Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Brahms' works for chorus account for a significant part of his output, far greater than would be guessed by the frequency of their performances in modern times, apart from Ein deutsches Requiem. His music for mixed choirs and women's voices, either a cappella or accompanied by piano, are the works that were the most often performed during his lifetime because of their dissemination through the proliferation of amateur community choirs of the era. He wrote relatively few works for chorus and orchestra, most of them in the later part of his career, and this CD brings together an attractive selection of five of them. The most familiar are the Rhapsodie for alto, men's voices, and orchestra, Op. 53, and Schicksalslied for choir and orchestra, Op. 54. Brahms wrote them not long after completing his Requiem, and it's easy to hear echoes of its depths of feeling and musical language in these shorter, but still profound pieces. Gesang der Parzen, Op. 89, his last choral-orchestral work, a setting of Goethe, also deserves broader exposure. It's perhaps the most eccentric musically, filled with unpredictable shifts in direction, but it makes a strong mystical impression particularly in its haunting final moments.
The remaining works, the early Begräbnisgesang, Op. 13, and the motet, Warum ist das Licht gegeben, Op. 74/1, may be less likely to find wide audiences, but they are nonetheless satisfying and richly lyrical and are bound to interest the composer's fans and anyone who loves sumptuous Romantic choral music. Phillipe Herreweghe leads Collegium Vocale Gent, a group he founded in 1970, and it's evident from the easy give and take of the performance that there is fluid communication between them. The group sings with seamless phrasing and remarkable subtlety of dynamic inflections. Ann Hallenberg, usually known as a Baroque specialist, brings a light, pure, warmly focused mezzo to the Alto Rhapsody. The sound is clean and ambient, with a good sense of presence.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Collegium Vocale Gent, Performer - Orchestre des Champs-Elysées, Performer - Philippe Herreweghe, Performer - Johannes Brahms, Composer
2011 Outhere 2011 Outhere
Ann Hallenberg, Performer - Collegium Vocale Gent, Performer - Orchestre des Champs-Elysées, Performer - Philippe Herreweghe, Performer - Johannes Brahms, Composer
2011 Outhere 2011 Outhere
Collegium Vocale Gent, Performer - Orchestre des Champs-Elysées, Performer - Philippe Herreweghe, Performer - Johannes Brahms, Composer
2011 Outhere 2011 Outhere
Collegium Vocale Gent, Performer - Orchestre des Champs-Elysées, Performer - Philippe Herreweghe, Performer - Johannes Brahms, Composer
2011 Outhere 2011 Outhere
Collegium Vocale Gent, Performer - Orchestre des Champs-Elysées, Performer - Philippe Herreweghe, Performer - Johannes Brahms, Composer
2011 Outhere 2011 Outhere
Approfondimenti
Brahms' works for chorus account for a significant part of his output, far greater than would be guessed by the frequency of their performances in modern times, apart from Ein deutsches Requiem. His music for mixed choirs and women's voices, either a cappella or accompanied by piano, are the works that were the most often performed during his lifetime because of their dissemination through the proliferation of amateur community choirs of the era. He wrote relatively few works for chorus and orchestra, most of them in the later part of his career, and this CD brings together an attractive selection of five of them. The most familiar are the Rhapsodie for alto, men's voices, and orchestra, Op. 53, and Schicksalslied for choir and orchestra, Op. 54. Brahms wrote them not long after completing his Requiem, and it's easy to hear echoes of its depths of feeling and musical language in these shorter, but still profound pieces. Gesang der Parzen, Op. 89, his last choral-orchestral work, a setting of Goethe, also deserves broader exposure. It's perhaps the most eccentric musically, filled with unpredictable shifts in direction, but it makes a strong mystical impression particularly in its haunting final moments.
The remaining works, the early Begräbnisgesang, Op. 13, and the motet, Warum ist das Licht gegeben, Op. 74/1, may be less likely to find wide audiences, but they are nonetheless satisfying and richly lyrical and are bound to interest the composer's fans and anyone who loves sumptuous Romantic choral music. Phillipe Herreweghe leads Collegium Vocale Gent, a group he founded in 1970, and it's evident from the easy give and take of the performance that there is fluid communication between them. The group sings with seamless phrasing and remarkable subtlety of dynamic inflections. Ann Hallenberg, usually known as a Baroque specialist, brings a light, pure, warmly focused mezzo to the Alto Rhapsody. The sound is clean and ambient, with a good sense of presence.
© TiVo
A proposito dell'album
- 1 disco(i) - 5 traccia(e)
- Durata totale: 00:56:47
- 1 Libretto digitale
- Artisti principali: Ann Hallenberg Collegium Vocale Gent Orchestre des Champs-Elysées Philippe Herreweghe
- Compositore: Johannes Brahms
- Etichetta: Phi
- Genere: Classica
2011 Outhere 2011 Outhere
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.