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Loverboy|Get Lucky

Get Lucky

Loverboy

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Lingua disponibile: inglese

After making a promising start with their self-titled debut, Loverboy hit the big time in 1981 with Get Lucky. This canny combination of AOR hooks and new wave production gloss boasts some memorable radio-ready tunes but isn't as solid an album as its success might lead one to believe. The best tunes on Get Lucky were the songs that became its hit singles: "Working for the Weekend" is a party anthem that blends some gutsy hard-rock guitar riffs with a synthesizer-drenched new wave rhythm arrangement to become a huge hit, while "The Lucky Ones" layers clever lyrics about the jealousy that success inspires in others over a song that mixes pomp rock grandeur with a punchy AOR arrangement full of gutsy yet slick guitar riffs. Loverboy got additional airplay with "When It's Over," a moody power ballad that boasts a show-stoppingly emotional vocal performance from Mike Reno, and "Take Me to the Top," a sleek mid-tempo piece built on a hypnotic synthesizer arrangement. The rest of Get Lucky isn't as impressive as these hits because it relies on filler to pad the album out: "Gangs in the Street" is an overwrought song about street tensions whose lyrics are melodramatic to the point of being unintentionally funny, and "Emotional" is a sloppy bar band jam with annoyingly sexist lyrics and an awful vocal from Paul Dean. Due to this overabundance of less than stellar tracks, Get Lucky fails to be as consistent a listen as Loverboy or Keep It Up, but offers enough solid tracks to please the group's fans and AOR fanatics. Other listeners may want to check out the album's highlights on a compilation before picking it up.

© Donald A. Guarisco /TiVo

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Get Lucky

Loverboy

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1
Working for the Weekend (Album Version)
00:03:41

Matt Frenette, Percussion - Matt Frenette, Drums - Mike Reno, Vocal - Mike Reno, Composer - Mike Reno, Lyricist - Scott Smith, Acoustic Bass - David Steele, Background Vocal - Bruce Fairbairn, Producer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Nancy Nash, Background Vocal - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Background Vocal - Paul Dean, Lyricist - Paul Dean, Guitar - Keith Stein, Engineer - Marc LaFrance, Background Vocal - Paul Warren Dean, Producer - Matthew Frenette, Composer - Matthew Frenette, Lyricist - Doug Johnson, Saxophone - Doug Johnson, Keyboards - Doug Johnson, Synthesizer

(P) 1981 SONY BMG MUSIC (CANADA) INC.

2
When It's Over (Album Version)
00:05:09

Rob Porter, 2nd Engineer - Mike Reno, Composer - Mike Reno, Lyricist - Keith Stein, Engineer - Bruce Fairbairn, Producer - Paul Warren Dean, Producer - Paul Dean, Composer - Paul Dean, Lyricist - Loverboy, Performer

(P) 1981 SONY BMG MUSIC (CANADA) INC.

3
Jump (Album Version)
00:03:40

J. Vallance, Composer - J. Vallance, Lyricist - Bruce Fairbairn, Producer - M. Frenette, Composer - M. Frenette, Lyricist - M. Reno, Lyricist - M. Reno, Composer - Paul Dean, Producer - B. Adams, Lyricist - B. Adams, Composer - Loverboy, Performer

(P) 1981 Sony Music Entertainment (Canada) Inc.

4
Gangs In The Street (Album Version)
00:04:34

B. FAIRBAIRN, Producer - Bruce Fairbairn, Producer - Bob Rock, Engineer - M. Reno, Composer - George Marino, Mastering Engineer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Mike Fraser, 2nd Engineer - Paul Dean, Producer - Loverboy, Performer - Keith Stein, Engineer - P. DEAN, Composer - P. DEAN, Producer - Doug Johnson, Saxophone

(P) 1981 Sony Music Entertainment (Canada) Inc.

