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Depeche Mode|The Singles 81-85

The Singles 81-85

Depeche Mode

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Lingua disponibile: inglese

Replacing the original Catching Up with Depeche Mode compilation, Singles 81>85 subtracts two tracks -- the lightweight curiosity "Flexible" and "Fly on the Windscreen," which surfaced to better effect on Black Celebration -- and adds two, the full six-minute remix of "Just Can't Get Enough" and the original version of "Photographic," Depeche's recording debut on a 1980 compilation album. The overall collection remains the same, though, namely, a run through the peerless singles that kept the band on the charts in the U.K. and elsewhere, as well as building up their increasing cult following in America. It's an embarrassment of riches, from such bouncy early hits as "New Life," "Just Can't Get Enough," and "The Meaning of Love" to the increasingly heavier sound of "Everything Counts," "People Are People," and "Blasphemous Rumors." Nearly all the tracks appear in the original single mixes, some quite different from their album versions, others essentially the same (the one subtle difference in "Somebody" is an echoey percussion pattern buried in the mix, for instance). Two otherwise unavailable singles also appear here: "It's Called a Heart" is pleasant enough, but "Shake the Disease" is great, an obsessive love lyric matched to a wonderful, slow dance melody and an excellent pairing of David Gahan's more aggressive and Martin Gore's gentler vocals. As an introduction to Depeche's brilliant knack for catchy tunes evolving over time into a more challenging but no less popular collection of songs, at once defining and expanding the boundaries of synth pop, look no further.

© Ned Raggett /TiVo

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The Singles 81-85

Depeche Mode

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1
Dreaming of Me (Single Version)
00:03:44

Vince Clarke, Synthesizer - Dave Gahan, Vocals - Martin L. Gore, Keyboards - Depeche Mode, Producer - Daniel Miller, Producer - Andy Fletcher, Synthesizer - Eric Radcliffe, Engineer

(P) 1981 Venusnote Limited, under exclusive license to Sony Music Entertainment (UK)

2
New Life
00:03:44

Depeche Mode, Main Artist

(P) 1981 Venusnote Ltd., under exclusive license to Sony Music Entertainment International Ltd.

3
Just Can't Get Enough
00:03:41

Depeche Mode, Main Artist

(P) 1981 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

4
See You
00:03:56

Dave Gahan, Lead Vocals - Martin L. Gore, Keyboards - Depeche Mode, Main Artist - Daniel Miller, Producer - John Fryer, Engineer - Andy Fletcher, Keyboards - Eric Radcliffe, Engineer

(P) 1982 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

5
The Meaning of Love
00:03:05

Depeche Mode, Main Artist

(P) 1982 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

6
Leave In Silence (Single Version)
00:04:00

Depeche Mode, Main Artist

(P) 1982 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

7
Get the Balance Right
00:03:13

Depeche Mode, Main Artist

(P) 1982 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

8
Everything Counts
00:03:57

Depeche Mode, Main Artist

(P) 1983 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

9
Love in Itself (Single Version)
00:04:00

Depeche Mode, Main Artist

(P) 1983 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

10
People Are People
00:03:44

Depeche Mode, Main Artist

(P) 1984 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

11
Master and Servant
00:03:46

Depeche Mode, Main Artist

(P) 1984 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

12
Blasphemous Rumours (Single Version)
00:05:09

Depeche Mode, Main Artist

(P) 1984 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

13
Somebody
00:04:21

Depeche Mode, Main Artist

(P) 1984 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

14
Shake the Disease
00:04:48

Depeche Mode, Main Artist

(P) 1985 Venusnote Ltd. Under exclusive license to Sony Music Entertainment International Ltd

15
It's Called a Heart
00:03:48

Depeche Mode, Main Artist

(P) 1985 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

16
Photographic (Some Bizzare Version)
00:03:11

Depeche Mode, Main Artist

(P) 1981 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

17
Just Can't Get Enough (Schizo Mix)
00:06:46

Depeche Mode, Main Artist

(P) 1981 Mute Records Limited, a BMG company, under exclusive license to Sony Music Entertainment

Approfondimenti

Replacing the original Catching Up with Depeche Mode compilation, Singles 81>85 subtracts two tracks -- the lightweight curiosity "Flexible" and "Fly on the Windscreen," which surfaced to better effect on Black Celebration -- and adds two, the full six-minute remix of "Just Can't Get Enough" and the original version of "Photographic," Depeche's recording debut on a 1980 compilation album. The overall collection remains the same, though, namely, a run through the peerless singles that kept the band on the charts in the U.K. and elsewhere, as well as building up their increasing cult following in America. It's an embarrassment of riches, from such bouncy early hits as "New Life," "Just Can't Get Enough," and "The Meaning of Love" to the increasingly heavier sound of "Everything Counts," "People Are People," and "Blasphemous Rumors." Nearly all the tracks appear in the original single mixes, some quite different from their album versions, others essentially the same (the one subtle difference in "Somebody" is an echoey percussion pattern buried in the mix, for instance). Two otherwise unavailable singles also appear here: "It's Called a Heart" is pleasant enough, but "Shake the Disease" is great, an obsessive love lyric matched to a wonderful, slow dance melody and an excellent pairing of David Gahan's more aggressive and Martin Gore's gentler vocals. As an introduction to Depeche's brilliant knack for catchy tunes evolving over time into a more challenging but no less popular collection of songs, at once defining and expanding the boundaries of synth pop, look no further.

© Ned Raggett /TiVo

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