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Pocket Full Of Rocks|Song to the King (Bonus Track Version)

Song to the King (Bonus Track Version)

Pocket Full Of Rocks

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This modern worship debut from Texas-bred Pocket Full of Rocks has few missteps. The sextet conveys its faith in the same style as FFH or Casting Crowns. Michael Farren's rich vocals recall the tenor of Clay Aiken and shine best on deeply personal ballads like "Falling" and "This Is the Life." "Now I Sing" kicks up the tempo and gives them one of their only rock tracks. Then there are generic contributions like "Bigger" and "Closer to You" that tend not to say anything memorable. Of course, it's difficult to attribute that to the songwriting or to the worship genre itself, which by definition prefers substance over originality. After a decade of innovative worship artists like Matt Redman and Chris Tomlin, though, PFOR seems to suffer slightly from a lack of identity. The glaring mismatch throughout the album is the combination of watered-down lyrics -- which typically appeal to teen audiences -- and a sophisticated, adult contemporary sound. Still, the group shows potential with Farren's vocals and lush, melodic arrangements that could find their place with a more contemporary sound.

© Jared Johnson /TiVo

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Song to the King (Bonus Track Version)

Pocket Full Of Rocks

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1
The Welcome Song
00:05:09

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

2
Closer to You
00:04:37

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

3
Worth Everything
00:04:36

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

4
Song to the King (AC Mix)
00:05:02

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

5
Now I Sing
00:03:49

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

6
Bigger
00:03:30

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

7
Falling
00:06:31

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

8
Let the Worshippers Arise
00:04:33

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

9
This Is the Life
00:04:04

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

10
More of You Jesus
00:04:53

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

11
Losing Me
00:04:43

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2006 Word Entertainment LLC, A Curb Company.

12
Let It Rain (Live)
00:09:01

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 1999 Word Entertainment LLC, A Curb Company.

13
Desperate People (Indie Version)
00:03:53

Pocket Full Of Rocks, MainArtist

2006 Word Entertainment LLC, A Curb Company. 2002 Word Music LLC, a Curb Company.

Approfondimenti

This modern worship debut from Texas-bred Pocket Full of Rocks has few missteps. The sextet conveys its faith in the same style as FFH or Casting Crowns. Michael Farren's rich vocals recall the tenor of Clay Aiken and shine best on deeply personal ballads like "Falling" and "This Is the Life." "Now I Sing" kicks up the tempo and gives them one of their only rock tracks. Then there are generic contributions like "Bigger" and "Closer to You" that tend not to say anything memorable. Of course, it's difficult to attribute that to the songwriting or to the worship genre itself, which by definition prefers substance over originality. After a decade of innovative worship artists like Matt Redman and Chris Tomlin, though, PFOR seems to suffer slightly from a lack of identity. The glaring mismatch throughout the album is the combination of watered-down lyrics -- which typically appeal to teen audiences -- and a sophisticated, adult contemporary sound. Still, the group shows potential with Farren's vocals and lush, melodic arrangements that could find their place with a more contemporary sound.

© Jared Johnson /TiVo

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