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Joel McNeely|I Know Who Killed Me (Original Motion Picture Soundtrack)

I Know Who Killed Me (Original Motion Picture Soundtrack)

Joel McNeely

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The sheer awfulness of the Lindsay Lohan psychodrama I Know Who Killed Me effectively blots out composer Joel McNeely's score, which taken on its own terms isn't so bad after all. McNeely's minimalist piano melodies are suitably creepy, eventually expanding to embrace moody electronic textures, shrieking strings, and wordless vocals -- nothing exactly new, of course, but the execution is precise, and a series of thoughtful post-production flourishes further bolsters the music's sense of malice and dread. It will be interesting to see what McNeely might accomplish given a watchable film to score.

© Jason Ankeny /TiVo

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I Know Who Killed Me (Original Motion Picture Soundtrack)

Joel McNeely

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1
Prelude For A Madman
Joel McNeely
00:00:54
2
Duality
Joel McNeely
00:01:31
3
Fairytale Theme
Joel McNeely
00:02:16
4
A Daughter Is Dead
Joel McNeely
00:01:05

Joel McNeely, MainArtist, ComposerLyricist - Klaus Berhmal, Piano, AssociatedPerformer - Caitlin Kazepis, Vocals, AssociatedPerformer

℗ 2007 Varese Sarabande Records

5
End Of Innocence / Aubrey Is Gone
Joel McNeely
00:01:43
6
A Mother's Grief
Joel McNeely
00:03:36
7
Search For Aubrey
Joel McNeely
00:01:48
8
The Bus Stop
Joel McNeely
00:01:21
9
Spontaneous Bleed
Joel McNeely
00:01:35
10
Going Home
Joel McNeely
00:01:51
11
Jennifer's Room
Joel McNeely
00:01:28
12
Some People Get Cut
Joel McNeely
00:01:30
13
Investigating Stigmata
Joel McNeely
00:01:41
14
The Mirror
Joel McNeely
00:02:26
15
The Graveyard
Joel McNeely
00:01:44
16
I Know Who Killed Me
Joel McNeely
00:00:56
17
The House
Joel McNeely
00:03:22
18
Dad Dies
Joel McNeely
00:02:26
19
Death Of Norquist
Joel McNeely
00:01:45
20
Prelude / Reunited
Joel McNeely
00:03:22
21
Chopin: Valse Brillante, Op. 34, No. 2 In A Minor
Caitlin Kazepis
00:05:02

Approfondimenti

The sheer awfulness of the Lindsay Lohan psychodrama I Know Who Killed Me effectively blots out composer Joel McNeely's score, which taken on its own terms isn't so bad after all. McNeely's minimalist piano melodies are suitably creepy, eventually expanding to embrace moody electronic textures, shrieking strings, and wordless vocals -- nothing exactly new, of course, but the execution is precise, and a series of thoughtful post-production flourishes further bolsters the music's sense of malice and dread. It will be interesting to see what McNeely might accomplish given a watchable film to score.

© Jason Ankeny /TiVo

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