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The Derailers|Here Come The Derailers

Here Come The Derailers

The Derailers

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It says a lot about the current state of affairs in Nashville that the Derailers, one of the finest retro-style country acts around, are able to make better and more purely C&W-oriented albums recording for a Texas-based indie label than for one of the Big Boys on Music Row. Here Come the Derailers, the group's fourth studio album, is their first for Lucky Dog, a Sony imprint, and the idea seems to have been to create an album that rides a middle ground between the spunky Buck Owens-style honky tonk of their earlier albums and something that might find airplay on contemporary country radio. Unfortunately, the formula turns out to have been a little off, and producer Kyle Lehning has added enough polish to the Derailers' sound that a large percentage of the group's personality has been buffed away in the process. While Brian Hofeldt's picking is as stellar as always and Tony Villanueva's vocals are in fine form, the energetic snap of the band's best work is considerably muted here, and the glossy keyboard and steel overdubs generally don't add to the songs, but take away from them. While there's some great material on board -- the honky tonkin' wit of "Bar Exam," the spunky "There Goes the Bride," and the Orbison-esque "I See My Baby" -- there's an uncomfortable amount of filler, especially the failed weepers "All the Rage in Paris" and "My Angel's Getting Tired." And while covering "Mohair Sam" sure sounds like a good idea, the results are disappointing, though their take on Arthur Alexander's "If It's Really Got to Be This Way" is terrific. Here Come the Derailers isn't a bad album -- this band is far too talented for their virtues not to shine through -- but it's a far cry from the high-spirited retro-twang of their earlier albums, and while a lot more people are likely to hear this record, it's not an introduction that flatters the group.

© Mark Deming /TiVo

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Here Come The Derailers

The Derailers

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1
More Of Your Love
00:03:01

Ed Adkins, Acoustic Bass - The Derailers, Performer - Mark Horn, Drums - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Wally Wilson, Composer - Wally Wilson, Lyricist - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Kostas, Composer - Kostas, Lyricist - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Jason Lehning, Recording Engineer - Robert Hadley, Mastering Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - Hank Singer, Fiddle - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

2
Bar Exam
00:03:28

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Bill Carter, Composer - Bill Carter, Lyricist - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal - Ruth Ellsworth-Carter, Composer - Ruth Ellsworth-Carter, Lyricist

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

3
You Know What She's Like
00:03:17

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Bill Carter, Composer - Bill Carter, Lyricist - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Mandolin - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal - Ruth Ellsworth-Carter, Composer - Ruth Ellsworth-Carter, Lyricist

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

4
Your Guess Is Good As Mine
00:02:40

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Composer - Brian Hofeldt, Lyricist - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Jim Lauderdale, Composer - Jim Lauderdale, Lyricist - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

5
I See My Baby
00:03:19

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Composer - Brian Hofeldt, Vocal - Brian Hofeldt, Lyricist - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Mandolin - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

6
Country A Go-Go
00:03:10

Ed Adkins, Composer - Ed Adkins, Lyricist - Ed Adkins, Acoustic Bass - Mark Horn, Composer - Mark Horn, Lyricist - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Composer - Brian Hofeldt, Lyricist - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - Bekka Bramlett, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

7
I'd Follow You Anywhere
00:02:49

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Jim Lauderdale, Composer - Jim Lauderdale, Lyricist - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - Melba Montgomery, Composer - Melba Montgomery, Lyricist - Bekka Bramlett, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

8
All The Rage In Paris
00:04:28

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Daryl Burgess, Composer - Daryl Burgess, Lyricist - Doug Sax, Mastering Engineer - Jim Lauderdale, Composer - Jim Lauderdale, Lyricist - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

9
My Angel's Gettin' Tired
00:03:38

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

10
Mohair Sam
00:02:57

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - Dallas Frazier, Composer - Dallas Frazier, Lyricist - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Bekka Bramlet, Background Vocal - Kay Smith, A&R Coordinator - Bekka Bramlett, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

