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Nanci Griffith|Other Voices, Other Rooms

Other Voices, Other Rooms

Nanci Griffith

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Langue disponible : anglais

Nanci Griffith has the kind of beguiling singing voice that's effortless and easily beautiful -- like a pretty girl who doesn't ever need makeup to be radiant. Sounding a little bit like Emmylou Harris is never a bad thing, but Griffith doesn't stop there. She duets with Harris and a host of other country and folk notables on Other Voices, Other Rooms, her first collection of cover songs. Like Harris, Griffith can climb inside a character-driven song with a simple twist of inflection or a lingering note. This is what she does on Vince Bell's "Woman of the Phoenix," deftly painting images of a winter freeze, cacti, and Michael, the "rock 'n' roll hood from the Odessa plains." Dylan's "Boots of Spanish Leather" rambles like the Texas countryside and features the man himself on harmonica. The guest list for Other Voices really is incredible. Alison Krauss, John Gorka, Edgar Meyer, Amy Ray, and Emily Saliers -- it's a regular homespun who's who. There's plenty to sigh about here, and occasionally the album can almost be too tasteful for its own good. But raveups like Woody Guthrie's "Do-Re-Mi" let Griffith trade some serenity for dustbowl grit (the addition of John Prine's lascivious gruffness helps a lot, too), and the frustrated anger of "This Old Town" only supports this. What might be most refreshing about Other Voices, Other Rooms is its ability to access the warm tones of country, grassroots, 1960s folk, and the '70s songwriting tradition while still sounding more like it comes from Griffith's Texas roots than anywhere else. This is highly recommended for fans of Griffith or any of the like-minded artists who help out here.

© Johnny Loftus /TiVo

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Other Voices, Other Rooms

Nanci Griffith

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1
Across the Great Divide (LP Version)
00:03:57

Stuart Duncan, Mandolin, Violin - James Hooker, Piano - Emmylou Harris, Harmony Vocals - NANCI GRIFFITH, String Arranger, Guitar, Vocals, MainArtist, ExecutiveProducer - Lee Satterfield, Guitar - Pete Kennedy, Guitar - KATE WOLF, Writer - JIM ROONEY, Producer - Frank Breen, Drums, Percussion - Kate Allen Wolf, Writer

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra /Asylum Records for the United States and WEA International for the world outside of the United States.

2
Woman of the Phoenix (LP Version)
00:02:41

James Hooker, Piano, Harmony Vocals - Edgar Meyer, Bass - John Catchings, Cello - Alison Krauss, Violin - NANCI GRIFFITH, String Arranger, Lead Vocals, Harmony Vocals, MainArtist, ExecutiveProducer - Lee Satterfield, Guitar - Pete Kennedy, Lead Guitar - Andrea Zonn, Viola - JIM ROONEY, Producer - Fran Breen, Drums - Vince Bell, Writer - Frank Christian, Lead Guitar - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

3
Tecumseh Valley (LP Version)
00:04:29

Stuart Duncan, Violin - Arlo Guthrie, Vocals - James Hooker, Piano - Townes Van Zandt, Writer - NANCI GRIFFITH, Lead Vocals, Harmony Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Frank Christian, Guitar - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

4
Three Flights Up (LP Version)
00:03:31

James Hooker, Keyboards - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums, Percussion - Frank Christian, Writer, Lead Guitar - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

5
Boots of Spanish Leather (LP Version)
00:05:17

Bob Dylan, Writer, Harmonica - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Acoustic Guitar - JIM ROONEY, Producer - Fran Breen, Drums, Percussion - Frank Christian, Acoustic Guitar - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

6
Speed of the Sound of Loneliness (LP Version)
00:04:20

John Prine, Writer, Harmony Vocals - Philip Donnelly, Guitar - James Hooker, Keyboards - NANCI GRIFFITH, Guitar, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Acoustic Guitar - JIM ROONEY, Producer - Fran Breen, Drums - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

7
From Clare to Here (LP Version)
00:05:11

Philip Donnelly, Guitar - Ralph McTell, Writer - James Hooker, Keyboards - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums, Percussion - Pete Cummings, Vocals - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

8
Can't Help but Wonder Where I'm Bound (LP Version)
00:03:16

Philip Donnelly, Guitar - James Hooker, Piano - Tom Paxton, Writer - NANCI GRIFFITH, Guitar, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums - Carol Hester, Vocals - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

9
Do Re Mi (LP Version)
00:02:52

Guy Clark, Guitar, Vocals - WOODIE GUTHRIE, Writer - Roy Huskey, Jr, Upright Bass - Pat Flynn, Guitar - NANCI GRIFFITH, Vocals, MainArtist, ExecutiveProducer - JIM ROONEY, Producer - Pat Mc Inerney, Drums, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

