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Nana Vasconcelos|Fragments - Modern Tradition

Fragments - Modern Tradition

Nana Vasconcelos

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Fragments: Modern Tradition is a collection of compositions written by Nana Vasconcelos for six films. The music is appropriately atmospheric, and takes on a myriad of ethnic influences from around the world. Indeed, the first track "Vento Chamando Vento" sounds amazingly similar to fellow multi-ethnicists Dead Can Dance. Vasconcelos utilizes a variety of percussion instruments -- cowbells, shakers and drums -- to achieve the sounds of open landscapes. The album is not all space and wind, however. A fine backing band helps Vasconcelos create a number of musical textures, including the incredibly peppy "Forró Para Antero" and the poly-rhythmic "Let's Go to the Jungle." While this album does not shine with the brilliance of other work like Saudades and Bush Dance, it is a worthwhile addition to Vasconcelos' catalog.

© Stacia Proefrock /TiVo

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Fragments - Modern Tradition

Nana Vasconcelos

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1
Vento Chamando Vento/ Wind Calling Wind
00:04:13

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

2
Mundo Verde/ Green World
00:05:53

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

3
Landscape of Memory
00:08:58

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

4
Forro Para Antero /Forro For Antero
00:03:13

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

5
Vozes/ Voices
00:03:50

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

6
Let's Go To The Jungle
00:04:53

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

7
Marimbariboba
00:02:48

Traditional, Composer - Nana Vasconcelos, MainArtist

1997 Tzadik 1997 Tzadik

8
Caminho dos Pigmeus/ Road to the Pygmies
00:04:59

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

9
Goree
00:03:44

Nana Vasconcelos, Composer, MainArtist

1997 Tzadik 1997 Tzadik

Approfondimenti

Fragments: Modern Tradition is a collection of compositions written by Nana Vasconcelos for six films. The music is appropriately atmospheric, and takes on a myriad of ethnic influences from around the world. Indeed, the first track "Vento Chamando Vento" sounds amazingly similar to fellow multi-ethnicists Dead Can Dance. Vasconcelos utilizes a variety of percussion instruments -- cowbells, shakers and drums -- to achieve the sounds of open landscapes. The album is not all space and wind, however. A fine backing band helps Vasconcelos create a number of musical textures, including the incredibly peppy "Forró Para Antero" and the poly-rhythmic "Let's Go to the Jungle." While this album does not shine with the brilliance of other work like Saudades and Bush Dance, it is a worthwhile addition to Vasconcelos' catalog.

© Stacia Proefrock /TiVo

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