Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
The Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major label with Sony/Columbia's revived Monument Records imprint. All of this seems like the blueprint for a big pop crossover move and, to be sure, their 1998 major-label debut Wide Open Spaces was a monumental success, selling over ten million copies and turning the group into superstars, but the remarkable thing about the album is that it's most decidedly not a sell-out, or even a consciously country-pop record. To be sure, there are pop melodies here, but this isn't a country-pop album in the vein of Shania Twain, a record that's big on style and glitz, designed for a mass audience. Instead, Wide Open Spaces pulls from several different sources -- the Chicks' Americana roots, to be sure, but also bits of the alt-country from kd lang and Lyle Lovett, '70s soft rock (any album that features versions of songs by J.D. Souther and Bonnie Raitt surely fits this bill), even the female neo-folkies emerging on the adult alternative rock stations at the end of the decade. In other words, it hit a sweet spot, appealing to many different audiences because it was eclectic without being elitist, but they also had a true star in Natalie Maines, whose powerful, bluesy voice gave these songs a compelling center. Maines was versatile, too, negotiating the twists and turns of these songs without a hitch, easily moving from the vulnerability of "You Were Mine" to the snarl of "Give It Up or Let Me Go." The same goes for the Chicks and Wide Open Spaces as a whole: they are as convincing on the sprightly opener "I Can Love You Better" or the bright, optimistic title song as they are on the breezy "There's Your Trouble" as they are on the honky tonk shuffle of "Tonight the Heartache's on Me" and the rocking swagger of "Let 'Er Rip." It's a remarkably wide range and it's effortlessly eclectic, with the Chicks bringing it all together with their attitude and understated musicality -- as debuts go (and this does count as a debut), they rarely get better than this.
© Stephen Thomas Erlewine /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Dixie Chicks, Associated Performer, Main Artist - Kostas, Composer, Lyricist - Pamela Brown Hayes, Composer, Lyricist - Natalie Maines - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Mark Casstevens, Acoustic Guitar - Billy Crain, Acoustic Guitar - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - George Marinelli, Electric Guitar - Lloyd Maines, Steel Guitar - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass - Blake Chancey, Producer - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Tony Castle, Producer - Erik Hellerman, Producer - MARK CAPPS, Producer - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer
(P) 1997 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Susan Gibson, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - Tom Jans, Composer, Lyricist - Natalie Maines - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Mark Casstevens, Acoustic Guitar - Billy Crain, Acoustic Guitar - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - George Marinelli, Electric Guitar - Lloyd Maines, Steel Guitar - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass - Blake Chancey, Producer - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Tony Castle, Producer - Erik Hellerman, Producer - MARK CAPPS, Producer - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Tia Sillers, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Mark Selby, Composer, Lyricist - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - Emily Burns Erwin Robison, Composer, Lyricist - Martie Seidel, Composer, Fiddle, Lyricist, Mandolin - Natalie Maines - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Mark Casstevens, Acoustic Guitar - Billy Crain, Acoustic Guitar - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - George Marinelli, Electric Guitar - Lloyd Maines, Steel Guitar - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass - Blake Chancey, Producer - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Tony Castle, Producer - Erik Hellerman, Producer - MARK CAPPS, Producer - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Radney Foster, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - George Ducas, Composer, Lyricist - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Mary W. Francis, Composer, Lyricist - Natalie Maines - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Ed Simonton, Producer - Johnny MacRae, Composer, Lyricist - Martie Seidel, Fiddle, Mandolin - MARK CAPPS, Producer - Bob Morrison, Composer, Lyricist - Tony Castle, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - Jim Burnett, Editor, Producer - Billy Crain, Acoustic Guitar - Clarke Schleicher, Producer - Blake Chancey, Producer - Mark Casstevens, Acoustic Guitar - Erik