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Simian Mobile Disco|Sample and Hold: Attack Decay Sustain Release Remixed

Sample and Hold: Attack Decay Sustain Release Remixed

Simian Mobile Disco

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Producers of dance music (or any music, for that matter) can innovate all they want, but without great songs and excellent productions, they'll never add much to the canon of great records. James Shaw and James Ford, who make up Simian Mobile Disco, are a pair of producers who may not innovate very much -- their chosen field, acid house and acid techno, are relative dinosaurs in the genre -- but they impress much more with the excitement and energy of their productions and songs. There haven't been half a dozen other dance records since Daft Punk's Homework that carry such a raft of great productions, or balance so well what it sounds like to put on an excellent club night within the confines of an LP (especially one that's barely longer than 30 minutes). Simian Mobile Disco also share with Daft Punk (and with younger acts like Spank Rock) the belief that the latest generation of gear doesn't necessarily equate to the best music. Attack Decay Sustain Release has the raw flavor of the best dance records of the '80s and '90s: red-line acid squelching, extroverted vocal features, synth-pop ballads that simply ooze drama, and productions that end in a far different place than where they began. Using vintage gear certainly doesn't always make for great music, but forced simplicity often helps spur the creative process -- and definitely has in this case. Miles away from the usual ranks of cold, programmed-to-perfection dance records, Simian Mobile Disco's debut is a dance record with energy to burn but also subtlety and flair.
© John Bush /TiVo

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Sample and Hold: Attack Decay Sustain Release Remixed

Simian Mobile Disco

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1
Sleep Deprivation (Simon Baker Remix)
00:10:18

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

2
I Got This Down (Invisible Conga People Remix)
00:04:44

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

3
It's the Beat (Shit Robot Remix)
00:08:14

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist - Nkechi Ka Egenamba, Composer

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

4
Hustler (Joakim Remix)
00:08:03

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist - Char Johnson, Composer

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

5
Tits & Acid (Oscillation Remix)
00:05:28

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

6
I Believe (Pinch's 'I Believe in Bassline Therapy' Remix)
00:05:10

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Simon Lord, Composer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

7
Hotdog (Cosmo Vitelli Remix)
00:07:08

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist - Nkechi Ka Egenamba, Composer

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

8
Wooden (Danton Eeprom Remix)
00:05:57

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

9
Love (Beyond The Wizards Sleeve Remix)
00:06:10

James Shaw, Composer, Producer, MixingEngineer - Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist - Barry Dobbin, Composer - Beyond The Wizards Sleeve, Remixer

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

10
Scott (Silver Apples Remix)
00:04:11

Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Jas Shaw, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

11
Clock (Chrome Hoof Rework)
00:07:41

James Shaw, Composer, Producer, MixingEngineer - Nick Terry, MixingEngineer - James Ford, Composer, Producer, MixingEngineer - Simian Mobile Disco, MainArtist

2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco. 2008 Wichita Recordings Ltd., under exclusive license from Simian Mobile Disco.

Approfondimenti

Producers of dance music (or any music, for that matter) can innovate all they want, but without great songs and excellent productions, they'll never add much to the canon of great records. James Shaw and James Ford, who make up Simian Mobile Disco, are a pair of producers who may not innovate very much -- their chosen field, acid house and acid techno, are relative dinosaurs in the genre -- but they impress much more with the excitement and energy of their productions and songs. There haven't been half a dozen other dance records since Daft Punk's Homework that carry such a raft of great productions, or balance so well what it sounds like to put on an excellent club night within the confines of an LP (especially one that's barely longer than 30 minutes). Simian Mobile Disco also share with Daft Punk (and with younger acts like Spank Rock) the belief that the latest generation of gear doesn't necessarily equate to the best music. Attack Decay Sustain Release has the raw flavor of the best dance records of the '80s and '90s: red-line acid squelching, extroverted vocal features, synth-pop ballads that simply ooze drama, and productions that end in a far different place than where they began. Using vintage gear certainly doesn't always make for great music, but forced simplicity often helps spur the creative process -- and definitely has in this case. Miles away from the usual ranks of cold, programmed-to-perfection dance records, Simian Mobile Disco's debut is a dance record with energy to burn but also subtlety and flair.
© John Bush /TiVo

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