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Paul Wee|Thalberg: L'art du chant

Thalberg: L'art du chant

Paul Wee

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Sigismond Thalberg was one of the best-known pianists of the middle 19th century. He was gored by Liszt in a famous critical essay but remained popular, especially in the U.S., where he toured almost incessantly for a time. Thalberg offered not just keyboard-spanning heroics but a singing tone that was one of his trademarks. The pieces here, sympathetically treated by pianist Paul Wee, illustrate this aspect of his work: they are arrangements, by the composer himself, of opera arias and other vocal pieces, wherein the tune is put in the foreground through various ingenious devices. They are not virtuoso paraphrases of the Liszt type but straight presentations of the melodies, with accompaniments that sometimes grow into intricacy but not into fireworks. Wee has specialized in virtuoso repertory by the likes of Alkan, but he has an equally strong presence in this repertory, which is certainly worth rediscovery. Some of the tunes by Mozart, Beethoven, and Schubert are well known; others, by the likes of Saverio Mercadante, much less so. There are also unexpected vernacular materials: a Welsh folk song and a Neapolitan tune. With hefty notes by Wee himself, the listener gets a good introduction to the tunes that would have been in the minds of Thalberg's listeners between 1853 and 1863, when these pieces were published. Thalberg wouldn't have played these sequentially but would have interspersed them among virtuoso pieces, and two CDs worth of essentially similar material may be a bit much, but this is material of considerable interest, beautifully played and nicely recorded at the Wyastone Estate hall in the UK.

© TiVo

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Thalberg: L'art du chant

Paul Wee

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L'art du chant appliqué au piano, Op. 70 (Sigismond Thalberg)

1
No. 1, A te, o cara (After Bellini's "I puritani")
00:05:16

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]
00:05:30

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3
No. 3, Adelaide (After Beethoven's Op. 46)
00:06:32

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

4
No. 4, Pietà, signore (Attrib. Stradella)
00:09:14

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

5
No. 5a, Lacrimosa (After Mozart's K. 626)
00:03:48

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

6
No. 5b, Sull'aria (After Mozart's K. 492)
00:03:23

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

7
No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")
00:05:56

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

8
No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")
00:05:57

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

9
No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")
00:04:59

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10
No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)
00:03:18

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

11
No. 10, Der Müller und der Bach (After Schubert's D. 795)
00:04:33

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

12
No. 11, Schelm, halt fest! (After Weber's J. 277)
00:04:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
No. 12, Il mio tesoro (After Mozart's K. 527)
00:05:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

DISCO 2

1
No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
00:04:02

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
No. 14, La dove prende (After Mozart's K. 620)
00:03:51

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3
No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
00:06:55

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

4
No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
00:03:43

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

5
No. 16b, Là ci darem la mano (After Mozart's K. 527)
00:03:36

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

6
No. 17, Sérénade (After Grétry's "L'amant jaloux")
00:03:22

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

7
No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
00:05:13

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

8
No. 19, Casta diva (After Bellini's "Norma")
00:06:22

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

9
No. 20, Voi che sapete (After Mozart's K. 492)
00:02:52

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10
No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
00:04:24

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

11
No. 22, Dafydd y garreg wen
00:03:21

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

12
No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
00:04:13

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
No. 24, Fenesta vascia (After Cottrau)
00:03:58

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3 Mélodies de Franz Schubert, Op. 79 (Sigismond Thalberg)

14
No. 1, Täuschung (After Schubert's D. 911)
00:01:25

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

15
No. 2, Der Neugierige (After Schubert's D. 795)
00:04:12

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

16
No. 3, Die Post (After Schubert's D. 911)
00:02:21

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

17
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
00:03:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10 Piano Pieces, Op. 36 (Sigismond Thalberg)

18
No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
00:03:53

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

Approfondimenti

Sigismond Thalberg was one of the best-known pianists of the middle 19th century. He was gored by Liszt in a famous critical essay but remained popular, especially in the U.S., where he toured almost incessantly for a time. Thalberg offered not just keyboard-spanning heroics but a singing tone that was one of his trademarks. The pieces here, sympathetically treated by pianist Paul Wee, illustrate this aspect of his work: they are arrangements, by the composer himself, of opera arias and other vocal pieces, wherein the tune is put in the foreground through various ingenious devices. They are not virtuoso paraphrases of the Liszt type but straight presentations of the melodies, with accompaniments that sometimes grow into intricacy but not into fireworks. Wee has specialized in virtuoso repertory by the likes of Alkan, but he has an equally strong presence in this repertory, which is certainly worth rediscovery. Some of the tunes by Mozart, Beethoven, and Schubert are well known; others, by the likes of Saverio Mercadante, much less so. There are also unexpected vernacular materials: a Welsh folk song and a Neapolitan tune. With hefty notes by Wee himself, the listener gets a good introduction to the tunes that would have been in the minds of Thalberg's listeners between 1853 and 1863, when these pieces were published. Thalberg wouldn't have played these sequentially but would have interspersed them among virtuoso pieces, and two CDs worth of essentially similar material may be a bit much, but this is material of considerable interest, beautifully played and nicely recorded at the Wyastone Estate hall in the UK.

© TiVo

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