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Lou Rawls|I Can't Make It Alone: The Axelrod Years

I Can't Make It Alone: The Axelrod Years

Lou Rawls

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Legendary producer and auteur David Axelrod began working with Capitol Records as an A&R man in 1963. He began working with equally legendary singer Lou Rawls in 1964 on the album For You My Love, but the pair didn't score together until 1966 when Axe produced Rawls' Live! set. Like Cannonball Adderley's Live at the It Club, (which Axelrod also produced) this was a live in the studio date, where Rawls and band played to an invited studio audience. That combination of crackling energy and intimacy put the set over the top. And the pair worked together through 1970 when Rawls left Capitol for MGM. This monster 25-track collection shows off in singles and album cuts the incredible partnership this pair established from the mid-'60s through 1970. Axe and Rawls were responsible for reframing many of the pop hits of the day into stellar big-band soul workouts including Donovan's "Season of the Witch," Dave Mason's "Feelin' Alright," Berry Gordy's "You've Made Me So Very Happy," Gerry Goffin and Carole King's "I Can't Make It Alone," Stephen Stills' "For What It's Worth," a funky version of John Hartford's "Gentle on My Mind," and transforming spare soul tunes such as Otis Redding's "Fa-Fa-Fa-Fa-Fa (Sad Song)," and Sam Cooke's "Bring It on Home to Me" into sophisticated big-band rave-ups without sacrificing an ounce of emotion or authenticity. In fact, this music is some of the first uptown L.A. soul, and defined an era in Hollywood. This set compiled by Stateside has all of these cuts and many more, showcasing the kinetic symbiosis of this pairing at Capitol, and then some. The only thing the package lacks is context. While discographical information is here, there is no serious liner essay to tie the set together since the material is not arranged chronologically. That small complaint aside, this is as solid a Rawls set from the '60s as one needs -- even if it doesn't include his stellar version of "Tobacco Road." This one is all killer, no filler.

© Thom Jurek /TiVo

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I Can't Make It Alone: The Axelrod Years

Lou Rawls

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1
I Can't Make It Alone
00:03:01

Gerald Goffin, Composer - Carole King, Composer - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1969 Capitol Records, LLC

2
Love Is A Hurtin' Thing
00:02:13

Earl Palmer, Drums, AssociatedPerformer - Jimmy Bond, Bass Guitar, AssociatedPerformer - H.B. BARNUM, Conductor - Ben Raleigh, ComposerLyricist - Bill Green, Tenor Saxophone, AssociatedPerformer - Tony Terran, Trumpet, AssociatedPerformer - David Axelrod, Producer - Jim Horn, Baritone Saxophone, AssociatedPerformer - Jackie Kelso, Alto Saxophone, AssociatedPerformer - Lou Rawls, MainArtist - Dick Leith, Trombone, AssociatedPerformer - Lou McCrary, Trombone, AssociatedPerformer - Al Viola, Guitar, AssociatedPerformer - Dave Linden, ComposerLyricist - Pete Abbott, Engineer, StudioPersonnel - Jack Laubach, Trumpet, AssociatedPerformer

℗ 1966 Capitol Records, LLC

3
When She Speaks
00:02:39

David Axelrod, Producer - Lou Rawls, MainArtist - Mike Corda, Composer - Bob Penny, Composer

℗ 1968 Capitol Records, LLC

4
(How Do You Say) I Don't Love You Anymore
00:02:46

Irwin Levine, Composer - H.B. BARNUM, Conductor - David Axelrod, Producer - Lou Rawls, MainArtist - Al Kooper, Composer

℗ 1967 Capitol Records, LLC

5
Season Of The Witch
00:05:51

Donovan Leitch, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1969 Capitol Records, LLC

6
Fa-Fa-Fa-Fa-Fa (The Sad Song)
00:02:38

Otis Redding, ComposerLyricist - Steve Cropper, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1969 Capitol Records, LLC

7
When Love Goes Wrong
00:02:33

H.B. BARNUM, Conductor - Ben Raleigh, ComposerLyricist - David Axelrod, Producer - James Alexander, ComposerLyricist - Lou Rawls, MainArtist

℗ 1967 Capitol Records, LLC

8
Feelin' Alright
00:02:53

Dave Mason, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1970 Capitol Records, LLC

9
You've Made Me So Very Happy
00:04:27

David Axelrod, Producer - Lou Rawls, MainArtist - Berry Gordy, Composer - Frank Wilson, Composer - Patrice Holloway, Composer - Brenda Holloway, Composer

℗ 1970 Capitol Records, LLC

10
Your Good Thing (Is About To End)
00:02:52

Isaac Hayes, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist - David Porter, ComposerLyricist

℗ 1969 Capitol Records, LLC

11
You're Good For Me
00:03:12

Larry Collins, Composer - David Axelrod, Producer - Lou Rawls, MainArtist - Mac Davis, Composer

℗ 1968 Capitol Records, LLC

12
Dead End Street
00:03:59

Earl Palmer, Drums, AssociatedPerformer - Jimmy Bond, AssociatedPerformer, Bass (Vocal) - Ben Raleigh, Composer - Tony Terran, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - David Axelrod, Composer, Producer - Jim Horn, Saxophone, AssociatedPerformer - Lou Rawls, MainArtist - Freddie Hill, Trumpet, AssociatedPerformer - Teddy Edwards, Saxophone, AssociatedPerformer - Gerald Wiggins, Piano, AssociatedPerformer

