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L'Estro d'Orfeo|L'arte Di Diminuire

L'arte Di Diminuire

L'Estro d'Orfeo & Leonor de Lera

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Lingua disponibile: inglese

Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed. The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time.
Most of these manuals included a collection of decorated melodies taken from renowned madrigals, motets and chansons by well-known composers of the time. These pieces give clear examples of how music was performed during that time and what was considered the proper way to embellish a piece of music. Often technically demanding, these pieces gave scope for virtuoso display as they required great dexterity from the performer. In conclusion, diminutions were added to make a piece of music more ‘beautiful’.
This programme explores the widespread practice of diminutions by presenting published examples of diminutions on well-known motets, by master composers; diminutions on popular melodies or dance forms and finally, diminutions composed by the performer as artist. © Challenge Classics

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L'arte Di Diminuire

L'Estro d'Orfeo

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1
Descendi in hortum meum di Palestrina passeggiato
00:04:02

L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

2
Vestiva i colli. Modo difficile per suonar alla bastarda
00:04:36

Francesco Rognoni, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

3
Romanesca per violino solo e basso se piace
00:04:51

Biagio Marini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

4
Pulchra es amica mea di Palestrina
00:05:09

L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

5
Diminuzioni sopra “Usurpator tiranno“ di Giovanni Felice Sances
00:06:42

L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

6
Aria decima quarta a doi violini sopra “La mia pedrina”
00:04:11

Marco Uccellini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

7
Petit Jacquet da sonar con la Viola Bastarda
00:04:31

Girolamo Dalla Casa, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

8
Folia
00:07:16

Giovanni Girolamo Kapsberger, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

9
Aria quinta sopra “La Bergamasca”
00:04:24

Marco Uccellini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

10
Io canterei d‘amor di Cipriano per suonar alla bastarda
00:03:51

Rodney Prada, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

11
O felici occhi miei di Arcadelt
00:05:05

Javier Nuñez, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

12
Vestiva i colli passeggiato a doi. Basso e soprano
00:03:43

Bartolomé de Selma y Salaverde, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

13
Sonata quinta sopra un’Aria francese
00:02:36

Salomone Rossi, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

14
Petite fleur coincte
00:03:18

Girolamo Dalla Casa, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

15
Tarantella del Gargano diminuita
00:04:49

L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist

(C) 2020 Challenge Classics (P) 2020 Challenge Classics

Approfondimenti

Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed. The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time.
Most of these manuals included a collection of decorated melodies taken from renowned madrigals, motets and chansons by well-known composers of the time. These pieces give clear examples of how music was performed during that time and what was considered the proper way to embellish a piece of music. Often technically demanding, these pieces gave scope for virtuoso display as they required great dexterity from the performer. In conclusion, diminutions were added to make a piece of music more ‘beautiful’.
This programme explores the widespread practice of diminutions by presenting published examples of diminutions on well-known motets, by master composers; diminutions on popular melodies or dance forms and finally, diminutions composed by the performer as artist. © Challenge Classics

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