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Anne Akiko Meyers|Serenade: The Love Album

Serenade: The Love Album

Anne Akiko Meyers, Keith Lockhart and London Symphony Orchestra

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Langue disponible : anglais

Without much fanfare, Anne Akiko Meyers has risen to the top of the heap in American classical music; she was the best-selling traditional classical instrumentalist in the U.S. in 2014. She does nearly everything well and puts it across effectively: she has strong fundamentals, a good deal of stage charisma, great programming instincts, and a couple of extraordinary violins to which she has lifetime access, including the 1741 "Ex Vieuxtemps" Guarneri heard here. It's unusual to hear this instrument, with its purring lower register, applied to the likes of Somewhere Over the Rainbow, but the truth is that she applies its capabilities in novel and entirely appropriate ways. Leonard Bernstein is at the center of the program, which sets it apart from the usual collections of sentimental pop tunes; Meyers effectively plays the more abstract Serenade After Plato's Symposium against film themes and popular songs by Bernstein and other composers, with tango accents from Gade and Piazzolla to break things up. It's an exceptionally engaging program that uses Meyers' basically lyrical talents to the maximum, and her aims are perfectly complemented by the London Symphony under Keith Lockhart. That might seem an unusual combination, but once you listen it makes perfect sense. And the same can be said of Meyers' playing in general. Luxuriantly melodic, and highly recommended.
© TiVo

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Serenade: The Love Album

Anne Akiko Meyers

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1
Serenade after Plato's "Symposium": I. Phaedrus - Pausanias: Lento - Allegro marcato
00:06:19

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

2
Serenade after Plato's "Symposium": II. Aristophanes: Allegretto
00:04:13

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

3
Serenade after Plato's "Symposium": III.Eryximachus: Presto
00:01:31

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

4
Serenade after Plato's "Symposium": IV. Agathon: Adagio
00:06:45

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

5
Serenade after Plato's "Symposium": V. Socrates- Alcibiades: Molto tenuto - Allegro molto vivace
00:10:37

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

6
Love Theme (from “Cinema Paradiso")
00:03:20

Keith Lockhart, MainArtist - Ennio Morricone, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

7
Theme from "Laura"
00:04:05

Keith Lockhart, MainArtist - London Symphony Orchestra, MainArtist - David Raksin, Composer - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

8
Someone to Watch Over Me ( from "Oh, Kay")
00:04:44

Keith Lockhart, MainArtist - George Gershwin, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

9
Summertime (from "Porgy and Bess")
00:03:54

Keith Lockhart, MainArtist - George Gershwin, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

10
Gabriel's Oboe (from “The Mission")
00:04:57

Keith Lockhart, MainArtist - Ennio Morricone, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

11
Emmanuel
00:03:06

Keith Lockhart, MainArtist - London Symphony Orchestra, MainArtist - Michel Colombier, Composer - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

12
Jalousie
00:03:11

Keith Lockhart, MainArtist - London Symphony Orchestra, MainArtist - Jacob Gade, Composer - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

13
Oblivion
00:04:21

Keith Lockhart, MainArtist - Astor Piazzolla, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

14
When You Wish Upon a Star (from "Pinocchio")
00:03:20

Keith Lockhart, MainArtist - Leigh Harline, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

15
I'll Be Seeing You
00:04:34

Keith Lockhart, MainArtist - Sammy Fain, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

16
Somewhere (from “West Side Story")
00:04:40

Keith Lockhart, MainArtist - Leonard Bernstein, Composer - London Symphony Orchestra, MainArtist - Anne Akiko Meyers, MainArtist

2015 Entertainment One U.S., LP 2015 Entertainment One U.S., LP

Chronique

Without much fanfare, Anne Akiko Meyers has risen to the top of the heap in American classical music; she was the best-selling traditional classical instrumentalist in the U.S. in 2014. She does nearly everything well and puts it across effectively: she has strong fundamentals, a good deal of stage charisma, great programming instincts, and a couple of extraordinary violins to which she has lifetime access, including the 1741 "Ex Vieuxtemps" Guarneri heard here. It's unusual to hear this instrument, with its purring lower register, applied to the likes of Somewhere Over the Rainbow, but the truth is that she applies its capabilities in novel and entirely appropriate ways. Leonard Bernstein is at the center of the program, which sets it apart from the usual collections of sentimental pop tunes; Meyers effectively plays the more abstract Serenade After Plato's Symposium against film themes and popular songs by Bernstein and other composers, with tango accents from Gade and Piazzolla to break things up. It's an exceptionally engaging program that uses Meyers' basically lyrical talents to the maximum, and her aims are perfectly complemented by the London Symphony under Keith Lockhart. That might seem an unusual combination, but once you listen it makes perfect sense. And the same can be said of Meyers' playing in general. Luxuriantly melodic, and highly recommended.
© TiVo

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