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Ian Anderson|Homo Erraticus

Homo Erraticus

Ian Anderson

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Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose -- very loose -- album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup. Divorced from Tull, Anderson favors fruitiness -- he likes ripe melodies and baroque arrangements that showcase either his flute or the dexterity of his band -- and if the music by and large isn't as forceful as Aqualung, partially due to the absence of muscular musicians, it nevertheless demonstrates a clear-eyed conception that is in the same lineage. Yes, the production on Homo Erraticus is too precise -- there's too much air, there's too much room to roam, decisions that diminish the impact of the music -- but the contours of the compositions deliberately and delicately recall classic Tull, so Homo Erraticus winds up satisfying: it's as close to '70s prog as is possible in 2014.

© Stephen Thomas Erlewine /TiVo

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Homo Erraticus

Ian Anderson

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1
Doggerland
00:04:20

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

2
Heavy Metals
00:01:32

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

3
Enter the Uninvited
00:04:12

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

4
Puer Ferox Adventus
00:07:13

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

5
Meliora Sequamur
00:03:34

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

6
The Turnpike Inn
00:03:07

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

7
The Engineer
00:03:11

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

8
The Pax Britannica
00:03:05

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

9
Tripudium Ad Bellum
00:02:50

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

10
After These Wars
00:04:29

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

11
New Blood, Old Veins
00:02:31

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

12
In for a Pound
00:00:36

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

13
The Browning of the Green
00:04:05

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

14
Per Errationes Ad Astra
00:01:34

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

15
Cold Dead Reckoning
00:05:31

Ian Anderson, Composer, MainArtist - Bmg /Chrysalis London, MusicPublisher

(C) 2014 Ian Anderson Under Licence To Kscope (P) 2014 The Ian Anderson Group Of Companies / Calliandra Records Under Exclusive Licence To Snapper Music Plc

Approfondimenti

Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose -- very loose -- album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup. Divorced from Tull, Anderson favors fruitiness -- he likes ripe melodies and baroque arrangements that showcase either his flute or the dexterity of his band -- and if the music by and large isn't as forceful as Aqualung, partially due to the absence of muscular musicians, it nevertheless demonstrates a clear-eyed conception that is in the same lineage. Yes, the production on Homo Erraticus is too precise -- there's too much air, there's too much room to roam, decisions that diminish the impact of the music -- but the contours of the compositions deliberately and delicately recall classic Tull, so Homo Erraticus winds up satisfying: it's as close to '70s prog as is possible in 2014.

© Stephen Thomas Erlewine /TiVo

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