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La Reverdie|Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

La Reverdie and Roberto Spremulli

Livret numérique

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Historia Sancti Eadmundi, an account of the martyrdom of a ninth century Saxon king who became the first widely prominent English saint, was written and elaborated upon from the tenth through the twelfth centuries. The subtitle of this CD, "From Dramatic Liturgy to Liturgical Drama," is based on the proposition of the Italian ensemble La Reverdie that by the twelfth century it was not uncommon for narratives like this one to be performed dramatically with music, and they cite as evidence various contemporaneous accounts either praising or deploring the practice. While the "restoration" of this particular Historia does not claim to reconstitute an actual medieval performance, it does attempt to faithfully re-create what a liturgical music drama devoted to St. Eadmund might have sounded like. Given the thoroughness of the scrupulously documented research, and the quality of the resulting performances, this is a CD that should be intriguing for any devotee of early music looking for recordings that are both academically responsible and musically lively and engaging. The group of women's voices supplemented by a broadly colorful assortment of period instruments brings vibrant energy and imaginative realizations to the ancient material. The performance of this Historia, which originally might have lasted a full day, is shortened to fit on one CD, and consists of antiphons, sequences, responsorial, and readings based on the text. The variety of presentations include vocal solos and unison choruses, sometimes a cappella and sometimes underscored by drones, with a variety of imaginative but appropriate accompaniments, as well as instrumental interludes. Among the most astonishing tracks are the readings, often dramatically accompanied by percussion, spoken by a soloist, or by a chorus in a kind of semi-pitched homophonic Sprechstimme, a tremendously effective device. The sound is clear and clean, and nicely atmospheric.

© TiVo

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Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

La Reverdie

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Vita (Anonyme)

1
Classicum
00:01:07

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

2
Ave Rex gentis Anglorum / Domine labia mea aperies
00:03:26

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

3
Exulta sancta ecclesia
00:01:45

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

4
Stans a longe
00:01:45

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

5
Sancte indolis puer / Cuius infanciam
00:02:43

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

6
Egregium decus
00:01:13

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

7
Lectio
00:01:06

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

8
Legem dedit rex crudelis
00:00:55

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

9
Lectio 2
00:03:18

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

10
Miles Christi Eadmundus / Ignis & ferrum / Gloria
00:03:50

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

11
Ait autem Eadmundus
00:01:16

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

Passio (Anonyme)

12
Tubam bellicosam
00:02:03

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

13
Vinctus ferro
00:00:47

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

14
Quo amplior esse
00:01:04

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

15
Crescit ad penam Sanctus / Rivus sanguinis
00:02:25

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

16
Martyri adhuc palpitanti / Capud sanctitate plenum
00:02:34

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

17
Misso spiculatore
00:01:01

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

18
Lectio
00:01:07

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

19
Fistula
00:02:18

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

20
Resectum ergo / Exaudifit Dominus / Heu pastor
00:03:40

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

Miracula (Anonyme)

21
Capud martyris verba edidit / Condoluit pater
00:02:54

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

22
Peregrinacio
00:02:24

La Reverdie, Performer - Roberto Spremulli, Performer - Claudia Caffagni, Composer

2009 Arcana 1996 Arcana

23
Admirabilis fuit / Ex iocunditate
00:02:17

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

24
Preciosum martyris corpus / Tantum in collo
00:04:27

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

25
Lyra
00:02:21

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

26
Quidam magne potencie vir Lefstanus
00:01:08

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

27
Reserato ergo locello
00:00:56

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

28
Gloriosus Dei adleta Eadmundus
00:02:08

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

29
O sanctissimi patris Eadmundi
00:02:00

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

30
Lectio / Amen
00:02:19

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

2009 Arcana 1996 Arcana

Chronique

Historia Sancti Eadmundi, an account of the martyrdom of a ninth century Saxon king who became the first widely prominent English saint, was written and elaborated upon from the tenth through the twelfth centuries. The subtitle of this CD, "From Dramatic Liturgy to Liturgical Drama," is based on the proposition of the Italian ensemble La Reverdie that by the twelfth century it was not uncommon for narratives like this one to be performed dramatically with music, and they cite as evidence various contemporaneous accounts either praising or deploring the practice. While the "restoration" of this particular Historia does not claim to reconstitute an actual medieval performance, it does attempt to faithfully re-create what a liturgical music drama devoted to St. Eadmund might have sounded like. Given the thoroughness of the scrupulously documented research, and the quality of the resulting performances, this is a CD that should be intriguing for any devotee of early music looking for recordings that are both academically responsible and musically lively and engaging. The group of women's voices supplemented by a broadly colorful assortment of period instruments brings vibrant energy and imaginative realizations to the ancient material. The performance of this Historia, which originally might have lasted a full day, is shortened to fit on one CD, and consists of antiphons, sequences, responsorial, and readings based on the text. The variety of presentations include vocal solos and unison choruses, sometimes a cappella and sometimes underscored by drones, with a variety of imaginative but appropriate accompaniments, as well as instrumental interludes. Among the most astonishing tracks are the readings, often dramatically accompanied by percussion, spoken by a soloist, or by a chorus in a kind of semi-pitched homophonic Sprechstimme, a tremendously effective device. The sound is clear and clean, and nicely atmospheric.

© TiVo

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