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Florilegium|Bach: Brandenburg Concertos

Bach: Brandenburg Concertos

Florilegium

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This set of Bach's Brandenburg Concertos, BWV 1046-1051, is one of a group that uses chamber-sized instrumentation, with just one or two instruments per part. The primary Italian models for Bach's concertos, the concerti grossi of Vivaldi, were intended for an orchestra that is thought to have included some 60 musicians. However, in for a penny, in for a pound, and the British group Florilegium opts to explore the unusual sonorities that are possible only with a smaller ensemble. Often they deemphasize still further the role of the tutti, playing them in a plain way and putting all the emphasis on the solos. Reactions are likely to depend on how listeners feel about chamber-sized Bach orchestral music in general. For those who like it, they'll find many aspects of these performances fresh, precise, and often graceful; if not, some may feel that the slow movements plod and that the overall structure of contrasts does not emerge with any clarity. Also debatable is the group's decision to play the six concertos in reverse order to feature ensembles of increasing size as the set proceeds. The six concertos were indeed composed at different times, not as a set, but the ordering, tailored for an important presentation by Bach, is the composer's own, and this ordering places the most striking and problematic orchestration, that of the fifth concerto with its gigantic harpsichord cadenza, too close to the beginning. The sound from the audiophile label Channel Classics is clear, but has the brittle quality common to church recordings of instrumental music not originally intended for performance in a church.
© TiVo

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Bach: Brandenburg Concertos

Florilegium

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Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051 (Johann Sebastian Bach)

1
I.
00:06:10

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

2
II. Adagio ma non tanto
00:04:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

3
III. Allegro
00:05:58

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Brandenburg Concerto No. 5 in D major, BWV 1050 (Johann Sebastian Bach)

4
I. Allegro
00:09:56

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

5
II. Affettuoso
00:05:43

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

6
III. Allegro
00:05:24

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Brandenburg Concerto No. 4 in G major, BWV 1049 (Johann Sebastian Bach)

7
I. Allegro
00:06:41

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

8
II. Andante
00:03:36

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

9
III. Presto
00:04:37

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

DISQUE 2

Brandenburg Concerto No. 3 in G major, BWV 1048 (Johann Sebastian Bach)

1
I. - II. Adagio
00:05:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

2
III. Allegro
00:04:35

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Brandenburg Concerto No. 2 in F major, BWV 1047 (Johann Sebastian Bach)

3
I.
00:04:46

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

4
II. Andante
00:03:35

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

5
III. Allegro assai
00:02:49

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Brandenburg Concerto No. 1 in F major, BWV 1046 (Johann Sebastian Bach)

6
I.
00:04:06

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

7
II. Adagio
00:03:29

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

8
III. Allegro
00:04:17

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

9
IV. Menuetto - Trio I - Menuetto da capo - Polacca. Polonaise - Menuetto da capo - Trio II - Menuetto da capo
00:07:10

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Chronique

This set of Bach's Brandenburg Concertos, BWV 1046-1051, is one of a group that uses chamber-sized instrumentation, with just one or two instruments per part. The primary Italian models for Bach's concertos, the concerti grossi of Vivaldi, were intended for an orchestra that is thought to have included some 60 musicians. However, in for a penny, in for a pound, and the British group Florilegium opts to explore the unusual sonorities that are possible only with a smaller ensemble. Often they deemphasize still further the role of the tutti, playing them in a plain way and putting all the emphasis on the solos. Reactions are likely to depend on how listeners feel about chamber-sized Bach orchestral music in general. For those who like it, they'll find many aspects of these performances fresh, precise, and often graceful; if not, some may feel that the slow movements plod and that the overall structure of contrasts does not emerge with any clarity. Also debatable is the group's decision to play the six concertos in reverse order to feature ensembles of increasing size as the set proceeds. The six concertos were indeed composed at different times, not as a set, but the ordering, tailored for an important presentation by Bach, is the composer's own, and this ordering places the most striking and problematic orchestration, that of the fifth concerto with its gigantic harpsichord cadenza, too close to the beginning. The sound from the audiophile label Channel Classics is clear, but has the brittle quality common to church recordings of instrumental music not originally intended for performance in a church.
© TiVo

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