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Lingua disponibile: inglese
Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed. The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time.
Most of these manuals included a collection of decorated melodies taken from renowned madrigals, motets and chansons by well-known composers of the time. These pieces give clear examples of how music was performed during that time and what was considered the proper way to embellish a piece of music. Often technically demanding, these pieces gave scope for virtuoso display as they required great dexterity from the performer. In conclusion, diminutions were added to make a piece of music more ‘beautiful’.
This programme explores the widespread practice of diminutions by presenting published examples of diminutions on well-known motets, by master composers; diminutions on popular melodies or dance forms and finally, diminutions composed by the performer as artist. © Challenge Classics
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L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Francesco Rognoni, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Biagio Marini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Marco Uccellini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Girolamo Dalla Casa, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Giovanni Girolamo Kapsberger, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Marco Uccellini, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Rodney Prada, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Javier Nuñez, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Bartolomé de Selma y Salaverde, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Salomone Rossi, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Girolamo Dalla Casa, Composer - L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
L'Estro d'Orfeo, Ensemble, MainArtist - Leonor de Lera, Composer, MainArtist
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
Approfondimenti
Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody. In the 16th and early 17th centuries, a composition as written by the composer was often regarded as raw material and it was normal and even required of musicians to embellish the works performed. The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time.
Most of these manuals included a collection of decorated melodies taken from renowned madrigals, motets and chansons by well-known composers of the time. These pieces give clear examples of how music was performed during that time and what was considered the proper way to embellish a piece of music. Often technically demanding, these pieces gave scope for virtuoso display as they required great dexterity from the performer. In conclusion, diminutions were added to make a piece of music more ‘beautiful’.
This programme explores the widespread practice of diminutions by presenting published examples of diminutions on well-known motets, by master composers; diminutions on popular melodies or dance forms and finally, diminutions composed by the performer as artist. © Challenge Classics
A proposito dell'album
- 1 disco(i) - 15 traccia(e)
- Durata totale: 01:09:04
- 1 Libretto digitale
- Artisti principali: L'Estro d'Orfeo Leonor de Lera
- Compositore: Various Composers
- Etichetta: Challenge Classics
- Genere: Classica
(C) 2020 Challenge Classics (P) 2020 Challenge Classics
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