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Taíssa Poliakova Cunha|Portuguese Tributes to Beethoven

Portuguese Tributes to Beethoven

Quarteto Lopes-Graca, Taíssa Poliakova Cunha

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Lingua disponibile: inglese

These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.

The Lopes-Graça Quartet, made up of musicians with notable solo and chamber music careers, professors at the Escola de Música do Conservatorio Nacional (Lisbon), was formed in 2005 with the aim of equipping the Conservatory, in the image of many of its counterparts in the world, a reference group in the string area, with conditions to develop a permanent work with output at the levels of specialized training in chamber music (quartet master-classes) and the promotion of the school, at home and abroad. © Toccata Classics

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Portuguese Tributes to Beethoven

Taíssa Poliakova Cunha

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Piano Quintet No. 1 in E-Flat Major, Op. 16 (Joao Domingos Bomtempo)

1
I. Allegro moderato
Taíssa Poliakova Cunha
00:12:57

Joao Domingos Bomtempo, Composer - Quarteto Lopes-Graca, Ensemble, MainArtist - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

2
II. Presto assai
Taíssa Poliakova Cunha
00:05:14

Joao Domingos Bomtempo, Composer - Quarteto Lopes-Graca, Ensemble, MainArtist - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

3
III. Larghetto
Taíssa Poliakova Cunha
00:06:27

Joao Domingos Bomtempo, Composer - Quarteto Lopes-Graca, Ensemble, MainArtist - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

4
IV. Allegro
Taíssa Poliakova Cunha
00:08:00

Joao Domingos Bomtempo, Composer - Quarteto Lopes-Graca, Ensemble, MainArtist - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

Laberinto del oído (César Viana)

5
I. Introdução
Taíssa Poliakova Cunha
00:04:11

Quarteto Lopes-Graca, Ensemble, MainArtist - César Viana, Composer - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

6
II. Impróprio silêncio
Taíssa Poliakova Cunha
00:13:02

Quarteto Lopes-Graca, Ensemble, MainArtist - César Viana, Composer - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

7
III. Ó Serpa, pois tu não ouves
Taíssa Poliakova Cunha
00:07:18

Quarteto Lopes-Graca, Ensemble, MainArtist - César Viana, Composer - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

8
IV. Final
Taíssa Poliakova Cunha
00:04:24

Quarteto Lopes-Graca, Ensemble, MainArtist - César Viana, Composer - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

Sangue Inverso (Jaime Reis)

9
IV. Quartzo
Katharine Rawdon
00:07:14

Paulo Gaspar, Artist, MainArtist - Jaime Reis, Composer - Luís Pacheco Cunha, Artist, MainArtist - Katharine Rawdon, Artist, MainArtist - Taíssa Poliakova Cunha, Artist, MainArtist

(C) 2022 Toccata Next (P) 2022 Toccata Next

Approfondimenti

These three compositions by three Portuguese composers pay direct and indirect tribute to the music of Beethoven. The Piano Quintet by João Domingos Bomtempo was written in the style of the Viennese Classical mainstream even as Beethoven was changing its direction. The two works by César Viana and Jaime Reis both have distant roots in Beethoven but pay their homage in very different styles, one using relatively traditional language and the other more radical – as was Beethoven himself, of course.

The Lopes-Graça Quartet, made up of musicians with notable solo and chamber music careers, professors at the Escola de Música do Conservatorio Nacional (Lisbon), was formed in 2005 with the aim of equipping the Conservatory, in the image of many of its counterparts in the world, a reference group in the string area, with conditions to develop a permanent work with output at the levels of specialized training in chamber music (quartet master-classes) and the promotion of the school, at home and abroad. © Toccata Classics

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