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Chiara Granata|Haydn and the Harp

Haydn and the Harp

Marco Ceccato, Anais Chen, Raffaele Pe, Chiara Granata

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For her first solo outing on Glossa, entitled “Haydn and the harp”, Chiara Granata presents a gorgeous demonstration, full of elegance and refinement, of the importance of the harp in the Classical era – and of Franz Joseph Haydn’s significant contribution to its development. Granata’s selection demonstrates how composers strove to get the most out of the harp by pushing for experimental technical demands without forcing its sound or calling for unnatural tempi; this was often with Haydn being involved in providing advice to composers and performers alike. As further witnesses of Haydn’s penchant for the harp Chiara Granata includes in her programme a selection of folk melodies from the British Isles arranged by the composer, then (in Stendhal’s words) “full of glory and year”. Here she is joined by countertenor Raffaele Pe, violinist Anaïs Chen and cellist Marco Ceccato. Other composers utilized Haydn’s compositions as inspiration for their own, as can be heard in Nicolas-Charles Bochsa’s Petite Mosaique sur “La Création” d’Haydn or even made arrangements of his symphonies, such as was the case with Louis-Charles Ragué.
Chiara Granata (a pupil of that treasured Glossa artist, Mara Galassi) plays two instruments built at the time of the compositions making up this delightful programme: a Holtzman harpe à crochet and a single-action harp by Naderman, the latter employed for the solo tour de force that is Boscha’s Petite Mosaique. © Glossa

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Haydn and the Harp

Chiara Granata

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The favorite air of Robin Adair (Anne-Marie Krumpholtz)

1
Robin Adair
00:03:28

Chiara Granata, Artist, MainArtist - Anne-Marie Krumpholtz, Composer

(C) 2019 Glossa (P) 2019 Glossa

The inspired Bard (Joseph Haydn)

2
The Inspired Bard, Hob.XXXIb:25 (Arr. for Voice & Chamber Ensemble)
00:03:07

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

The Ancient Harmony (Joseph Haydn)

3
Hob.XXXIb:37 (Arr. for Voice & Chamber Ensemble) [1]
00:03:32

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

Andante du celèbre Haydn (Jean-Baptiste Krumpholz)

4
(Arr. for Harp & Violin)
00:08:08

Jean-Baptiste Krumpholz, Composer - Chiara Granata, Artist, MainArtist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

The Ancient Harmony (Joseph Haydn)

5
Hob.XXXIb:37 (Arr. for Voice & Chamber Ensemble) [2]
00:02:48

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

X Symphonie d’Haydn arrangée pour la harpe (Louis Charles Rague)

6
X Symphonie d’Haydn (Arr. for Harp & Violin): I. Adagio - Allegro
00:06:06

Chiara Granata, Artist, MainArtist - Anais Chen, Artist - Louis Charles Rague, Composer

(C) 2019 Glossa (P) 2019 Glossa

7
X Symphonie d’Haydn (Arr. for Harp & Violin): II. Adagio con variatione
00:05:48

Chiara Granata, Artist, MainArtist - Anais Chen, Artist - Louis Charles Rague, Composer

(C) 2019 Glossa (P) 2019 Glossa

8
X Symphonie d’Haydn (Arr. for Harp & Violin): III. Vivace
00:04:55

Chiara Granata, Artist, MainArtist - Anais Chen, Artist - Louis Charles Rague, Composer

(C) 2019 Glossa (P) 2019 Glossa

Prélude (Joseph Eloüis)

9
Prelude
00:00:43

Chiara Granata, Artist, MainArtist - Joseph Eloüis, Composer

(C) 2019 Glossa (P) 2019 Glossa

Roxolane d’Haydn arrangé par la harpe (Exupère de La Maniere)

10
Roxolane d’Haydn (Arr. for Harp)
00:05:20

Chiara Granata, Artist, MainArtist - Exupère de La Maniere, Composer

(C) 2019 Glossa (P) 2019 Glossa

Towyn Castle (Joseph Haydn)

11
Hob.XXXIb:26 (Arr. for Voice & Chamber Ensemble)
00:05:00

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

The Rising of the lark (Joseph Haydn)

12
Hob.XXXIb:1 (Arr. for Voice & Chamber Ensemble)
00:04:26

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

Reged. The Fairy Banquet (Joseph Haydn)

13
Reged, Hob.XXXIb:38 (Arr. for Chamber Ensemble)
00:03:43

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

God preserve the Emperor (Sophia Dussek)

14
Favorite Airs, Book 4: No. 4, God Preserve the Emperor
00:02:24

Sophia Dussek, Composer - Chiara Granata, Artist, MainArtist

(C) 2019 Glossa (P) 2019 Glossa

Robin Adair (Joseph Haydn)

15
Hob.XXXIa:202 (Arr. for Voice & Chamber Ensemble)
00:03:20

Joseph Haydn, Composer - Marco Ceccato, Artist - Chiara Granata, Artist, MainArtist - Raffaele Pe, Artist - Anais Chen, Artist

(C) 2019 Glossa (P) 2019 Glossa

Petite Mosaique sur La Creation d’Haydn (Nicholas Charles Bochsa)

16
Petite mosaique sur "La creation"
00:05:24

Nicholas Charles Bochsa, Composer - Chiara Granata, Artist, MainArtist

(C) 2019 Glossa (P) 2019 Glossa

Approfondimenti

For her first solo outing on Glossa, entitled “Haydn and the harp”, Chiara Granata presents a gorgeous demonstration, full of elegance and refinement, of the importance of the harp in the Classical era – and of Franz Joseph Haydn’s significant contribution to its development. Granata’s selection demonstrates how composers strove to get the most out of the harp by pushing for experimental technical demands without forcing its sound or calling for unnatural tempi; this was often with Haydn being involved in providing advice to composers and performers alike. As further witnesses of Haydn’s penchant for the harp Chiara Granata includes in her programme a selection of folk melodies from the British Isles arranged by the composer, then (in Stendhal’s words) “full of glory and year”. Here she is joined by countertenor Raffaele Pe, violinist Anaïs Chen and cellist Marco Ceccato. Other composers utilized Haydn’s compositions as inspiration for their own, as can be heard in Nicolas-Charles Bochsa’s Petite Mosaique sur “La Création” d’Haydn or even made arrangements of his symphonies, such as was the case with Louis-Charles Ragué.
Chiara Granata (a pupil of that treasured Glossa artist, Mara Galassi) plays two instruments built at the time of the compositions making up this delightful programme: a Holtzman harpe à crochet and a single-action harp by Naderman, the latter employed for the solo tour de force that is Boscha’s Petite Mosaique. © Glossa

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