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Colin Andrews|Messiaen: Les corps glorieux

Messiaen: Les corps glorieux

Colin Andrews

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Lingua disponibile: inglese

Messiaen's 1939 Les corps glorieux: Sept visions brèves de la vie des Ressuscités (The Glorified Bodies: Seven Brief Visions of the Life of the Resurrected) is one of the composer's most appealing and accessible organ works. Each of its movements distinctively characterizes an aspect of Messiaen's understanding of the resurrected body, not in this case Jesus' body, but the bodies of believers, with titles derived from the New Testament, like "The Refinement of the Glorified Bodies," "The Strength and Agility of the Glorified Bodies," and "The Joy and Brightness of the Glorified Bodies." Its seven movements are symmetrically fanned around the long central fourth movement, "The Battle Between Life and Death." Only its first four minutes depict conflict; the remaining 12 minutes are a serenely radiant meditation on the triumph of life. Messiaen makes extensive use of solo lines throughout the piece; the entire first movement is a single rhapsodic melodic line, and he only introduces chords into the fifth movement in its closing moments. Messiaen's melodies are infinitely absorbing in their tonal and rhythmic variety. He manages to make them seem both freely improvised and sharply focused in their logic and expressive intent. Colin Andrews is fully persuasive in conveying those apparently contradictory elements. In particular, he shapes the solo lines with subtlety and finesse, so that they are continually intriguing. The slow sections are especially graceful and luminous. The sound is good, with the right amount of resonance, and captures the range of the colorful registrations with depth and clarity.
© TiVo

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Messiaen: Les corps glorieux

Colin Andrews

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Les corps glorieux, I/20 (Olivier Messiaen)

1
I. Subtilite des corps glorieux (The Subtlety of the Glorified Bodies)
00:07:17

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

2
II. Les eaux de la grace (The Waters of Grace)
00:03:42

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

3
III. L'ange aux parfums (The Angel with the Incense)
00:08:32

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

4
IV. Combat de la mort et de la vie (The Struggle between Death and Life)
00:16:04

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

5
V. Force et agilite des corps glorieux (The Power and Agility of the Glorified Bodies)
00:04:18

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

6
VI. Joie et clarte des corps glorieux (The Joy and Clarity of the Glorified Bodies)
00:06:41

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

7
VII. Le mystere de la Sainte Trinite (The Mystery of the Holy Trinity)
00:08:06

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

Verset pour la fête de la dédicace, I/44 (Olivier Messiaen)

8
Verset pour la fete de la Dedicace (Verset for the Festival of the Dedication of a Church)
00:12:22

Olivier Messiaen, Composer - Colin Andrews, Artist, MainArtist

(C) 2010 Loft (P) 2010 Loft

Approfondimenti

Messiaen's 1939 Les corps glorieux: Sept visions brèves de la vie des Ressuscités (The Glorified Bodies: Seven Brief Visions of the Life of the Resurrected) is one of the composer's most appealing and accessible organ works. Each of its movements distinctively characterizes an aspect of Messiaen's understanding of the resurrected body, not in this case Jesus' body, but the bodies of believers, with titles derived from the New Testament, like "The Refinement of the Glorified Bodies," "The Strength and Agility of the Glorified Bodies," and "The Joy and Brightness of the Glorified Bodies." Its seven movements are symmetrically fanned around the long central fourth movement, "The Battle Between Life and Death." Only its first four minutes depict conflict; the remaining 12 minutes are a serenely radiant meditation on the triumph of life. Messiaen makes extensive use of solo lines throughout the piece; the entire first movement is a single rhapsodic melodic line, and he only introduces chords into the fifth movement in its closing moments. Messiaen's melodies are infinitely absorbing in their tonal and rhythmic variety. He manages to make them seem both freely improvised and sharply focused in their logic and expressive intent. Colin Andrews is fully persuasive in conveying those apparently contradictory elements. In particular, he shapes the solo lines with subtlety and finesse, so that they are continually intriguing. The slow sections are especially graceful and luminous. The sound is good, with the right amount of resonance, and captures the range of the colorful registrations with depth and clarity.
© TiVo

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