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John Anderson - Nobody's Got It All

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Nobody's Got It All

John Anderson

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Columbia Records, which signed John Anderson to his fifth major-label affiliation in 2000, must figure that it is once again time for the veteran country singer to make one of his comebacks. Anderson struggled early in his career until early 1981, when he began a string of hits with "1959." He cooled off in the mid-'80s, switched labels several times, and returned to the top of the charts in 1992 with "Straight Tequila Night," leading to another string of hits that lasted into 1995. Another couple of label switches landed him at Columbia for the 2000 chart single "Nobody's Got It All," followed by this identically titled album, his first new collection in nearly four years. But in or out of commercial favor, Anderson takes pretty much the same approach. His up-tempo songs have a honky-tonk feel, but he really shines on the ballads, which prominently feature steel guitar and fiddle in traditional country style. It's his voice, a vulnerable, slightly wheezy tenor, that works better on the slow material, whether it's a typically sentimental, quasi-religious country tearjerker like "The Call" or one of Anderson's many conservative reflections on how much better life used to be, such as "I Ain't Afraid of Dying." Producers Blake Chancey and Paul Worley (country's hottest production team of the late '90s, due to their work with the Dixie Chicks) try to vary things, having Anderson turn nearly comic on "The Big Revival" and reach for crossover with Bruce Springsteen's "Atlantic City" (which only emphasizes Anderson's vocal similarity to Levon Helm, who has recorded the same song with the Band) and giving the singer an up-tempo, horn-filled arrangement on the album's second single, "You Ain't Hurt Nothin' Yet." But the real potential hits are romantic ballads like "I Love You Again" and mid-tempo numbers like the rueful "It Ain't Easy Being Me" (with its witty tag line, "I've had to work to be the jerk I've come to be"). And a hit is what Anderson needs to turn his career around one more time.
© William Ruhlmann /TiVo

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Nobody's Got It All

John Anderson

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1
You Ain't Hurt Nothin' Yet Album Version
00:03:51

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Billy Lawson, Composer - Billy Lawson, Lyricist - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Paige Conners, Co-Producer - Chad Cromwell, Drums - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Al Anderson, Composer - Al Anderson, Lyricist - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

2
It Ain't Easy Being Me Album Version
00:03:49

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Paige Conners, Co-Producer - Chad Cromwell, Drums - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Chris Knight, Composer - Chris Knight, Lyricist - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Craig Wiseman, Composer - Craig Wiseman, Lyricist - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

3
I Ain't Afraid Of Dying Album Version
00:03:32

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - John David Anderson, Composer - John David Anderson, Lyricist - Dean Dillon, Composer - Dean Dillon, Lyricist - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

4
Nobody's Got It All Album Version
00:03:43

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Layng Martine Jr., Composer - Layng Martine Jr., Lyricist - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Kent M. Robbins, Composer - Kent M. Robbins, Lyricist - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

5
The Call Album Version
00:04:37

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Michael White, Composer - Michael White, Lyricist - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Eric Heatherly, Composer - Eric Heatherly, Lyricist - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

6
Appalachian Blue Album Version
00:03:41

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Michael A. Anderson, Composer - Michael A. Anderson, Lyricist - Mike Poole, Engineer - Deb Castle, Co-Producer - Donna Kay Anderson, Composer - Donna Kay Anderson, Lyricist - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Paige Conners, Co-Producer - Chad Cromwell, Drums - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

7
The Big Revival Album Version
00:03:15

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Dennis Linde, Composer - Dennis Linde, Lyricist - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

8
Go To Town Album Version
00:04:17

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - John David Anderson, Composer - John David Anderson, Lyricist - Dean Dillon, Composer - Dean Dillon, Lyricist - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

9
Five Generations Of Rock County Wilsons Album Version
00:03:51

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - John Scott Sherrill, Composer - John Scott Sherrill, Lyricist - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

