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Marvin Gaye|The Soulful Moods Of Marvin Gaye

The Soulful Moods Of Marvin Gaye

Marvin Gaye

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That in the years after the release of this album Marvin Gaye became one of the greatest and most influential singers in the fields of soul and R&B is hardly a matter for discussion. What kind of impression the listening public might have picked up from Soulful Moods, his debut recording project, is another question, as it is certainly an uncharacteristic collection. It starts off with a whole run of standard numbers from the great era of American songwriting before tossing in a couple of trivial numbers from the developing Motown stable, including a Berry Gordy number that compares most unfavorably with the Irving Berlin, Cole Porter and Rodgers & Hart numbers that surround it. Fans of saloon singing may be curious to know how well Gaye fares in this difficult genre, and for the most part these are fine performances considering the versatile range of his voice and the depth of feeling he brought to most of his performances. No, this is not Gaye with a fully developed style, and it is hardly the innovative legend of Let's Get It On or What's Going On but there is nothing he could have been embarrassed about here. The studio musicians come up with nice arrangements of the material, sometimes even with hints of the punch they would bring to his later, chart-topping material.

© Eugene Chadbourne /TiVo

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The Soulful Moods Of Marvin Gaye

Marvin Gaye

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1
(I'm Afraid) The Masquerade Is Over (Single Version)
00:05:11

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Herbert Magidson, ComposerLyricist - Allie Wrubel, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

2
My Funny Valentine
00:03:30

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

3
Witchcraft (Single Version)
00:02:25

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - CY COLEMAN, Composer - Carol Leight, Author

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

4
Easy Living
00:03:06

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

5
How Deep Is The Ocean (How High Is The Sky)
00:03:09

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Irving Berlin, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

6
Love For Sale
00:02:54

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Cole Porter, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

7
Always
00:03:00

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Irving Berlin, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

8
How High The Moon
00:02:30

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Nancy Hamilton, Author - Morgan Lewis, Composer

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

9
Let Your Conscience Be Your Guide (Single Version)
00:03:02

Berry Gordy Jr., Producer, ComposerLyricist - Marvin Gaye, MainArtist

℗ 1961 UMG Recordings, Inc.

10
Never Let You Go (Sha Lu Bop) (Single Version)
00:02:41

Anna Gordy Gaye, ComposerLyricist - Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - HARVEY FUQUA, ComposerLyricist

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

11
You Don't Know What Love Is
00:03:55

Berry Gordy Jr., Producer - Marvin Gaye, MainArtist - Gene DePaul, Composer - Don Raye, Author

℗ 1961 Motown Records, a Division of UMG Recordings, Inc.

Approfondimenti

That in the years after the release of this album Marvin Gaye became one of the greatest and most influential singers in the fields of soul and R&B is hardly a matter for discussion. What kind of impression the listening public might have picked up from Soulful Moods, his debut recording project, is another question, as it is certainly an uncharacteristic collection. It starts off with a whole run of standard numbers from the great era of American songwriting before tossing in a couple of trivial numbers from the developing Motown stable, including a Berry Gordy number that compares most unfavorably with the Irving Berlin, Cole Porter and Rodgers & Hart numbers that surround it. Fans of saloon singing may be curious to know how well Gaye fares in this difficult genre, and for the most part these are fine performances considering the versatile range of his voice and the depth of feeling he brought to most of his performances. No, this is not Gaye with a fully developed style, and it is hardly the innovative legend of Let's Get It On or What's Going On but there is nothing he could have been embarrassed about here. The studio musicians come up with nice arrangements of the material, sometimes even with hints of the punch they would bring to his later, chart-topping material.

© Eugene Chadbourne /TiVo

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