Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Under the direction of veteran producer John Reynolds (Sinéad O'Connor, Jah Wobble), Dubliner Damien Dempsey pieced together his second full-length, Seize the Day. In Reynolds, Dempsey found an ally, one willing to line up a couple of heavy guests (O'Connor appears here as does Brian Eno) and create a stunningly fastidious sonic space wonderfully suited to Dempsey's strong and clean vocal delivery, but while the sound is admirable, there are a couple of moments on Seize the Day that conceptually falter. The first example comes out of the gate early in the album with the opening track, "Negative Vibes." Although it seems clear Dempsey and Reynolds had a particular vision for "Negative Vibes," the end result sounds confused, as if the pair couldn't quite reconcile a smooth transition from simple, unadorned, lightly strummed folky verses to the dub reggae of the prechoruses to the pastoral, sweeping strings that anchor the choruses. This is not to say that surprising turns aren't appreciated, but having "Negative Vibes" open the record fails to deliver the message of what kind of album Seize the Day is supposed to be. Even with the clumsy start, Dempsey recovers immediately with the gorgeous "Ghosts of Overdoses," a song beautifully rendered with strings and accordion, and many other songs on Seize the Day deliver successfully, such as "Industrial School" and the heavily treated "Jar Song," where Dempsey name checks fellow Irishmen Shane MacGowan and author/playwright Brendan Behan with a gracious nod. Overall Seize the Day is a fruitful venture with occasional pitfalls, but a recording worth working through to find the great moments.
© Gregory McIntosh /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Damien Dempsey, MainArtist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Approfondimenti
Under the direction of veteran producer John Reynolds (Sinéad O'Connor, Jah Wobble), Dubliner Damien Dempsey pieced together his second full-length, Seize the Day. In Reynolds, Dempsey found an ally, one willing to line up a couple of heavy guests (O'Connor appears here as does Brian Eno) and create a stunningly fastidious sonic space wonderfully suited to Dempsey's strong and clean vocal delivery, but while the sound is admirable, there are a couple of moments on Seize the Day that conceptually falter. The first example comes out of the gate early in the album with the opening track, "Negative Vibes." Although it seems clear Dempsey and Reynolds had a particular vision for "Negative Vibes," the end result sounds confused, as if the pair couldn't quite reconcile a smooth transition from simple, unadorned, lightly strummed folky verses to the dub reggae of the prechoruses to the pastoral, sweeping strings that anchor the choruses. This is not to say that surprising turns aren't appreciated, but having "Negative Vibes" open the record fails to deliver the message of what kind of album Seize the Day is supposed to be. Even with the clumsy start, Dempsey recovers immediately with the gorgeous "Ghosts of Overdoses," a song beautifully rendered with strings and accordion, and many other songs on Seize the Day deliver successfully, such as "Industrial School" and the heavily treated "Jar Song," where Dempsey name checks fellow Irishmen Shane MacGowan and author/playwright Brendan Behan with a gracious nod. Overall Seize the Day is a fruitful venture with occasional pitfalls, but a recording worth working through to find the great moments.
© Gregory McIntosh /TiVo
A proposito dell'album
- 1 disco(i) - 11 traccia(e)
- Durata totale: 00:52:12
- Artisti principali: Damien Dempsey
- Compositore: Various Composers
- Etichetta: Good Deeds Music
- Genere: Blues/Country/Folk Folk
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.