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VocalEssence Ensemble Singers|The World Beloved: A Bluegrass Mass

The World Beloved: A Bluegrass Mass

Philip Brunelle

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The idea of a bluegrass mass is a good one -- check out a polka mass sometime if you're somewhere in the big crescent running from Buffalo down into Pennsylvania and over through Ohio to Toledo on a Sunday morning. Bluegrass might be thought of as country's classical music, with discipline and technique applied to fresh realizations of traditional forms. There's nothing really wrong with this effort by composer Carol Barnett and librettist Marisha Chamberlain -- the text alternates sections very loosely based on the texts of the Catholic mass with a verse ballad articulating basic Christian tenets. The VocalEssence chorus is the equal of any choir working in the U.S. today, and in the American anthems from Billings to Eric Whitacre that round out the disc they offer superior performances. The problem is that few bluegrass listeners would recognize the music in the main attraction as bluegrass. There is a bluegrass band called Monroe Crossing present, but the players seem a little unsure of what to do with the instruments amid rhythms that fluctuate between the free forms of contemporary choral music and simple strumming beats -- the driving forward motion that defines bluegrass, descended from traditional fiddle dance music and enlivened with ragtime and jazz, is completely absent. Nor is there any effort to make use of the distinctive bluegrass vocal quality often termed "high lonesome." There aren't any technical obstacles to including bluegrass-inflected singing or playing in a concert-music context -- check out the music of Michigan composer Evan Chambers, such as the Concerto for fiddle and violin, if you're interested in this kind of thing. But there's very little bluegrass feeling here -- just banjo, fiddle, mandolin, and bass dutifully plunking along.
© TiVo

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The World Beloved: A Bluegrass Mass

VocalEssence Ensemble Singers

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The World Beloved: A Bluegrass Mass (Carol Barnett)

1
Ballad Refrain
00:00:40

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

2
Kyrie
00:03:10

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

3
Ballad: First Verse
00:00:40

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

4
Gloria
00:02:53

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

5
Ballad: Second Verse and Refrain
00:01:10

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

6
Credo
00:04:20

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

7
Sanctus
00:03:03

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

8
Ballad: Third and Fourth Verses and Refrain
00:03:28

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

9
Agnus Dei
00:02:17

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

10
Interlude: Art Thou Weary?
00:02:23

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

11
Benediction
00:02:34

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

12
Conclusion
00:00:47

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Ensemble, MainArtist - Carol Barnett, Composer - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

O Praise The Lord Of Heaven (William Billings)

13
O Praise the Lord of Heaven
00:03:41

William Billings, Composer - Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

The Peaceable Kingdom (Randall Thompson)

14
The Paper Reeds by the Brook
00:02:14

Philip Brunelle, Conductor - Randall Thompson, Composer - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

The Settling Years (Libby Larsen)

15
II. Beneath These Alien Stars
00:04:05

Philip Brunelle, Conductor - Libby Larsen, Composer - VocalEssence Ensemble Singers, Choir, MainArtist - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

The day is done (Stephen Paulus)

16
The Day Is Done
00:04:05

Philip Brunelle, Conductor - Stephen Paulus, Composer - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

Ecstatic Meditations (Aaron Jay Kernis)

17
No. 3. I Cannot Dance, O Lord
00:03:40

Aaron Jay Kernis, Composer - Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

Sing, My Soul, His Wondrous Love (Ned Rorem)

18
Sing, My Soul, His Wondrous Love
00:02:03

Ned Rorem, Composer - Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

The Mask (text by G. Gwendolyn) (William Bolcom)

19
The Mask: No. 2. Heritage
00:01:59

William Bolcom, Composer - Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist - Monroe Crossing, Ensemble

(C) 2010 Clarion (P) 2010 Clarion

Native American Suite (Brent Michael Davids)

20
Zuni Sunrise Song
00:03:10

Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist - Brent Michael Davids, Composer

(C) 2010 Clarion (P) 2010 Clarion

Water Night (Eric Whitacre)

21
Water Night
00:04:06

Eric Whitacre, Composer - Philip Brunelle, Conductor - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

My Soul's Been Anchored in the Lord (Traditional)

22
My Soul's Been Anchored in the Lord
00:03:08

Traditional, Composer - Philip Brunelle, Conductor - Moses Hogan, Composer - VocalEssence Ensemble Singers, Choir, MainArtist

(C) 2010 Clarion (P) 2010 Clarion

Approfondimenti

The idea of a bluegrass mass is a good one -- check out a polka mass sometime if you're somewhere in the big crescent running from Buffalo down into Pennsylvania and over through Ohio to Toledo on a Sunday morning. Bluegrass might be thought of as country's classical music, with discipline and technique applied to fresh realizations of traditional forms. There's nothing really wrong with this effort by composer Carol Barnett and librettist Marisha Chamberlain -- the text alternates sections very loosely based on the texts of the Catholic mass with a verse ballad articulating basic Christian tenets. The VocalEssence chorus is the equal of any choir working in the U.S. today, and in the American anthems from Billings to Eric Whitacre that round out the disc they offer superior performances. The problem is that few bluegrass listeners would recognize the music in the main attraction as bluegrass. There is a bluegrass band called Monroe Crossing present, but the players seem a little unsure of what to do with the instruments amid rhythms that fluctuate between the free forms of contemporary choral music and simple strumming beats -- the driving forward motion that defines bluegrass, descended from traditional fiddle dance music and enlivened with ragtime and jazz, is completely absent. Nor is there any effort to make use of the distinctive bluegrass vocal quality often termed "high lonesome." There aren't any technical obstacles to including bluegrass-inflected singing or playing in a concert-music context -- check out the music of Michigan composer Evan Chambers, such as the Concerto for fiddle and violin, if you're interested in this kind of thing. But there's very little bluegrass feeling here -- just banjo, fiddle, mandolin, and bass dutifully plunking along.
© TiVo

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