℗ 1967 Capitol Records, LLC

13
Don't Explain
00:03:07

H.B. BARNUM, Conductor - Billie Holiday, Composer - David Axelrod, Producer - Lou Rawls, MainArtist - Arthur Herzog Jr., Composer

℗ 1966 Capitol Records, LLC

14
A Whole Lotta Woman
00:02:40

Lowell Jordan, Composer - Earl Palmer, Drums, AssociatedPerformer - Jimmy Bond, AssociatedPerformer, Bass (Vocal) - H.B. BARNUM, Conductor - Bill Green, Tenor Saxophone, AssociatedPerformer - Tony Terran, Trumpet, AssociatedPerformer - David Axelrod, Producer - Jim Horn, Baritone Saxophone, AssociatedPerformer - Jackie Kelso, Alto Saxophone, AssociatedPerformer - Lou Rawls, MainArtist - Dick Leith, Trombone, AssociatedPerformer - James W. Alexander, Composer - Lou McCrary, Trombone, AssociatedPerformer - Al Viola, Guitar, AssociatedPerformer - Pete Abbott, Engineer, StudioPersonnel - Jack Laubach, Trumpet, AssociatedPerformer

℗ 1966 Capitol Records, LLC

15
It's An Uphill Climb To The Bottom
00:02:54

Earl Palmer, Drums, AssociatedPerformer - Jimmy Bond, AssociatedPerformer, Bass (Vocal) - H.B. BARNUM, Conductor - Tony Terran, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - David Axelrod, Producer - Jim Horn, Saxophone, AssociatedPerformer - Lou Rawls, MainArtist - Freddie Hill, Trumpet, AssociatedPerformer - Teddy Edwards, Saxophone, AssociatedPerformer - Gerald Wiggins, Piano, AssociatedPerformer - Sangette Engel, Composer

℗ 1967 Capitol Records, LLC

16
For What It's Worth
00:02:54

Stephen Stills, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1968 Capitol Records, LLC

17
Gentle On My Mind
00:02:49

David Axelrod, Producer - Lou Rawls, MainArtist - John Harford, ComposerLyricist

℗ 1969 Capitol Records, LLC

18
All God's Children
00:03:51

Booker T. Jones, Composer - David Axelrod, Producer - Lou Rawls, MainArtist - William Bell, Composer

℗ 1970 Capitol Records, LLC

19
How Can That Be
00:03:14

David Axelrod, Composer, Producer - Lou Rawls, Composer, MainArtist - RAYMOND B. EVANS, Composer

℗ 1970 Capitol Records, LLC

20
Bring It On Home
00:03:21

Rick Hall, Producer - Sam Cooke, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1970 Capitol Records, LLC

21
Can You Dig It (Monologue)
00:00:36

Rick Hall, Producer - David Axelrod, Producer - Lou Rawls, Composer, MainArtist

℗ 1970 Capitol Records, LLC

22
Take Me For What I Am
00:02:38

Rick Hall, Producer - Sam Cooke, Composer - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1970 Capitol Records, LLC

23
Evil Woman
00:02:35

LARRY WEISS, Composer - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1967 Capitol Records, LLC

24
Soul Serenade
00:02:25

Lee Dixon, Composer - Curtis Ousley, Composer - David Axelrod, Producer - Lou Rawls, MainArtist

℗ 1968 Capitol Records, LLC

25
When A Man Loves A Woman
00:03:45

Calvin Houston Lewis, ComposerLyricist - David Axelrod, Producer - Lou Rawls, MainArtist - James Andrew Wright, ComposerLyricist

℗ 1969 Capitol Records, LLC

Approfondimenti

Legendary producer and auteur David Axelrod began working with Capitol Records as an A&R man in 1963. He began working with equally legendary singer Lou Rawls in 1964 on the album For You My Love, but the pair didn't score together until 1966 when Axe produced Rawls' Live! set. Like Cannonball Adderley's Live at the It Club, (which Axelrod also produced) this was a live in the studio date, where Rawls and band played to an invited studio audience. That combination of crackling energy and intimacy put the set over the top. And the pair worked together through 1970 when Rawls left Capitol for MGM. This monster 25-track collection shows off in singles and album cuts the incredible partnership this pair established from the mid-'60s through 1970. Axe and Rawls were responsible for reframing many of the pop hits of the day into stellar big-band soul workouts including Donovan's "Season of the Witch," Dave Mason's "Feelin' Alright," Berry Gordy's "You've Made Me So Very Happy," Gerry Goffin and Carole King's "I Can't Make It Alone," Stephen Stills' "For What It's Worth," a funky version of John Hartford's "Gentle on My Mind," and transforming spare soul tunes such as Otis Redding's "Fa-Fa-Fa-Fa-Fa (Sad Song)," and Sam Cooke's "Bring It on Home to Me" into sophisticated big-band rave-ups without sacrificing an ounce of emotion or authenticity. In fact, this music is some of the first uptown L.A. soul, and defined an era in Hollywood. This set compiled by Stateside has all of these cuts and many more, showcasing the kinetic symbiosis of this pairing at Capitol, and then some. The only thing the package lacks is context. While discographical information is here, there is no serious liner essay to tie the set together since the material is not arranged chronologically. That small complaint aside, this is as solid a Rawls set from the '60s as one needs -- even if it doesn't include his stellar version of "Tobacco Road." This one is all killer, no filler.

© Thom Jurek /TiVo

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