10
This Old Town (LP Version)
00:03:00

Philip Donnelly, Guitar - James Hooker, Piano - Jon Vezner, Writer - BELA FLECK, Banjo - Janis Ian, Writer - NANCI GRIFFITH, Guitar, Lead Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

11
Comin' Down in the Rain (LP Version)
00:03:45

Stuart Duncan, Mandolin - James Hooker, Organ, Piano - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - Lee Satterfield, Harmony Vocals - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums - Buddy Mondlock, Writer - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

12
Ten Degrees and Getting Colder (LP Version)
00:02:40

Gordon Lightfoot, Writer - Iris DeMent, Harmony Vocals - James Hooker, Piano - Pat Flynn, Guitar - NANCI GRIFFITH, Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Drums - Pat Mc Inerney, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

13
Morning Song for Sally (LP Version)
00:04:55

Jerry Jeff Walker, Writer - James Hooker, Piano - NANCI GRIFFITH, Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - JIM ROONEY, Producer - Fran Breen, Percussion - Frank Christian, Guitar - Nancy Griffith, Featured Vocalist - Pat Mc Inerney, Percussion - Stuard Duncan, Mandolin

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

14
Night Rider's Lament (LP Version)
00:03:57

Stuart Duncan, Violin - Michael Burton, Writer - James Hooker, Piano - NANCI GRIFFITH, Guitar, Vocals, MainArtist, ExecutiveProducer - Pete Kennedy, Guitar - Don Edwards, Contributor - JIM ROONEY, Producer - Pat Mc Inerney, Percussion - Frank Breen, Drums, Percussion

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra /Asylum Records for the United States and WEA International for the world outside of the United States.

15
Are You Tired of Me Darling (LP Version)
00:03:11

Iris DeMent, Harmony Vocals - Emmylou Harris, Harmony Vocals - Chet Atkins, Guitar - NANCI GRIFFITH, Guitar, Lead Vocals, MainArtist, ExecutiveProducer - JIM ROONEY, Producer - Pat Mc Inerney, Percussion - G. P. Cook, Writer - Ralph Roland, Writer

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

16
Turn Around (LP Version)
00:03:19

Harry Belafonte, Writer - Chet Atkins, Guitar - John Catchings, Cello - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - Malvina Reynolds, Writer - JIM ROONEY, Producer - Allen Greene, Writer

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

17
Wimoweh (LP Version)
00:01:47

Amy Ray, Vocals - Emily Saliers, Vocals - Pam Rose, Vocals - Mary Ann Kennedy, Percussion, Vocals - John Prine, Vocals - Barry Tashian, Vocals - James Hooker, Vocals - Dave Mallett, Vocals - Traditional, Writer - Roy Huskey, Jr, Vocals, Upright Bass - NANCI GRIFFITH, Lead Vocals, MainArtist, ExecutiveProducer - John Hartford, Vocals - Odetta, Vocals - JIM ROONEY, Producer, Vocals - Leo Kottke, Guitar - John Gorka, Vocals - HOlly Tashian, Vocals - Pat Mc Inerney, Percussion - Marlin Griffith, Vocals

© 1993 Elektra Entertainment for the United States and WEA International for the world outside the United States ℗ 1993 Elektra Entertainment for the United States and WEA International for the world outside of the United States.

Chronique

Nanci Griffith has the kind of beguiling singing voice that's effortless and easily beautiful -- like a pretty girl who doesn't ever need makeup to be radiant. Sounding a little bit like Emmylou Harris is never a bad thing, but Griffith doesn't stop there. She duets with Harris and a host of other country and folk notables on Other Voices, Other Rooms, her first collection of cover songs. Like Harris, Griffith can climb inside a character-driven song with a simple twist of inflection or a lingering note. This is what she does on Vince Bell's "Woman of the Phoenix," deftly painting images of a winter freeze, cacti, and Michael, the "rock 'n' roll hood from the Odessa plains." Dylan's "Boots of Spanish Leather" rambles like the Texas countryside and features the man himself on harmonica. The guest list for Other Voices really is incredible. Alison Krauss, John Gorka, Edgar Meyer, Amy Ray, and Emily Saliers -- it's a regular homespun who's who. There's plenty to sigh about here, and occasionally the album can almost be too tasteful for its own good. But raveups like Woody Guthrie's "Do-Re-Mi" let Griffith trade some serenity for dustbowl grit (the addition of John Prine's lascivious gruffness helps a lot, too), and the frustrated anger of "This Old Town" only supports this. What might be most refreshing about Other Voices, Other Rooms is its ability to access the warm tones of country, grassroots, 1960s folk, and the '70s songwriting tradition while still sounding more like it comes from Griffith's Texas roots than anywhere else. This is highly recommended for fans of Griffith or any of the like-minded artists who help out here.

© Johnny Loftus /TiVo

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