5
Emotional (Album Version)
00:04:51

Bruce Fairbairn, Producer - Loverboy, Performer - Paul Dean, Lyricist - Paul Dean, Composer - Paul Dean, Producer

(P) 1981 Sony Music Entertainment (Canada) Inc.

6
Lucky Ones (Album Version)
00:03:50

Mike Reno, Composer - Mike Reno, Lyricist - Denise Thurlow, Composer - Denise Thurlow, Lyricist - Scott Smith, Composer - Scott Smith, Lyricist - Bruce Fairbairn, Producer - Rob Porter, 2nd Engineer - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Lyricist - Keith Stein, Engineer - Paul Warren Dean, Producer

(P) 1981 Sony Music Entertainment (Canada) Inc.

7
It's Your Life (Album Version)
00:04:03

Matthew Frenette, Composer - Matthew Frenette, Lyricist - Mike Reno, Lyricist - Mike Reno, Composer - Doug Johnson, Composer - Doug Johnson, Lyricist - Bruce Fairbairn, Producer - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Lyricist - Paul Dean, Producer

(P) 1981 Sony Music Entertainment (Canada) Inc.

8
Watch Out (Album Version)
00:04:00

B. FAIRBAIRN, Producer - Bob Rock, Engineer - D. Johnson, Composer - George Marino, Mastering Engineer - Rob Porter, 2nd Engineer - Mike Fraser, 2nd Engineer - Loverboy, Performer - Keith Stein, Engineer - P. DEAN, Composer - P. DEAN, Producer

(P) 1981 Sony Music Entertainment (Canada) Inc.

9
Take Me To The Top (Re-Mix)
00:06:12

Matt Frenette, Percussion - Matt Frenette, Drums - Mike Reno, Vocal - Mike Reno, Composer - Mike Reno, Lyricist - Scott Smith, Acoustic Bass - David Steele, Background Vocal - Bruce Fairbairn, Producer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Nancy Nash, Background Vocal - Loverboy, Performer - Paul Dean, Background Vocal - Paul Dean, Composer - Paul Dean, Guitar - Paul Dean, Lyricist - Keith Stein, Engineer - Marc LaFrance, Background Vocal - Paul Warren Dean, Producer - Doug Johnson, Saxophone - Doug Johnson, Keyboards - Doug Johnson, Composer - Doug Johnson, Lyricist - Doug Johnson, Synthesizer

(P) 1981 Sony Music Entertainment (Canada) Inc.

Approfondimenti

After making a promising start with their self-titled debut, Loverboy hit the big time in 1981 with Get Lucky. This canny combination of AOR hooks and new wave production gloss boasts some memorable radio-ready tunes but isn't as solid an album as its success might lead one to believe. The best tunes on Get Lucky were the songs that became its hit singles: "Working for the Weekend" is a party anthem that blends some gutsy hard-rock guitar riffs with a synthesizer-drenched new wave rhythm arrangement to become a huge hit, while "The Lucky Ones" layers clever lyrics about the jealousy that success inspires in others over a song that mixes pomp rock grandeur with a punchy AOR arrangement full of gutsy yet slick guitar riffs. Loverboy got additional airplay with "When It's Over," a moody power ballad that boasts a show-stoppingly emotional vocal performance from Mike Reno, and "Take Me to the Top," a sleek mid-tempo piece built on a hypnotic synthesizer arrangement. The rest of Get Lucky isn't as impressive as these hits because it relies on filler to pad the album out: "Gangs in the Street" is an overwrought song about street tensions whose lyrics are melodramatic to the point of being unintentionally funny, and "Emotional" is a sloppy bar band jam with annoyingly sexist lyrics and an awful vocal from Paul Dean. Due to this overabundance of less than stellar tracks, Get Lucky fails to be as consistent a listen as Loverboy or Keep It Up, but offers enough solid tracks to please the group's fans and AOR fanatics. Other listeners may want to check out the album's highlights on a compilation before picking it up.

© Donald A. Guarisco /TiVo

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