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James Taylor - Mud Slide Slim And The Blue Horizon (Édition StudioMasters) (Édition StudioMasters)

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Mud Slide Slim And The Blue Horizon (Édition StudioMasters) (Édition StudioMasters)

James Taylor

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James Taylor's commercial breakthrough in 1970 was predicated on the relationship between the private concerns expressed in his songs and the larger philosophical mood of his audience. He was going through depression, heartbreak, and addiction; they were recovering from the political and cultural storms of the '60s. On his follow-up to the landmark Sweet Baby James, Taylor brought his listeners up to date, wisely trying to step beyond the cultural, if not the personal, markers he had established. Despite affirming romance in songs like "Love Has Brought Me Around" and the moving "You Can Close Your Eyes" as well as companionship in "You've Got a Friend," the record still came as a defense against the world, not an embrace of it; Taylor was unable to forget the past or trust the present. The songs were full of references to the road and the highway, and he was uncomfortable with his new role as spokesman. The confessional songwriter was now, necessarily, writing about what it was like to be a confessional songwriter: Mud Slide Slim and the Blue Horizon served the valuable function of beginning to move James Taylor away from the genre he had defined, which ultimately would give him a more long-lasting appeal. ~ William Ruhlmann

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Mud Slide Slim And The Blue Horizon (Édition StudioMasters) (Édition StudioMasters)

James Taylor

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1
Love Has Brought Me Around 00:02:44

Peter Asher, Producer, Tambourine - Wayne Jackson, Horn - Danny Kortchmar, Electric Guitar, Congas - Andrew Love, Horn - Carole King, Piano - Russ Kunkel, Bells, Cymbals, Drums, Congas - JAMES TAYLOR, Vocals, Writer, MainArtist - Joni Mitchell, Additional Vocals - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer - Memphis Horns, Horn

1972 Warner Records Inc. 1972 Warner Records Inc.

2
You've Got a Friend 00:04:29

Peter Asher, Producer - Danny Kortchmar, Acoustic Guitar, Congas - Carole King, Writer - Russ Kunkel, Drums, Percussion, Congas - JAMES TAYLOR, Vocals, MainArtist - Joni Mitchell, Additional Vocals - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

3
Places in My Past 00:02:02

Peter Asher, Producer - Danny Kortchmar, Guitar - Russ Kunkel, Drums - JAMES TAYLOR, Piano, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Kevin Kelly, Accordion - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

4
Riding on a Railroad 00:02:42

Peter Asher, Producer - Carole King, Piano - Russ Kunkel, Drums - JAMES TAYLOR, Acoustic Guitar, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - John Hartford, Banjo - Richard Sanford Orshoff, Engineer - Richard Greene, Violin

1972 Warner Records Inc. 1972 Warner Records Inc.

5
Soldiers 00:01:15

Peter Asher, Producer - Carole King, Piano - Russ Kunkel, Drums - JAMES TAYLOR, Guitar, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

6
Mud Slide Slim 00:05:19

Peter Asher, Producer - Danny Kortchmar, Electric Guitar - Carole King, Piano, Backing Vocals - Russ Kunkel, Drums, Congas - JAMES TAYLOR, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer - Kate Taylor, Backing Vocals - Gale Haness, Backing Vocals

1972 Warner Records Inc. 1972 Warner Records Inc.

7
Hey Mister, That's Me up on the Jukebox 00:03:48

Peter Asher, Producer - Carole King, Piano - Russ Kunkel, Drums - JAMES TAYLOR, Acoustic Guitar, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

8
You Can Close Your Eyes 00:02:29

Peter Asher, Producer - JAMES TAYLOR, Acoustic Guitar, Vocals, Writer, MainArtist - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

9
Machine Gun Kelly 00:02:37

Peter Asher, Producer, Backing Vocals - Danny Kortchmar, Acoustic Guitar, Writer, Congas - Russ Kunkel, Drums, Tambourine - JAMES TAYLOR, Vocals, MainArtist - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

10
Long Ago and Far Away 00:02:20

Danny Kortchmar, Congas - Carole King, Piano - Russ Kunkel, Drums - JAMES TAYLOR, Vocals, Writer, MainArtist - Joni Mitchell, Backing Vocals - Leland Sklar, Bass Guitar

1972 Warner Records Inc. 1972 Warner Records Inc.

11
Let Me Ride 00:02:44

Peter Asher, Producer - Wayne Jackson, Horn - Danny Kortchmar, Electric Guitar, Congas - Andrew Love, Horn - Russ Kunkel, Drums, Congas - JAMES TAYLOR, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Kevin Kelly, Piano - Richard Sanford Orshoff, Engineer - Memphis Horns, Horn - Kate Taylor, Backing Vocals

1972 Warner Records Inc. 1972 Warner Records Inc.

12
Highway Song 00:03:53

Peter Asher, Producer, Backing Vocals - Carole King, Piano - Russ Kunkel, Drums - JAMES TAYLOR, Piano, Vocals, Writer, MainArtist - Leland Sklar, Bass Guitar - Richard Sanford Orshoff, Engineer - Kate Taylor, Backing Vocals

1972 Warner Records Inc. 1972 Warner Records Inc.

13
Isn't It Nice to Be Home Again 00:00:55

Peter Asher, Producer - JAMES TAYLOR, Acoustic Guitar, Vocals, Writer, MainArtist - Richard Sanford Orshoff, Engineer

1972 Warner Records Inc. 1972 Warner Records Inc.

Descrizione dell'album

James Taylor's commercial breakthrough in 1970 was predicated on the relationship between the private concerns expressed in his songs and the larger philosophical mood of his audience. He was going through depression, heartbreak, and addiction; they were recovering from the political and cultural storms of the '60s. On his follow-up to the landmark Sweet Baby James, Taylor brought his listeners up to date, wisely trying to step beyond the cultural, if not the personal, markers he had established. Despite affirming romance in songs like "Love Has Brought Me Around" and the moving "You Can Close Your Eyes" as well as companionship in "You've Got a Friend," the record still came as a defense against the world, not an embrace of it; Taylor was unable to forget the past or trust the present. The songs were full of references to the road and the highway, and he was uncomfortable with his new role as spokesman. The confessional songwriter was now, necessarily, writing about what it was like to be a confessional songwriter: Mud Slide Slim and the Blue Horizon served the valuable function of beginning to move James Taylor away from the genre he had defined, which ultimately would give him a more long-lasting appeal. ~ William Ruhlmann

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