Hellerman, Producer - Carlos Grier, Editor - DON COBB, Editor - Chip Matthews, Assistant Engineer - George Marinelli, Electric Guitar - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Shawn Simpson, Mixing Engineer - Christopher Rowe, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Michael Rhodes, Bass - Joe Chemay, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Billy Crain, Acoustic Guitar, Composer, Lyricist - Natalie Maines - Clarke Schleicher, Producer - Sandy Ramos, Composer, Lyricist - Martie Seidel, Fiddle, Mandolin - Erik Hellerman, Producer - Tony Castle, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - Jim Burnett, Editor, Producer - Ed Simonton, Producer - Blake Chancey, Producer - Mark Casstevens, Acoustic Guitar - MARK CAPPS, Producer - Carlos Grier, Editor - DON COBB, Editor - Chip Matthews, Assistant Engineer - George Marinelli, Electric Guitar - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Shawn Simpson, Mixing Engineer - Christopher Rowe, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Bruce Miller, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Thom McHugh, Composer, Lyricist - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - John David Souther, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Maria McKee, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - Lloyd Maines, Steel Guitar - JOHN GUESS, Mixing Engineer - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Joe Chemay, Bass - Michael Rhodes, Bass
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Dixie Chicks, Associated Performer, Main Artist - PAUL WORLEY, Acoustic Guitar, Electric Guitar, Producer - Bonnie Raitt, Composer, Lyricist - Natalie Maines - Blake Chancey, Producer - Emily Erwin, Acoustic Guitar, Banjo, Dobro - Martie Seidel, Fiddle, Mandolin - Ed Simonton, Producer - Clarke Schleicher, Producer - Jim Burnett, Editor, Producer - Mark Casstevens, Acoustic Guitar - Tony Castle, Producer - Billy Crain, Acoustic Guitar - Erik Hellerman, Producer - Jr. Bill Joe Walker, Acoustic Guitar, Electric Guitar - MARK CAPPS, Producer - George Marinelli, Electric Guitar - DON COBB, Editor - Carlos Grier, Editor - Chip Matthews, Assistant Engineer - JOHN GUESS, Mixing Engineer - Tony Paoletta, Steel Guitar - Christopher Rowe, Mixing Engineer - Shawn Simpson, Mixing Engineer - DENNY PURCELL, Mastering Engineer - Greg Marrow, Drums - Tom Roady, Congas, Shaker, Tambourine - MATT ROLLINGS, Piano - Bobby Charles, Jr., Bass - Michael Rhodes, Bass
(P) 1997 Columbia Records, a division of Sony Music Entertainment
Approfondimenti
The Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major label with Sony/Columbia's revived Monument Records imprint. All of this seems like the blueprint for a big pop crossover move and, to be sure, their 1998 major-label debut Wide Open Spaces was a monumental success, selling over ten million copies and turning the group into superstars, but the remarkable thing about the album is that it's most decidedly not a sell-out, or even a consciously country-pop record. To be sure, there are pop melodies here, but this isn't a country-pop album in the vein of Shania Twain, a record that's big on style and glitz, designed for a mass audience. Instead, Wide Open Spaces pulls from several different sources -- the Chicks' Americana roots, to be sure, but also bits of the alt-country from kd lang and Lyle Lovett, '70s soft rock (any album that features versions of songs by J.D. Souther and Bonnie Raitt surely fits this bill), even the female neo-folkies emerging on the adult alternative rock stations at the end of the decade. In other words, it hit a sweet spot, appealing to many different audiences because it was eclectic without being elitist, but they also had a true star in Natalie Maines, whose powerful, bluesy voice gave these songs a compelling center. Maines was versatile, too, negotiating the twists and turns of these songs without a hitch, easily moving from the vulnerability of "You Were Mine" to the snarl of "Give It Up or Let Me Go." The same goes for the Chicks and Wide Open Spaces as a whole: they are as convincing on the sprightly opener "I Can Love You Better" or the bright, optimistic title song as they are on the breezy "There's Your Trouble" as they are on the honky tonk shuffle of "Tonight the Heartache's on Me" and the rocking swagger of "Let 'Er Rip." It's a remarkably wide range and it's effortlessly eclectic, with the Chicks bringing it all together with their attitude and understated musicality -- as debuts go (and this does count as a debut), they rarely get better than this.
© Stephen Thomas Erlewine /TiVo
A proposito dell'album
- 1 disco(i) - 12 traccia(e)
- Durata totale: 00:43:46
- Artisti principali: The Chicks
- Compositore: Various Composers
- Etichetta: Monument
- Genere: Blues/Country/Folk Country
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.