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Richard Carpenter|Richard Carpenter: Pianist, Arranger, Composer, Conductor

Richard Carpenter: Pianist, Arranger, Composer, Conductor

Richard Carpenter

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Richard Carpenter largely remained silent in the years following his sister Karen's death, releasing only one album in nearly 15 years. Ten years after the release of his solo debut, he returned with his second, the insturmental Pianist-Arranger-Composer-Conductor. The convoluted title may suggest that Carpenter is intent on restoring his reputation as a pianist, arranger, composer and conductor, and that suspicion would be correct. Selecting a variety of the Carpenters' best-loved songs ("Yesterday Once More," "Bless the Beasts and Children," "Top of the World," "We've Only Just Begun") and adding new material, including his tribute to his sister, "Karen's Theme," Carpenter has created a lush, symphonic record that flirts with straight-up easy listening. Of course, the Carpenters were never far removed from easy listening, but removing the vocals and the mild rock flourishes only confirms how sweet and gentle their music was. It also, as he intended, showcases his skills at arranging and, on occasion, composing, but anyone who listened to the original Carpenters records would know that already. In the end, the album is pleasant and enjoyable, but oddly inconsequential -- as it's playing, it sounds quite good, but it leaves no lasting impression other than the desire to listen to the duo's original records.

© Stephen Thomas Erlewine /TiVo

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Richard Carpenter: Pianist, Arranger, Composer, Conductor

Richard Carpenter

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1
Prelude (Richard Carpenter/Pianist, Arranger, Composer, Conductor)
00:00:56

Orchestra, Orchestra, Artist - Richard Carpenter, Composer, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 UMG Recordings, Inc.

2
Yesterday Once More
00:03:40

Orchestra, Orchestra, Artist - JOHN BETTIS, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

3
Medley: Sing/Goodbye to Love/Eve/Rainy Days And Mondays/Look To Your Dreams/Superstar/Someday
00:12:11

Roger Nichols, ComposerLyricist - Bonnie Bramlett, ComposerLyricist - Leon Russell, ComposerLyricist - Orchestra, Orchestra, Artist - JOHN BETTIS, ComposerLyricist - Joe Raposo, ComposerLyricist - Paul Williams, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

4
I Need To Be In Love
00:03:08

Albert Hammond, ComposerLyricist - Orchestra, Orchestra, Artist - JOHN BETTIS, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

5
Sandy
00:03:50

JOHN BETTIS, ComposerLyricist - Richard Carpenter, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 A&M Records

6
Time
00:03:34

Orchestra, Orchestra, Artist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

7
For All We Know
00:03:36

Robb Royer, ComposerLyricist - Fred Karlin, ComposerLyricist - James Griffin, ComposerLyricist - Orchestra, Orchestra, Artist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 UMG Recordings, Inc.

8
One Love
00:04:58

Orchestra, Orchestra, Artist - JOHN BETTIS, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

9
Bless The Beasts And Children
00:03:29

Perry Botkin Jr., ComposerLyricist - Richard Carpenter, Conductor, Recording Arranger, MainArtist, AssociatedPerformer - Barry De Vorzon, ComposerLyricist - Jack Daugherty, Producer

℗ 1972 UMG Recordings, Inc.

10
Flat Baroque
00:01:51

Orchestra, Orchestra, Artist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

11
All Those Years Ago
00:02:23

Pamela Phillips Oland, Composer - Orchestra, Orchestra, Artist - Richard Carpenter, Composer, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 UMG Recordings, Inc.

12
Top Of The World
00:03:20

Orchestra, Orchestra, Artist - JOHN BETTIS, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

13
We've Only Just Begun
00:02:25

Roger Nichols, ComposerLyricist - Orchestra, Orchestra, Artist - Paul Williams, ComposerLyricist - Richard Carpenter, Conductor, Producer, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1997 UMG Recordings, Inc.

14
Karen's Theme (Album Version)
00:02:39

Armin Steiner, Recording Engineer, StudioPersonnel - Charlie Paakkari, Recording Engineer, StudioPersonnel - Richard Carpenter, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

Approfondimenti

Richard Carpenter largely remained silent in the years following his sister Karen's death, releasing only one album in nearly 15 years. Ten years after the release of his solo debut, he returned with his second, the insturmental Pianist-Arranger-Composer-Conductor. The convoluted title may suggest that Carpenter is intent on restoring his reputation as a pianist, arranger, composer and conductor, and that suspicion would be correct. Selecting a variety of the Carpenters' best-loved songs ("Yesterday Once More," "Bless the Beasts and Children," "Top of the World," "We've Only Just Begun") and adding new material, including his tribute to his sister, "Karen's Theme," Carpenter has created a lush, symphonic record that flirts with straight-up easy listening. Of course, the Carpenters were never far removed from easy listening, but removing the vocals and the mild rock flourishes only confirms how sweet and gentle their music was. It also, as he intended, showcases his skills at arranging and, on occasion, composing, but anyone who listened to the original Carpenters records would know that already. In the end, the album is pleasant and enjoyable, but oddly inconsequential -- as it's playing, it sounds quite good, but it leaves no lasting impression other than the desire to listen to the duo's original records.

© Stephen Thomas Erlewine /TiVo

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