavily on his friends and associates. This one does, too, particularly on Bernard Fowler, long a backup singer on Rolling Stones tours, who co-wrote most of the material and also sings, plays keyboards, and does the drum programming. (Other name guests include drummer Charlie Watts of the Rolling Stones; drummer Simon Kirke of Bad Company; Stones keyboard sideman Chuck Leavell; singer Joe Elliott of Def Leppard; pianist Ian McLagan, a bandmate of Wood's from Faces; and Hothouse Flowers, who back Wood on the song "Like It.") With Fowler, Wood tends to set up a groove over which the two sing, although the songs sometimes seem half-finished and tend to go on too long. Tracks such as "Josephine" and "Like It" are typical Rolling Stones rockers, while the acoustic ballad "Always Wanted More" also suggests the Stones of "Angie" or "Beast of Burden." The traditional tune "Ragtime Annie (Lillie's Bordello)" is a change-of-pace country fiddle number on which Wood apparently plays acoustic bass. As a singer, Wood as usual sounds like he took voice lessons from Bob Dylan, which makes the appearance of Fowler welcome, even if he tends to take over the tracks on which he sings. So, as a solo album, Slide on This is another busman's holiday for Ronnie Wood, something to do while waiting for the next band project to materialize.

© William Ruhlmann /TiVo

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Slide On This

Ronnie Wood

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1
Somebody Else Might (Give Up)
00:04:51

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

2
Testify
00:05:00

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - George Clinton Jr., Composer - Simon Kirke, Additional Drums - Ronnie Wood, Producer, Guitar, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Daron Taylor, Composer - Bernard Fowler, Producer, Keyboards, Vocals, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

3
Ain't Rock & Roll
00:03:46

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

4
Josephine
00:05:29

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

5
Knock Your Teeth Out
00:04:04

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

6
Ragtime Annie (Lillie's Bordello)
00:02:33

Doug Wimbish, Bass - Ian McLagan, Piano - Traditional, Composer, Writer - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Producer, Guitar, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Producer, Keyboards, Vocals, Drum Programmer - Charlie Watts, Drums - Oleg Ponomarev, Fiddle - Wayne P. Sheehy, Drums - Sergei Erdenko, Fiddle - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone - Colm McCauchey, Fiddle

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

7
Must Be Love
00:04:12

Doug Wimbish, Bass - Ian McLagan, Piano - Jerry Lynn Williams, Composer, Writer - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Producer, Guitar, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Producer, Keyboards, Vocals, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

8
Fear for Your Future
00:04:03

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

9
Show Me
00:03:35

Doug Wimbish, Bass - Ian McLagan, Piano - Jerry Lynn Williams, Composer, Writer - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Producer, Guitar, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Producer, Keyboards, Vocals, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

10
Always Wanted More
00:05:43

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Joe Elliott, Vocals - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Oleg Ponomarev, Fiddle - Wayne P. Sheehy, Drums - Sergei Erdenko, Fiddle - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone - Colm McCauchey, Fiddle

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

11
Thinkin'
00:05:51

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

12
Like It
00:04:28

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Writer, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Composer, Producer, Keyboards, Vocals, Writer, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

13
Breathe on Me
00:05:39

Doug Wimbish, Bass - Ian McLagan, Piano - Michael Kamen, Production, Strings - Simon Kirke, Additional Drums - Ronnie Wood, Composer, Producer, Guitar, Acoustic Bass, Harmonica, MainArtist - Chuck Leavell, Piano, Hammond B3 Organ - The Edge, Additional Guitar - Bernard Fowler, Producer, Keyboards, Vocals, Drum Programmer - Charlie Watts, Drums - Wayne P. Sheehy, Drums - Sean Garvey, Accordion - Eoghan McCarron, Producer - Felim Gormley, Saxophone

© 1992 BMG Rights Management (UK) Limited ℗ 1992 BMG Rights Management (UK) Limited

Chronique

Six years after its initial appearance, Ronnie Wood's fifth solo album, Slide on This, is reissued by KOCH International in a deluxe package. There is one bonus track, a remixed version of the leadoff song, "Somebody Else Might," but the real draw to this version of the album is the 56-page booklet packaged with it, which contains examples of Wood's painting. He takes as his subjects his fellow members of the Rolling Stones, along with other musical peers such as Pete Townshend and Keith Moon of the Who, the Edge from U2 (who contributes some guitar work to the album), and Bob Dylan, as well as music legends like Bessie Smith, Billie Holiday, Jimi Hendrix, and Jim Morrison, and even a few animal portraits. As a fine artist, he has talent and a certain flair, although it's hard to imagine that these paintings would be represented by prestigious galleries if it weren't for his musical career. Wood has been in one band or another since his teens, and his solo recordings have tended to rely heavily on his friends and associates. This one does, too, particularly on Bernard Fowler, long a backup singer on Rolling Stones tours, who co-wrote most of the material and also sings, plays keyboards, and does the drum programming. (Other name guests include drummer Charlie Watts of the Rolling Stones; drummer Simon Kirke of Bad Company; Stones keyboard sideman Chuck Leavell; singer Joe Elliott of Def Leppard; pianist Ian McLagan, a bandmate of Wood's from Faces; and Hothouse Flowers, who back Wood on the song "Like It.") With Fowler, Wood tends to set up a groove over which the two sing, although the songs sometimes seem half-finished and tend to go on too long. Tracks such as "Josephine" and "Like It" are typical Rolling Stones rockers, while the acoustic ballad "Always Wanted More" also suggests the Stones of "Angie" or "Beast of Burden." The traditional tune "Ragtime Annie (Lillie's Bordello)" is a change-of-pace country fiddle number on which Wood apparently plays acoustic bass. As a singer, Wood as usual sounds like he took voice lessons from Bob Dylan, which makes the appearance of Fowler welcome, even if he tends to take over the tracks on which he sings. So, as a solo album, Slide on This is another busman's holiday for Ronnie Wood, something to do while waiting for the next band project to materialize.

© William Ruhlmann /TiVo

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