Categorie:
Carrello 0

Il tuo carrello è vuoto

Vince Gill - Pocket Full Of Gold

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Pocket Full Of Gold

Vince Gill

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

Pocket Full of Gold is one of Vince Gill's straighter country recordings. Produced by Tony Brown, it is steeped in bluegrass, country balladry from the '60s, and smoothed-out honky tonk, all done in Gill's own chameleon-like yet trademark manner. The lineup speaks volumes about what's on the recording: Herb Pedersen, Richard Bennett, Mac McAnally, Barry Beckett, Hargus "Pig" Robbins, Willie Weeks, Patty Loveless, Billy Joe Walker, and Larrie Londin are a few of the names offering this very distinct blend of styles that is all Gill. The opener, "I Quit," is an uptempo shuffling honky tonk number, with stuttering Telecasters, and it's followed with "Just Look at Us," a gorgeous pedal steel whining love song. Andrea Zonn's fiddle and John Hughey's steel fuel another broken love song, but this one is a late-night barroom two-stepper. "Liza Jane" walks the line between hard country and rockabilly and features some smoking guitar work by Gill, who also provides some of his flatpicking swagger in "A Little Left Over." Gill wrote only about half the tunes on this set, which is unusual, but it was also fairly early in his career. Hit songwriter Max D. Barnes offered another three and maverick Jim Lauderdale provided the burning Cajun-cum-rockabilly closer, "Sparkle." The set was a hit for Gill, and deserved to be, because of its brilliant and sometimes dazzling mix of traditional styles. Records like this are what make him one of the music's most enduring artists. ~ Thom Jurek

Maggiori informazioni

Pocket Full Of Gold

Vince Gill

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz
Ascolta sul Webplayer

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 40 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 40 milioni di brani con i gli abbonamenti di streaming illimitato.

1
I Quit (Album Version) 00:02:32

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - Max Duane Barnes Barnes, ComposerLyricist

℗ 1991 UMG Recordings, Inc.

2
Look At Us (Album Version) 00:04:00

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - Max Duane Barnes Barnes, ComposerLyricist

℗ 1991 MCA Nashville, a Division of UMG Recordings, Inc.

3
Take Your Memory With You (Album Version) 00:02:34

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 MCA Nashville

4
Pocket Full Of Gold (Album Version) 00:04:06

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - Brian Allsmiller, ComposerLyricist

℗ 1991 MCA Nashville

5
The Strings That Tie You Down (Album Version) 00:03:41

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - Max Duane Barnes Barnes, ComposerLyricist

℗ 1991 UMG Recordings, Inc.

6
Liza Jane (Album Version) 00:02:53

Reed Nielsen, ComposerLyricist - Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 MCA Nashville

7
If I Didn't Have You In My World (Album Version) 00:03:54

Jim Weatherly, ComposerLyricist - Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 MCA Nashville, a Division of UMG Recordings, Inc.

8
A Little Left Over (Album Version) 00:02:07

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist, ComposerLyricist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 UMG Recordings, Inc.

9
What's A Man To Do (Album Version) 00:03:10

Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - Curtis Blaine Wright, ComposerLyricist - Jeff Knight, ComposerLyricist

℗ 1991 UMG Recordings, Inc.

10
Sparkle (Album Version) 00:03:17

JOHN LEVENTHAL, ComposerLyricist - Marty Williams, Recording Engineer, StudioPersonnel - Vince Gill, MainArtist - Tony Brown, Producer - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - JIM LAUDERDALE, ComposerLyricist

℗ 1991 UMG Recordings, Inc.

Descrizione dell'album

Pocket Full of Gold is one of Vince Gill's straighter country recordings. Produced by Tony Brown, it is steeped in bluegrass, country balladry from the '60s, and smoothed-out honky tonk, all done in Gill's own chameleon-like yet trademark manner. The lineup speaks volumes about what's on the recording: Herb Pedersen, Richard Bennett, Mac McAnally, Barry Beckett, Hargus "Pig" Robbins, Willie Weeks, Patty Loveless, Billy Joe Walker, and Larrie Londin are a few of the names offering this very distinct blend of styles that is all Gill. The opener, "I Quit," is an uptempo shuffling honky tonk number, with stuttering Telecasters, and it's followed with "Just Look at Us," a gorgeous pedal steel whining love song. Andrea Zonn's fiddle and John Hughey's steel fuel another broken love song, but this one is a late-night barroom two-stepper. "Liza Jane" walks the line between hard country and rockabilly and features some smoking guitar work by Gill, who also provides some of his flatpicking swagger in "A Little Left Over." Gill wrote only about half the tunes on this set, which is unusual, but it was also fairly early in his career. Hit songwriter Max D. Barnes offered another three and maverick Jim Lauderdale provided the burning Cajun-cum-rockabilly closer, "Sparkle." The set was a hit for Gill, and deserved to be, because of its brilliant and sometimes dazzling mix of traditional styles. Records like this are what make him one of the music's most enduring artists. ~ Thom Jurek

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Altro su Qobuz
Di Vince Gill
Okie Vince Gill
These Days Vince Gill
Love Songs Vince Gill
When Love Finds You Vince Gill
Ti potrebbe piacere anche...
Everywhere I'm Goin' Maddie & Tae
The Highwomen The Highwomen
While I'm Livin' Tanya Tucker
Real Friends Chris Janson
Nelle Panoramiche...
Americana, alle radici dell’America

Il nome saprà anche di trovata commerciale un po’ fumosa, ma il genere Americana designa da una ventina d’anni quel mix di rock, country, blues e rhythm&blues. E come in ogni grande famiglia che si rispetti, si ritrovano un po’ tutti i personaggi: la figlia ribelle, lo zio colto, il padre irrequieto, la cugina esaltata…

Guy Clark, poeta e trovatore

Venerato da Johnny Cash e molti altri ma rimasto nell’ombra fino alla morte, avvenuta due anni fa, nel maggio 2016. Chi era Guy Clark, immenso compositore texano, narratore senza uguali e trovatore dalla voce roca che ha composto brani interpretati da tutti i grandi del country e del folk?

Merle Haggard, il bad boy del country

L’alcol, il carcere, la droga e la povertà. Merle Haggard, che li ha provati tutti e quattro, ha passato la sua vita a cantare l’America dei disadattati e degli emarginati. Promotore del Bakersfield sound, depurerà la country music per rendere il suo proposito ancora più incisivo.

Nel magazine...