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Wakefield Cathedral Choir|Heaven and Earth Are Full of Thy Glory

Heaven and Earth Are Full of Thy Glory

Wakefield Cathedral Choir, Keith Wright and Jonathan Bielby

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Lingua disponibile: inglese

Heaven and Earth are Full of Thy Glory is dedicated to British settings of the Mass Ordinary for use in Anglican services of Communion. Most are from the late-19th through the mid-20th century, with one from 1968. The album is likely to have most appeal to fans of late Romantic Anglican sacred music, particularly those who have fond memories of these pieces being used in the liturgy. Most of the music is not of sufficient quality to be of interest to general audiences. The composers, including Basil Harwood, John Ireland, Charles Wood, and Harold Darke, write in a blandly lyrical style. The character of the music reflects the character of the text in a utilitarian way, but it is rarely touched by the kind of inspiration needed to make it memorable. Kenneth Leighton's 1968 Missa Brevis uses a somewhat more contemporary harmonic vocabulary, but its effect is no more compelling than the earlier works. Occasional movements stand out as a step above the rest, including Ireland's Sanctus and Agnus Dei. Wood's is the most skillful and professional setting and maintains a tone of quiet dignity. George Oldroyd's Mass of the Quiet Hour is the most distinctive and appealing work, and several of its movements are genuinely attractive. The performances by Wakefield Cathedral Choir, an ensemble of men and boys, led by Jonathan Bielby, are no more than adequate, and sometimes, less so. The adult soloists are particularly mediocre. Priory's sound is somewhat distant and recessed.
© TiVo

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Heaven and Earth Are Full of Thy Glory

Wakefield Cathedral Choir

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Morning, Communion & Evening Services in A-Flat Major, Op. 6 (Basil Harwood)

1
I. Gloria
00:03:55

Basil Harwood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

2
II. Sanctus - III. Benedictus
00:04:12

Basil Harwood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

3
IV. Agnus Dei
00:01:51

Basil Harwood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

Communion Service in C major (John Ireland)

4
I. Kyrie
00:01:15

John Ireland, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

5
II. Gloria
00:03:07

John Ireland, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

6
III. Credo
00:04:24

John Ireland, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

7
IV. Sanctus - V. Benedictus
00:02:54

John Ireland, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

8
VI. Agnus Dei
00:02:49

John Ireland, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

Short Communion Service in the Phrygian Mode (Charles Wood)

9
I. Kyrie
00:02:18

Charles Wood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

10
II. Gloria
00:03:46

Charles Wood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

11
III. Sanctus - IV. Benedictus
00:01:58

Charles Wood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

12
V. Agnus Dei
00:01:36

Charles Wood, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

Communion Service in F Major (Harold Darke)

13
I. Gloria
00:03:03

Harold Darke, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

14
II. Credo
00:05:13

Harold Darke, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

15
III. Sanctus - IV. Benedictus
00:02:53

Harold Darke, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

16
V. Agnus Dei
00:01:56

Harold Darke, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

The Mass of the Quiet Hour (George Oldroyd)

17
I. Kyrie
00:02:29

Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - George Oldroyd, Composer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

18
II. Gloria
00:02:55

Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - George Oldroyd, Composer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

19
III. Sanctus - IV. Benedictus
00:02:15

Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - George Oldroyd, Composer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

20
V. Agnus Dei
00:02:28

Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - George Oldroyd, Composer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

Missa Brevis, op. 50 (Kenneth Leighton)

21
I. Kyrie
00:02:32

Kenneth Leighton, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

22
II. Gloria
00:03:12

Kenneth Leighton, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

23
III. Sanctus - IV. Benedictus
00:03:04

Kenneth Leighton, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

24
V. Agnus Dei
00:03:39

Kenneth Leighton, Composer - Jonathan Bielby, Conductor, MainArtist - Keith Wright, MainArtist, AssociatedPerformer - Wakefield Cathedral Choir, Choir, MainArtist

1990 Priory Records 1990 (P) Priory Records

Approfondimenti

Heaven and Earth are Full of Thy Glory is dedicated to British settings of the Mass Ordinary for use in Anglican services of Communion. Most are from the late-19th through the mid-20th century, with one from 1968. The album is likely to have most appeal to fans of late Romantic Anglican sacred music, particularly those who have fond memories of these pieces being used in the liturgy. Most of the music is not of sufficient quality to be of interest to general audiences. The composers, including Basil Harwood, John Ireland, Charles Wood, and Harold Darke, write in a blandly lyrical style. The character of the music reflects the character of the text in a utilitarian way, but it is rarely touched by the kind of inspiration needed to make it memorable. Kenneth Leighton's 1968 Missa Brevis uses a somewhat more contemporary harmonic vocabulary, but its effect is no more compelling than the earlier works. Occasional movements stand out as a step above the rest, including Ireland's Sanctus and Agnus Dei. Wood's is the most skillful and professional setting and maintains a tone of quiet dignity. George Oldroyd's Mass of the Quiet Hour is the most distinctive and appealing work, and several of its movements are genuinely attractive. The performances by Wakefield Cathedral Choir, an ensemble of men and boys, led by Jonathan Bielby, are no more than adequate, and sometimes, less so. The adult soloists are particularly mediocre. Priory's sound is somewhat distant and recessed.
© TiVo

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