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Kleine Konzert, Das|Hummel: Der Durchzug durchs rote Meer, S33

Hummel: Der Durchzug durchs rote Meer, S33

Wolf Matthias Friedrich, Rheinische Kantorei, Hermann Max, Das Kleine Konzert

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Langue disponible : anglais

Hummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a London collection. This is the work's world-premiere recording and perhaps its premiere performance: according to the booklet, it was never performed during Hummel's lifetime. After you hear it, that fact will surprise you; the music has a formal freedom that would lead you to believe that later composers could easily have been familiar with it. The work was probably written in the first part of Hummel's career, when he followed Haydn as music director at Esterháza castle, and it shows the impact of Haydn's late masses, of Die Schöpfung, and of Beethoven's early choral music. However, it has plenty of original ideas, and it doesn't sound much like Hummel's better-known instrumental works. It is quite compact, and its most distinctive feature is flexible text setting that achieves considerable power. The individual numbers are not set pieces for chorus or for one of the five soloists, but intersperse choral and solo passages in a way that suggests music from later in the nineteenth century. Sample the fugue in track 5, which effectively breaks off at its climax for another statement from Moses, the soloist. Hummel's use of recitatives is likewise flexible, with both secco and accompanied passages; the simple recitatives are here accompanied on a fortepiano. The performance is exemplary. The Rheinische Kantorei is one of those regional German choirs whose rich textures demonstrate just how deeply choral singing is embedded in the country's musical and social fabric, and the performance features soprano Simone Kermes among other top-notch soloists. The players of Das kleine Konzert under Hermann Max are both lively and accurate in this live performance, recorded in enough sonic detail to catch everybody taking a breath as the conductor raises his baton, but also to reveal Hummel's attractive textures in full color. Germany's CPO label, which has specialized in unusual works of the Classical and post-Classical periods, has scored one of its most significant releases here.
© TiVo

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Hummel: Der Durchzug durchs rote Meer, S33

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Der Durchzug durchs rote Meer, S33, Pt. 1 (Johann Nepomuk Hummel)

1
I. Intrada
Kleine Konzert, Das
00:07:30

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra, MainArtist

(C) 2007 CPO (P) 2007 CPO

2
II. Aus der Tiefe unsers Elends
Rheinische Kantorei
00:03:34

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Rheinische Kantorei, Choir, MainArtist - Das Kleine Konzert, Orchestra

(C) 2007 CPO (P) 2007 CPO

3
III. Und immer schwerer lastet das Joch der Sklaverei
Wolf Matthias Friedrich
00:01:11

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Wolf Matthias Friedrich, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

4
IV. Ich, eurer Väter Gott
Ekkehard Abele
00:05:09

Ekkehard Abele, Artist, MainArtist - Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Rheinische Kantorei, Choir - Das Kleine Konzert, Orchestra

(C) 2007 CPO (P) 2007 CPO

5
V. Der Herr hat unser Geschrei erhört
Rheinische Kantorei
00:03:23

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Rheinische Kantorei, Choir, MainArtist - Das Kleine Konzert, Orchestra

(C) 2007 CPO (P) 2007 CPO

6
VI. Es macht der Herr durch unsern Mund, dir König, seinen Willen kund
Hans-Jörg Mammel
00:01:52

Ekkehard Abele, Artist - Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Hans Jörg Mammel, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

7
VII. Verblendet war des Königs Sinn
Wolf Matthias Friedrich
00:02:45

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Wolf Matthias Friedrich, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

8
VIII. Ich schwebe auf des Todes Fittich
Hans-Jörg Mammel
00:02:37

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Rheinische Kantorei, Choir - Das Kleine Konzert, Orchestra - Hans Jörg Mammel, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

Der Durchzug durchs rote Meer, S33, Pt. 2 (Johann Nepomuk Hummel)

9
IX. Ein groß Geschrei ging aus
Wolf Matthias Friedrich
00:01:28

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Wolf Matthias Friedrich, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

10
X. Der Herr hat unser Trübsal geseh'n
Simone Kermes
00:05:53

Johann Nepomuk Hummel, Composer - Simone Kermes, Artist, MainArtist - Hermann Max, Conductor - Rheinische Kantorei, Choir - Das Kleine Konzert, Orchestra - Hans Jörg Mammel, Artist - Wolf Matthias Friedrich, Artist - Veronika Winter, Artist

(C) 2007 CPO (P) 2007 CPO

11
XI. Sie zogen aus, gewaffnet durch die Wüste
Wolf Matthias Friedrich
00:01:17

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Wolf Matthias Friedrich, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

12
XII. Und Moses streckte aus die Hand
Simone Kermes
00:05:42

Johann Nepomuk Hummel, Composer - Simone Kermes, Artist, MainArtist - Hermann Max, Conductor - Rheinische Kantorei, Choir - Das Kleine Konzert, Orchestra

(C) 2007 CPO (P) 2007 CPO

13
XIII. Es warf das Meer die Toten ans Gestade
Wolf Matthias Friedrich
00:00:31

Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Das Kleine Konzert, Orchestra - Wolf Matthias Friedrich, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

14
XIV. Jehova ist ein Kriegesheld
Veronika Winter
00:07:46

Ekkehard Abele, Artist - Johann Nepomuk Hummel, Composer - Hermann Max, Conductor - Rheinische Kantorei, Choir - Das Kleine Konzert, Orchestra - Veronika Winter, Artist, MainArtist

(C) 2007 CPO (P) 2007 CPO

Chronique

Hummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a London collection. This is the work's world-premiere recording and perhaps its premiere performance: according to the booklet, it was never performed during Hummel's lifetime. After you hear it, that fact will surprise you; the music has a formal freedom that would lead you to believe that later composers could easily have been familiar with it. The work was probably written in the first part of Hummel's career, when he followed Haydn as music director at Esterháza castle, and it shows the impact of Haydn's late masses, of Die Schöpfung, and of Beethoven's early choral music. However, it has plenty of original ideas, and it doesn't sound much like Hummel's better-known instrumental works. It is quite compact, and its most distinctive feature is flexible text setting that achieves considerable power. The individual numbers are not set pieces for chorus or for one of the five soloists, but intersperse choral and solo passages in a way that suggests music from later in the nineteenth century. Sample the fugue in track 5, which effectively breaks off at its climax for another statement from Moses, the soloist. Hummel's use of recitatives is likewise flexible, with both secco and accompanied passages; the simple recitatives are here accompanied on a fortepiano. The performance is exemplary. The Rheinische Kantorei is one of those regional German choirs whose rich textures demonstrate just how deeply choral singing is embedded in the country's musical and social fabric, and the performance features soprano Simone Kermes among other top-notch soloists. The players of Das kleine Konzert under Hermann Max are both lively and accurate in this live performance, recorded in enough sonic detail to catch everybody taking a breath as the conductor raises his baton, but also to reveal Hummel's attractive textures in full color. Germany's CPO label, which has specialized in unusual works of the Classical and post-Classical periods, has scored one of its most significant releases here.
© TiVo

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