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Paul McCartney|Kisses On The Bottom

Kisses On The Bottom

Paul McCartney

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Way back in 1963, Paul McCartney sang "A Taste of Honey" on the Beatles' debut album, and "Til There Was You" on their second LP, establishing that his tastes ran far beyond the world of rock & roll and R&B. Over the years, he touched upon pre-rock & roll pop -- writing pastiches like "Honey Pie" with the Beatles and, crucially, snatching up the publishing rights to many of these tunes, thereby building his MPL empire -- but he never devoted a full record to the style until 2012's Kisses on the Bottom, a cheekily titled (pun not only intentional but solicited) collection of songs you know by heart. He's not the first Beatle to sing songs his mother should know: Ringo's first step outside the Fab Four was 1970's Sentimental Journey, a record of standards produced by George Martin. Sentimental Journey may share a tune with Kisses on the Bottom -- Ray Henderson and Mort Dixon's "Bye Bye Blackbird" -- but its splashy, show biz sensibility differs greatly from McCartney's intimate stroll through the past. Macca hired Diana Krall's band as his support, enlisted veteran vocal producer Tommy LiPuma, and then set up shop at Los Angeles' famed Capitol Studios, along with spots in N.Y.C. and London, to cut faithful, loving versions of songs he's always sung. Overachiever that he is, Macca throws in two new originals -- the quite good "My Valentine" and "Only Our Hearts," the former featuring guitar by Eric Clapton, the latter harmonica by Stevie Wonder -- that fit right into the soft-shoe shuffle of the rest of the record, enhancing its casual charm. And since McCartney is no longer quite the vocal powerhouse he used to be -- something the spare setting makes all too clear -- the chief appeal is its leisurely vibe, how McCartney settles into his surroundings, savoring each melody and every witty turn of phrase. As a vocalist, this may not be his natural forte, but he takes great care with the songs, and that palpable love is enough to make Kisses on the Bottom worth a spin or two.

© Stephen Thomas Erlewine /TiVo

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Kisses On The Bottom

Paul McCartney

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1
I'm Gonna Sit Right Down And Write Myself A Letter
00:02:34

Paul Mccartney, MainArtist - Joe Young, ComposerLyricist - FRED AHLERT, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

2
Home (When Shadows Fall)
00:04:04

Geoffrey Clarkson, ComposerLyricist - Paul Mccartney, MainArtist - Peter Van Steeden, ComposerLyricist - Harry Clarkson, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

3
It's Only A Paper Moon
00:02:34

Paul Mccartney, MainArtist - Harold Arlen, Composer - Billy Rose, Composer - E.Y. HARBURG, Composer

℗ 2012 MPL Communications Inc/Ltd

4
More I Cannot Wish You
00:03:03

Paul Mccartney, MainArtist - FRANK LOESSER, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

5
The Glory Of Love
00:03:43

Paul Mccartney, MainArtist - Billy Hill, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

6
We Three (My Echo, My Shadow And Me)
00:03:21

Nelson Cogane, ComposerLyricist - Paul Mccartney, MainArtist - Dick Robertson, ComposerLyricist - Sammy Mysels, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

7
Ac-Cent-Tchu-Ate The Positive
00:02:31

Paul Mccartney, MainArtist - Johnny Mercer, ComposerLyricist - Harold Arlen, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

8
My Valentine
00:03:14

Tommy Lipuma, Producer - Paul Mccartney, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2012 MPL Communications, Inc

9
Always
00:03:49

Paul Mccartney, MainArtist - Irving Berlin, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

10
My Very Good Friend The Milkman
00:03:03

Paul Mccartney, MainArtist - Johnny Burke, ComposerLyricist - Harold Spina, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

11
Bye Bye Blackbird
00:04:25

Paul Mccartney, MainArtist - Mort Dixon, ComposerLyricist - Ray Henderson, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

12
Get Yourself Another Fool
00:04:41

Tommy Lipuma, Producer - Paul Mccartney, Vocals, MainArtist, AssociatedPerformer - Frank Haywood, ComposerLyricist - Monroe Tucker, ComposerLyricist

℗ 2012 MPL Communications, Inc

13
The Inch Worm
00:03:42

Paul Mccartney, MainArtist - FRANK LOESSER, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

14
Only Our Hearts
00:04:20

Paul Mccartney, MainArtist, ComposerLyricist

℗ 2012 MPL Communications Inc/Ltd

Approfondimenti

Way back in 1963, Paul McCartney sang "A Taste of Honey" on the Beatles' debut album, and "Til There Was You" on their second LP, establishing that his tastes ran far beyond the world of rock & roll and R&B. Over the years, he touched upon pre-rock & roll pop -- writing pastiches like "Honey Pie" with the Beatles and, crucially, snatching up the publishing rights to many of these tunes, thereby building his MPL empire -- but he never devoted a full record to the style until 2012's Kisses on the Bottom, a cheekily titled (pun not only intentional but solicited) collection of songs you know by heart. He's not the first Beatle to sing songs his mother should know: Ringo's first step outside the Fab Four was 1970's Sentimental Journey, a record of standards produced by George Martin. Sentimental Journey may share a tune with Kisses on the Bottom -- Ray Henderson and Mort Dixon's "Bye Bye Blackbird" -- but its splashy, show biz sensibility differs greatly from McCartney's intimate stroll through the past. Macca hired Diana Krall's band as his support, enlisted veteran vocal producer Tommy LiPuma, and then set up shop at Los Angeles' famed Capitol Studios, along with spots in N.Y.C. and London, to cut faithful, loving versions of songs he's always sung. Overachiever that he is, Macca throws in two new originals -- the quite good "My Valentine" and "Only Our Hearts," the former featuring guitar by Eric Clapton, the latter harmonica by Stevie Wonder -- that fit right into the soft-shoe shuffle of the rest of the record, enhancing its casual charm. And since McCartney is no longer quite the vocal powerhouse he used to be -- something the spare setting makes all too clear -- the chief appeal is its leisurely vibe, how McCartney settles into his surroundings, savoring each melody and every witty turn of phrase. As a vocalist, this may not be his natural forte, but he takes great care with the songs, and that palpable love is enough to make Kisses on the Bottom worth a spin or two.

© Stephen Thomas Erlewine /TiVo

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