Qobuz Store wallpaper
Categorie:
Carrello 0

Il tuo carrello è vuoto

Editors|In This Light and on This Evening

In This Light and on This Evening

Editors

Disponibile in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Registrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

In offerta - 30%

After two albums, England's premier post-punk revivalists Editors were at a crossroads. Their debut was a commanding snapshot of a young band whose emotional urgency outweighed its slavish devotion to the sounds of late-'70s/early-'80s Manchester -- there was no getting around singer Tom Smith's similarity to Ian Curtis -- but the power and passion of the songs trumped any "British Interpol" accusations. The follow-up found the band falling victim to the dread sophomore jinx, turning out a lackluster rehash of the same ideas as the debut. Ironically, it sold better than the first. Whether or not the band recognized they had come to a musical dead-end despite their booming sales, they were apparently wise enough to know it was time for a change in direction, and they decided to take a rather drastic left turn for their third outing. They've by and large ditched the guitars in favor of synthesizers, for a sound that's more New Order/Ultravox sleek than post-punk scrappy. If you open your mind up wide enough, you can draw a parallel to Van Halen's 1984 -- the sound of a guitar band getting its synth on but retaining its musical identity. While the shift to an electronic approach opens up more possibilities for the band in terms of dynamics, arrangements, and melodic contours -- there's a noticeable slant towards catchy refrains rather than billowing atmosphere -- this is still very obviously an Editors album. Smith's Curtis-like tones still boom out authoritatively, and the ominous intensity of old is a constant presence. And while it seems they will probably never equal the majesty of their debut, Editors have dug themselves out of their artistic cul de sac at least long enough to plan their next move.
© J. Allen /TiVo

Maggiori informazioni

In This Light and on This Evening

Editors

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 90 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 90 milioni di brani con i nostri abbonamenti di streaming illimitati

A partire da 12,50€/mese

1
In This Light and on This Evening
00:04:19

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

2
Bricks and Mortar
00:06:20

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

3
Papillon
00:05:24

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

4
You Don't Know Love
00:04:38

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

5
The Big Exit
00:04:44

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

6
The Boxer
00:04:40

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

7
Like Treasure
00:04:51

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

8
Eat Raw Meat = Blood Drool Explicit
00:04:53

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

9
Walk the Fleet Road
00:03:44

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2009 Play It Again Sam 2009 Play It Again Sam

Descrizione dell'album

After two albums, England's premier post-punk revivalists Editors were at a crossroads. Their debut was a commanding snapshot of a young band whose emotional urgency outweighed its slavish devotion to the sounds of late-'70s/early-'80s Manchester -- there was no getting around singer Tom Smith's similarity to Ian Curtis -- but the power and passion of the songs trumped any "British Interpol" accusations. The follow-up found the band falling victim to the dread sophomore jinx, turning out a lackluster rehash of the same ideas as the debut. Ironically, it sold better than the first. Whether or not the band recognized they had come to a musical dead-end despite their booming sales, they were apparently wise enough to know it was time for a change in direction, and they decided to take a rather drastic left turn for their third outing. They've by and large ditched the guitars in favor of synthesizers, for a sound that's more New Order/Ultravox sleek than post-punk scrappy. If you open your mind up wide enough, you can draw a parallel to Van Halen's 1984 -- the sound of a guitar band getting its synth on but retaining its musical identity. While the shift to an electronic approach opens up more possibilities for the band in terms of dynamics, arrangements, and melodic contours -- there's a noticeable slant towards catchy refrains rather than billowing atmosphere -- this is still very obviously an Editors album. Smith's Curtis-like tones still boom out authoritatively, and the ominous intensity of old is a constant presence. And while it seems they will probably never equal the majesty of their debut, Editors have dug themselves out of their artistic cul de sac at least long enough to plan their next move.
© J. Allen /TiVo

A proposito dell'album

Migliorare le informazioni sugli album

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

The Dark Side Of The Moon

Pink Floyd

Wish You Were Here

Pink Floyd

Wish You Were Here Pink Floyd

The Wall

Pink Floyd

The Wall Pink Floyd

Back To Black

Amy Winehouse

Back To Black Amy Winehouse
Altro su Qobuz
Di Editors

Kiss

Editors

Kiss Editors

EBM

Editors

EBM Editors

Heart Attack

Editors

Heart Attack Editors

Formaldehyde

Editors

Formaldehyde Editors

Vibe

Editors

Vibe Editors

Playlist

Ti potrebbe piacere anche...

The Lockdown Sessions

Roger Waters

The Lockdown Sessions Roger Waters

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Revolver

The Beatles

Revolver The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Harvest

Neil Young

Harvest Neil Young
Nelle Panoramiche...
Guns N' Roses: il fine giustifica i mezzi

Mentre le vendite del mitico Appetite For Destruction stanno per raggiungere i 10 milioni di copie negli Stati Uniti, chi si ricorda, oggi, che questo disco ha rischiato di non essere pubblicato? I legami che univano Axl Rose, Slash, Duff McKagan, Izzy Stradlin e Steven Adler erano fragili, e oltretutto il destino sembrava accanirsi su quel gruppo che sembrava sempre in ritardo cronico sui Mötley Crüe, i Ratt, i Cinderella e i Dokken. È stato quasi per un atto di carità che David Geffen aveva accettato di accogliere questo gruppo senza dimora alla sua etichetta. Non ha dovuto rimpiangere il suo altruismo...

Led Zeppelin: 50 anni di rock da festeggiare

Nel 2018 i Led Zeppelin hanno celebrato 50 anni dalla loro formazione. Dopo aver rivoluzionato la storia del rock in soli dodici anni, Jimmy Page, Robert Plant e John Paul Jones si sono ritrovati diverse volte sul palco e in studio dalla morte del loro batterista John Bonham nel 1980, con esiti più o meno felici. Passiamo in rassegna le varie (ri) apparizioni dei mitici Zeppelin.

Nella testa di David Byrne

Ha capeggiato i Talking Heads, registrato il punk funk e la musica sudamericana, ripubblicato tesori della world music, passato ore a pedalare nelle più grandi città del mondo e fatto decine di altre cose. Ma cosa succede nella testa di David Byrne?

Nel magazine...