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Antônio Meneses|Soirées Internationales

Soirées Internationales

Antonio Meneses, violoncelle - Celina Szrvinsk, piano

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Lingua disponibile: inglese

“Paris is satiated by Parisian art” (Tarsila do Amaral). With these poignant words, the Brazilian painter described the Parisian musical scene during the first decades of the 20th Century: Paris, a city hungry for new cultural horizons and about to become the real first multicultural City of Europe. Here, Antonio Meneses introduces the Brazilian pianist Celina Szrvinsk, to explore music from his native land and other forms of expression that Paris evoked in composers from different backgrounds and generations. After years playing and investigating the works of Brazilian composers and their contemporaries, Antonio and Celina felt that rather than just explore the Brazilian link in Paris, they also wanted to explore the other cultures and styles that, in the 1920’s and later, made Paris the home of every artist with international interests – hence the title: Soirées Internationales. French and Parisian music were not the only forms of music in the French capital; Parisians were interested in the new arts and differing styles from Brazil to Russia, and the black rhythms of American jazz. With a mixture of Brazilian, French and Czech music, Antonio and Celina trace the colourful and expressive music of Brazil, represented here by Villa-Lobos and Camargo Guarnieri, to the Eastern European with Bohuslav Martinu and show how this music influenced a native French woman: the great composer, scholar and professor: Nadia Boulanger. (Text label)

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Soirées Internationales

Antônio Meneses

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Bachianas Brasileiras No.5 (Heitor Villa-Lobos)

1
Bachianas Brasileiras No. 5: Ária (arr. William Primrose)
00:06:04

Heitor Villa-Lobos, Composer - Antonio Meneses, MainArtist - William Primrose, Contributor - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Bachianas Brasileiras No.2 (Heitor Villa-Lobos)

2
Bachianas Brasileiras No. 2: O Canto do capadócio
00:07:07

Heitor Villa-Lobos, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

3
Bachianas Brasileiras No. 2: O Canto da Nossa Terra
00:05:26

Heitor Villa-Lobos, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

4
Bachianas Brasileiras No. 2: O Trenzinho do Caipira
00:04:15

Heitor Villa-Lobos, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Sonata for cello and piano No. 1 (Camargo (Mozart) Guarnieri)

5
Sonata No. 1 for Cello and Piano: I. Tristonho
00:08:48

Mozart Camargo Guàrnieri, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

6
Sonata No. 1 for Cello and Piano: II. Apaixonadamente
00:05:04

Mozart Camargo Guàrnieri, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

7
Sonata No. 1 for Cello and Piano: III. Selvagem
00:03:50

Mozart Camargo Guàrnieri, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

3 Pieces for cello and piano (Nadia Boulanger)

8
Trois Pièces pour violoncelle et piano
00:02:57

Antonio Meneses, MainArtist - Nadia Boulanger, Composer - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

9
Trois Pièces pour violoncelle et piano
00:01:36

Antonio Meneses, MainArtist - Nadia Boulanger, Composer - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

10
Trois Pièces pour violoncelle et piano
00:02:49

Antonio Meneses, MainArtist - Nadia Boulanger, Composer - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Sonata for cello and piano No. 3 (Bohuslav Martinů)

11
Sonata No. 3 for Cello and Piano: I. Poco andante
00:07:51

Bohuslav MARTINU, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

12
Sonata No. 3 for Cello and Piano: II. Andante
00:05:49

Bohuslav MARTINU, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

13
Sonata No. 3 for Cello and Piano: III. Allegro (ma non Presto)
00:05:33

Bohuslav MARTINU, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

O Canto do Cisne Negro (Heitor Villa-Lobos)

14
O Canto do Cisne Negro
00:03:14

Heitor Villa-Lobos, Composer - Antonio Meneses, MainArtist - Celina Szrvinsk, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Approfondimenti

“Paris is satiated by Parisian art” (Tarsila do Amaral). With these poignant words, the Brazilian painter described the Parisian musical scene during the first decades of the 20th Century: Paris, a city hungry for new cultural horizons and about to become the real first multicultural City of Europe. Here, Antonio Meneses introduces the Brazilian pianist Celina Szrvinsk, to explore music from his native land and other forms of expression that Paris evoked in composers from different backgrounds and generations. After years playing and investigating the works of Brazilian composers and their contemporaries, Antonio and Celina felt that rather than just explore the Brazilian link in Paris, they also wanted to explore the other cultures and styles that, in the 1920’s and later, made Paris the home of every artist with international interests – hence the title: Soirées Internationales. French and Parisian music were not the only forms of music in the French capital; Parisians were interested in the new arts and differing styles from Brazil to Russia, and the black rhythms of American jazz. With a mixture of Brazilian, French and Czech music, Antonio and Celina trace the colourful and expressive music of Brazil, represented here by Villa-Lobos and Camargo Guarnieri, to the Eastern European with Bohuslav Martinu and show how this music influenced a native French woman: the great composer, scholar and professor: Nadia Boulanger. (Text label)

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