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Paris|Sleeping With The Enemy (The Deluxe Edition)

Sleeping With The Enemy (The Deluxe Edition)

Paris

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Lingua disponibile: inglese

The Devil Made Me Do It established Paris as a pro-black radical, a firebrand. The follow-up, 1992's Sleeping With the Enemy, saw the MC unleash his most provocative rhymes to such an extent that WEA, Tommy Boy's distributor at the time, opted to have no part in it. This forced Paris to reactivate his Scarface imprint; it delayed the album's release, but attention from the press helped take it to the Top 25 of the top R&B/hip-hop album chart. While Paris spent much of his debut relating his distrust of authority, two inflammatory songs -- "Bush Killa" and "Coffee, Donuts & Death" -- took that anger into revenge-fantasy territory. The former, formed on a grinding guitar riff and an "Atomic Dog"-based groove, goes into detail about his anger over the then president's neglect of the inner city; though it opens with a mock assassination and features graphic lyrical content, the rationale for Paris' last-resort approach is revealed thusly: "'Cause when I'm violent is the only time the devils hear it." This goes directly into "Coffee, Donuts & Death," in which Paris avenges racist policemen who rape females and abuse power in his community. Lost in all the controversy were some of Paris' most somber and compelling tracks, including "Thinka 'Bout It," "The Days of Old," and "Assata's Song." Worlds apart from the menacing tones of his best-known work, these are introspective, pensive, and frankly beautiful songs that look at the way blacks hurt their own and the value and resilience of black women. The album's production honestly comes close to rivaling the Bomb Squad, with samples -- from a young DJ Shadow -- and a tense, chaotic mix swirling throughout the more agitated tracks. The only true gripe is the number of lengthy interludes.

© Andy Kellman /TiVo

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Sleeping With The Enemy (The Deluxe Edition)

Paris

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1
The Enema (Live At The White House) Explicit
00:01:53

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

2
Make Way For A Panther Explicit
00:02:30

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

3
Sleeping With The Enemy Explicit
00:02:41

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

4
House Niggas Bleed Too Explicit
00:01:31

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

5
Bush Killa Explicit
00:04:52

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

6
Coffee, Donuts, & Death Explicit
00:03:52

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

7
Thinka 'Bout It Explicit
00:04:27

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

8
Guerillas In The Mist Explicit
00:03:11

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

9
The Days Of Old Explicit
00:04:19

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

10
Long Hot Summer Explicit
00:01:42

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

11
Conspiracy Of Silence Explicit
00:03:42

Paris, MainArtist - LP, FeaturedArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher - Sun Doobiest, FeaturedArtist

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

12
Funky Lil' Party Explicit
00:02:50

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

13
Check It Out Ch'all Explicit
00:03:28

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

14
Rise Explicit
00:01:12

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

15
Assata's Song Explicit
00:05:02

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

16
Bush Killa (Hellraiser Mix) Explicit
00:08:29

Paris, MainArtist - Oscar Jackson, Composer - Guerrilla Funk Music, MusicPublisher

(C) 2003 Guerrilla Funk Recordings (P) 2003 Guerrilla Funk Recordings

Approfondimenti

The Devil Made Me Do It established Paris as a pro-black radical, a firebrand. The follow-up, 1992's Sleeping With the Enemy, saw the MC unleash his most provocative rhymes to such an extent that WEA, Tommy Boy's distributor at the time, opted to have no part in it. This forced Paris to reactivate his Scarface imprint; it delayed the album's release, but attention from the press helped take it to the Top 25 of the top R&B/hip-hop album chart. While Paris spent much of his debut relating his distrust of authority, two inflammatory songs -- "Bush Killa" and "Coffee, Donuts & Death" -- took that anger into revenge-fantasy territory. The former, formed on a grinding guitar riff and an "Atomic Dog"-based groove, goes into detail about his anger over the then president's neglect of the inner city; though it opens with a mock assassination and features graphic lyrical content, the rationale for Paris' last-resort approach is revealed thusly: "'Cause when I'm violent is the only time the devils hear it." This goes directly into "Coffee, Donuts & Death," in which Paris avenges racist policemen who rape females and abuse power in his community. Lost in all the controversy were some of Paris' most somber and compelling tracks, including "Thinka 'Bout It," "The Days of Old," and "Assata's Song." Worlds apart from the menacing tones of his best-known work, these are introspective, pensive, and frankly beautiful songs that look at the way blacks hurt their own and the value and resilience of black women. The album's production honestly comes close to rivaling the Bomb Squad, with samples -- from a young DJ Shadow -- and a tense, chaotic mix swirling throughout the more agitated tracks. The only true gripe is the number of lengthy interludes.

© Andy Kellman /TiVo

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