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Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, stirred up such a flurry of powerful, simultaneously conflicting emotions.
The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of Audrey's Dance or the surging romantic passion of Laura Palmer's Theme. (The spookiest thing about Laura Palmer's Theme is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.
© TiVo
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Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - Badalamenti, Composer - David Lynch, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Ted Jensen, Masterer - Vinnie Bell, Bass Guitar, Electric Guitar - Buster Williams, Extra Bass - Jim Hynes, Trumpet
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Al Regni, Tenor Saxophone - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Buster Williams, Extra Bass
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Producer, Arranger, Keyboards, Orchestration - Art Pohlemus, RecordingEngineer - Badalamenti, Writer - David Lynch, Producer, Writer - Kinny Landrum, Keyboards - Ron Carter, Bass - JIMMY SCOTT, Vocals, MainArtist - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Alvin Flythe, Jr., Saxophone - Brian Kirk, Drums - Ken-Ichi Shimazu, Piano
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1990 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Grady Tate, Drums - Rufus Reid, Bass - Vinnie Bell, Acoustic Guitar, Electric Guitar - Ted Jenson, Masterer - Bill Mays, Piano - Jay Hoggard, Vibes
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Piano, Vocals, Orchestration, Synthesizer, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer, Arranger, Percussion, Orchestration - Grady Tate, Drums - Vinnie Bell, Guitar - Ted Jenson, Masterer - Buster Williams, Bass
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Julee Cruise, Vocals, MainArtist - Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Al Regni, Tenor Saxophone - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Buster Williams, Bass
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1990 Warner Records Inc.
David Bianco, RecordingEngineer - Andy Armer, Keyboards - Angelo Badalamenti, Producer, MainArtist - David Lynch, Composer, Producer, Arranger, Orchestration - Ted Jenson, Masterer - David Jaurequi, Guitar - Don Falzone, Bass - Steven Hodges, Drums
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Piano, Vocals, Orchestration, Synthesizer, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer, Arranger, Percussion, Orchestration - Ted Jenson, Masterer
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Producer, MainArtist - David Lynch, Composer, Producer, Arranger, Orchestration - Michael Semanick, RecordingEngineer - Ted Jenson, Masterer - Donald Bailey, Drums - David Cooper, Vibraphone - Myles Boisen, Guitar - David Slusser, Composer, Arranger, Keyboards, Orchestration - William Fairbanks, Bass
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Grady Tate, Drums - Rufus Reid, Bass - Vinnie Bell, Acoustic Guitar, Electric Guitar - Ted Jenson, Masterer - Bill Mays, Keyboards - Jay Hoggard, Vibes
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Composer, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Bob Rose, Guitar - Vinnie Bell, Guitar - Ted Jenson, Masterer - Buster Williams, Bass
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1989, 1992 Warner Records Inc.
Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Kinny Landrum, Keyboards - Ted Jenson, Masterer
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.
Approfondimenti
Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, stirred up such a flurry of powerful, simultaneously conflicting emotions.
The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of Audrey's Dance or the surging romantic passion of Laura Palmer's Theme. (The spookiest thing about Laura Palmer's Theme is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.
© TiVo
A proposito dell'album
- 1 disco(i) - 12 traccia(e)
- Durata totale: 00:56:50
- Artisti principali: Twin Peaks: Fire Walk With Me
- Compositore: Various Composers
- Etichetta: Warner Records
- Genere: Colonne sonore Colonne sonore
© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1989, 1990, 1992 Warner Records Inc.
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