11
If It's Really Got To Be This Way
00:03:15

Ed Adkins, Acoustic Bass - Mark Horn, Drums - The Derailers, Performer - Donnie Fritts, Composer - Donnie Fritts, Lyricist - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Gary Nicholson, Composer - Gary Nicholson, Lyricist - Kay Smith, A&R Coordinator - JT Corenflos, Electric Guitar - Bekka Bramlett, Background Vocal - John Wesley Ryles, Background Vocal - Thom Flora, Background Vocal - Chris Scherbak, 2nd Engineer - Hank Singer, Fiddle - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Delbert McClinton, Harmonica - Eric Darken, Percussion - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal - Arthur Alexander, Composer - Arthur Alexander, Lyricist

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

12
There Goes The Bride
00:03:13

Ed Adkins, Composer - Ed Adkins, Lyricist - Ed Adkins, Acoustic Bass - Mark Horn, Composer - Mark Horn, Lyricist - Mark Horn, Drums - The Derailers, Performer - John Jarvis, Keyboards - John Jarvis, Piano - Cliff Audretch, A&R Director - Brian Hofeldt, Vocal - Brian Hofeldt, Composer - Brian Hofeldt, Lyricist - Brian Hofeldt, Electric Guitar - Michael Hiatt, A&R Coordinator - Doug Sax, Mastering Engineer - Sandy Williams, Coordinator - Sandy Williams, 2nd Engineer - Tony Villanueva, Vocal - Tony Villanueva, Harmonica - Tony Villanueva, Acoustic Baritone Guitar - Robert Hadley, Mastering Engineer - Jason Lehning, Recording Engineer - John Wesley Ryles, I, Background Vocal - Kay Smith, A&R Coordinator - Bekka Bramlett, Background Vocal - Thom Flora, Background Vocal - Hank Singer, Fiddle - Chris Scherbak, 2nd Engineer - Billy Panda, Acoustic Baritone Guitar - Billy Panda, Electric Guitar - Billy Panda, Guitar - Billy Panda, Mandolin - Dan Dugmore, Guitar - Dan Dugmore, Mandolin - Tony O. Villanueva, Composer - Tony O. Villanueva, Lyricist - Delbert McClinton, Harmonica - Eric Darken, Marimba - Eric Darken, Timpani - KYLE LEHNING, Producer - Liana Manis, Background Vocal

(P) 2001 SONY BMG MUSIC ENTERTAINMENT

Chronique

It says a lot about the current state of affairs in Nashville that the Derailers, one of the finest retro-style country acts around, are able to make better and more purely C&W-oriented albums recording for a Texas-based indie label than for one of the Big Boys on Music Row. Here Come the Derailers, the group's fourth studio album, is their first for Lucky Dog, a Sony imprint, and the idea seems to have been to create an album that rides a middle ground between the spunky Buck Owens-style honky tonk of their earlier albums and something that might find airplay on contemporary country radio. Unfortunately, the formula turns out to have been a little off, and producer Kyle Lehning has added enough polish to the Derailers' sound that a large percentage of the group's personality has been buffed away in the process. While Brian Hofeldt's picking is as stellar as always and Tony Villanueva's vocals are in fine form, the energetic snap of the band's best work is considerably muted here, and the glossy keyboard and steel overdubs generally don't add to the songs, but take away from them. While there's some great material on board -- the honky tonkin' wit of "Bar Exam," the spunky "There Goes the Bride," and the Orbison-esque "I See My Baby" -- there's an uncomfortable amount of filler, especially the failed weepers "All the Rage in Paris" and "My Angel's Getting Tired." And while covering "Mohair Sam" sure sounds like a good idea, the results are disappointing, though their take on Arthur Alexander's "If It's Really Got to Be This Way" is terrific. Here Come the Derailers isn't a bad album -- this band is far too talented for their virtues not to shine through -- but it's a far cry from the high-spirited retro-twang of their earlier albums, and while a lot more people are likely to hear this record, it's not an introduction that flatters the group.

© Mark Deming /TiVo

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