10
Baby's Gone Home To Mama Album Version
00:03:20

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Paige Conners, Co-Producer - Chad Cromwell, Drums - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Herb McCullough, Composer - Herb McCullough, Lyricist - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer - Shawn Camp, Composer - Shawn Camp, Lyricist

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

11
I Love You Again Album Version
00:03:51

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - John David Anderson, Composer - John David Anderson, Lyricist - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Craig Wiseman, Composer - Craig Wiseman, Lyricist - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

12
Atlantic City Album Version
00:04:46

John Anderson, Background Vocal - John Anderson, Performer - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Acoustic Bass - Anthony Martin, A&R Coordinator - Joe Spivey, Mandolin - Joe Spivey, Banjo - Joe Spivey, Fiddle - Harry Stinson, Background Vocal - Steve Nathan, Keyboards - Clarke Schleicher, Engineer - Katie Stika, A&R Coordinator - David Grissom, Electric Guitar - Liana Manis, Background Vocal - Tony Castle, Edited By - Dan Dugmore, Steel Guitar - Kay Smith, A&R Coordinator - Rollow Welch, Director - Blake Chancey, Producer - Terry McMillan, Percussion - Mike Poole, Engineer - Deb Castle, Co-Producer - Bruce Springsteen, Lyricist - Bruce Springsteen, Composer - Erik Hellerman, Edited By - Erik Hellerman, Engineer - Chad Cromwell, Drums - Paige Conners, Co-Producer - Eric Conn, Edited By - Steve Patrick, Trumpet - Doug DeLong, Engineer - Tony Castle, 2nd Engineer - Tony Castle, Engineer - Joe Chemay, Background Vocal - Joe Chemay, Acoustic Bass - Carlos Grier, Edited By - Tony Green, Mixing Engineer - Harvey Thompson, Tenor Saxophone - Mark Ralston, 2nd Engineer - Charles Rose, Trombone - Billy Sherrill, Engineer - Billy Sherrill, Recording Engineer - Bill Johnson, Director - Sandra Jenkins, Engineer - Jim Horn, Baritone Saxophone - Jim Horn, Horns - Cliff Audretch, A&R Coordinator - John Hobbs, Keyboards - Chuck Ainlay, Mixing Engineer - Chuck Ainlay, Recording Engineer - Denny Purcell, Mastering Engineer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT

Descrizione dell'album

Columbia Records, which signed John Anderson to his fifth major-label affiliation in 2000, must figure that it is once again time for the veteran country singer to make one of his comebacks. Anderson struggled early in his career until early 1981, when he began a string of hits with "1959." He cooled off in the mid-'80s, switched labels several times, and returned to the top of the charts in 1992 with "Straight Tequila Night," leading to another string of hits that lasted into 1995. Another couple of label switches landed him at Columbia for the 2000 chart single "Nobody's Got It All," followed by this identically titled album, his first new collection in nearly four years. But in or out of commercial favor, Anderson takes pretty much the same approach. His up-tempo songs have a honky-tonk feel, but he really shines on the ballads, which prominently feature steel guitar and fiddle in traditional country style. It's his voice, a vulnerable, slightly wheezy tenor, that works better on the slow material, whether it's a typically sentimental, quasi-religious country tearjerker like "The Call" or one of Anderson's many conservative reflections on how much better life used to be, such as "I Ain't Afraid of Dying." Producers Blake Chancey and Paul Worley (country's hottest production team of the late '90s, due to their work with the Dixie Chicks) try to vary things, having Anderson turn nearly comic on "The Big Revival" and reach for crossover with Bruce Springsteen's "Atlantic City" (which only emphasizes Anderson's vocal similarity to Levon Helm, who has recorded the same song with the Band) and giving the singer an up-tempo, horn-filled arrangement on the album's second single, "You Ain't Hurt Nothin' Yet." But the real potential hits are romantic ballads like "I Love You Again" and mid-tempo numbers like the rueful "It Ain't Easy Being Me" (with its witty tag line, "I've had to work to be the jerk I've come to be"). And a hit is what Anderson needs to turn his career around one more time.
© William Ruhlmann /TiVo

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