Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
In these three works for strings, Pehr Henrik Nordgren displays his exhaustive catalog of technical devices and impressive sonorities, but demonstrates that he has too few musical ideas, insufficient methods to develop them, and little concept of form. The various sounds Nordgren requires of the string orchestra are not novel, since every harmonic, tremolo, snap pizzicato, and glissando has been heard before; and his juxtapositions of rich triadic harmonies in divisi voicings with abrupt atonal gestures in solo parts are stock-in-trade mannerisms of the avant-garde. Nordgren's distracted Rock Score for 19 strings, Op. 100 (1997), and his desultory Transe-Chordal for 15 strings, Op. 67 (1985), are easy to dismiss for their predictability, and perhaps more rightly bypassed for their shapelessness and disconnected meandering from event to event, without thematic continuity. The Concerto No. 1 for cello and string orchestra, Op. 50 (1980), may be easier to accept because the solo part lends some semblance of organization to Nordgren's rambling thoughts, and focuses the listener's concentration adequately. Cellist Marko Ylönen plays with a rich, dark tone and melancholy expression, and Juha Kangas and the Ostrobothnian Chamber Orchestra provide a rather understated accompaniment. Yet this piece, like its companions, is too amorphous, lacking in substance, and ultimately forgettable for its vagueness. The reproduction is tolerable, but often too soft to hear without straining.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Cello Concerto No. 1, Op. 50 (Pehr Henrik Nordgren)
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Marko Ylönen, MainArtist, AssociatedPerformer - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Marko Ylönen, MainArtist, AssociatedPerformer - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Marko Ylönen, MainArtist, AssociatedPerformer - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Transe-Choral, Op. 67 (Pehr Henrik Nordgren)
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Juha Kangas, Conductor, MainArtist - Ostrobothnian Chamber Orchestra, Orchestra, MainArtist - Pehr Henrik NORDGREN, Composer
2005 BIS 2005 (P) BIS
Approfondimenti
In these three works for strings, Pehr Henrik Nordgren displays his exhaustive catalog of technical devices and impressive sonorities, but demonstrates that he has too few musical ideas, insufficient methods to develop them, and little concept of form. The various sounds Nordgren requires of the string orchestra are not novel, since every harmonic, tremolo, snap pizzicato, and glissando has been heard before; and his juxtapositions of rich triadic harmonies in divisi voicings with abrupt atonal gestures in solo parts are stock-in-trade mannerisms of the avant-garde. Nordgren's distracted Rock Score for 19 strings, Op. 100 (1997), and his desultory Transe-Chordal for 15 strings, Op. 67 (1985), are easy to dismiss for their predictability, and perhaps more rightly bypassed for their shapelessness and disconnected meandering from event to event, without thematic continuity. The Concerto No. 1 for cello and string orchestra, Op. 50 (1980), may be easier to accept because the solo part lends some semblance of organization to Nordgren's rambling thoughts, and focuses the listener's concentration adequately. Cellist Marko Ylönen plays with a rich, dark tone and melancholy expression, and Juha Kangas and the Ostrobothnian Chamber Orchestra provide a rather understated accompaniment. Yet this piece, like its companions, is too amorphous, lacking in substance, and ultimately forgettable for its vagueness. The reproduction is tolerable, but often too soft to hear without straining.
© TiVo
A proposito dell'album
- 1 disco(i) - 6 traccia(e)
- Durata totale: 01:07:09
- 1 Libretto digitale
- Artisti principali: Marko Ylonen Ostrobothnian Chamber Orchestra Juha Kangas
- Compositore: Pehr Henrik Nordgren
- Etichetta: BIS
- Genere: Classica
2005 BIS 2005 BIS
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.