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Take That|Everything Changes

Everything Changes

Take That

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British group Take That did not have the same worries about releasing Everything Changes as they had with their debut album. By this time they were giant superstars in Europe, and the question in their minds was not whether they could get a hit single, but how many and which would make it to number one. The album spawned six hit singles, four of which made number one, making it Record of the Year and one of the best-selling albums of the decade, proclaiming them the biggest male group since the Beatles. When the hype sets in, it is hard to distinguish the value of the material itself. It is an album of dance-pop and ballads sung by five young men, with a greater maturity than most boy band albums thanks to the writing by lead singer Gary Barlow. Boy bands have their share of skeptics, and getting those to tear down their defenses usually ends up competing with their struggle to please the fan base they already have. With saucy dance tracks like "Relight My Fire" (a hit for Dan Hartman in the '70s) and quality ballads like "Pray" and "Love Ain't Here Anymore," as well as pop tracks "Everything Changes" and "Whatever You Do to Me," Take That won over everyone they needed to. What they got in return was a reputation for being a fine group with real talent. Everything Changes marked the height of Take That popularity.

© Peter Fawthrop /TiVo

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Everything Changes

Take That

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1
Everything Changes
00:03:34

Michael Ward, Composer, Lyricist - Pete Stewart, Engineer - Gary Barlow, Composer, Lyricist - Eliot Kennedy, Composer, Lyricist, Producer, Mixing Engineer - Cary Baylis, Composer, Lyricist, Producer, Guitar - Mike Ward, Producer - Take That, MainArtist, AssociatedPerformer - Alan Fisch, Engineer

(P) 1993 Sony Music Entertainment UK Limited

2
Pray
00:03:43

Gary Barlow, Composer, Lyricist - Paul Jervier, Producer - Steve Jervier, Producer - Jonathan Wales, Producer - Pete Craigie, Engineer - Take That, MainArtist, AssociatedPerformer - Mark Beswick, Producer

(P) 1993 Sony Music Entertainment UK Limited

3
Wasting My Time
00:03:45

Pete Stewart, Engineer - Gary Barlow, Composer, Lyricist - Eliot Kennedy, Producer, Mixing Engineer - Cary Baylis, Producer, Guitar - Mike Ward, Producer - Take That, MainArtist, AssociatedPerformer - Alan Fisch, Engineer

(P) 1993 Sony Music Entertainment UK Limited

4
Relight My Fire
00:04:11

Lulu, FeaturedArtist, AssociatedPerformer - Joey Negro, Producer - Dan Hartman, Composer, Lyricist - Take That, MainArtist, AssociatedPerformer - John Noyce, Bass Guitar - Andrew Livingstone, Producer - Mark Beswick, Producer - Take That feat. Lulu, AssociatedPerformer - Dixoid, Engineer

(P) 1993 Sony Music Entertainment UK Limited

5
Love Ain't Here Anymore
00:03:57

Gary Barlow, Composer, Lyricist, Keyboards, Vocal - Paul Jervier, Producer - Steve Jervier, Producer - Alan Ross, Guitar - Mark Owen, Vocal - Howard Donald, Vocal - Jonathan Wales, Producer - Jason Orange, Vocal - Robbie Williams, Vocal - Take That, MainArtist, AssociatedPerformer - Andrew Duncan, AssociatedPerformer - Stephen Hussey, Violin - Ivan Hussey, Cello - Chuck Sabo, Drums - Peter Craigie, Engineer - Mark Beswick, Producer - David Beaman, Violin - James Rea, AssociatedPerformer

(P) 1993 Sony Music Entertainment UK Limited

6
If This Is Love
00:03:56

Keith Beauvais, Piano - Howard Donald, Composer, Lyricist - Dave James, Composer, Lyricist, Producer, Arranger, Programmer, Mixing Engineer - Clive Goddard, Mixing Engineer - Take That, MainArtist, AssociatedPerformer - Marcus D. Bush, Engineer, Programmer

(P) 1993 Sony Music Entertainment UK Limited

7
Whatever You Do to Me
00:03:44

Pete Stewart, Engineer - Gary Barlow, Composer, Lyricist, Co-Producer - Eliot Kennedy, Producer, Mixing Engineer - Cary Baylis, Producer, Guitar - Mike Ward, Producer - Take That, MainArtist, AssociatedPerformer - Alan Fisch, Engineer

(P) 1993 Sony Music Entertainment UK Limited

8
Meaning of Love
00:03:47

Gary Barlow, Composer, Lyricist - Joey Negro, Producer - Take That, MainArtist, AssociatedPerformer - Andrew Livingstone, Producer - Dixoid, Engineer

(P) 1993 Sony Music Entertainment UK Limited

9
Why Can't I Wake Up with You
00:03:37

Gary Barlow, Composer, Lyricist - Paul Jervier, Producer - Steve Jervier, Producer - Jonathan Wales, Producer, Keyboards - Pete Craigie, Engineer - Take That, MainArtist, AssociatedPerformer - Mark Beswick, Producer

(P) 1993 Sony Music Entertainment UK Limited

10
You Are the One
00:03:47

Gary Barlow, Composer, Lyricist - Rapino Brothers, Producer - Take That, MainArtist, AssociatedPerformer

(P) 1993 Sony Music Entertainment UK Limited

11
Another Crack in My Heart
00:04:13

Gary Barlow, Composer, Lyricist - Rapino Brothers, Producer - Take That, MainArtist, AssociatedPerformer

(P) 1993 Sony Music Entertainment UK Limited

12
Broken Your Heart
00:03:46

Gary Barlow, Composer, Lyricist - Nigel Wright, Producer - Take That, MainArtist, AssociatedPerformer - Robin Sellars, Engineer

(P) 1993 Sony Music Entertainment UK Limited

13
Babe
00:04:51

Gary Barlow, Composer, Lyricist - Paul Jervier, Producer - Steve Jervier, Producer - Jonathan Wales, Producer - Pete Craigie, Engineer - Take That, MainArtist, AssociatedPerformer - Mark Beswick, Producer

(P) 1993 Sony Music Entertainment UK Limited

Approfondimenti

British group Take That did not have the same worries about releasing Everything Changes as they had with their debut album. By this time they were giant superstars in Europe, and the question in their minds was not whether they could get a hit single, but how many and which would make it to number one. The album spawned six hit singles, four of which made number one, making it Record of the Year and one of the best-selling albums of the decade, proclaiming them the biggest male group since the Beatles. When the hype sets in, it is hard to distinguish the value of the material itself. It is an album of dance-pop and ballads sung by five young men, with a greater maturity than most boy band albums thanks to the writing by lead singer Gary Barlow. Boy bands have their share of skeptics, and getting those to tear down their defenses usually ends up competing with their struggle to please the fan base they already have. With saucy dance tracks like "Relight My Fire" (a hit for Dan Hartman in the '70s) and quality ballads like "Pray" and "Love Ain't Here Anymore," as well as pop tracks "Everything Changes" and "Whatever You Do to Me," Take That won over everyone they needed to. What they got in return was a reputation for being a fine group with real talent. Everything Changes marked the height of Take That popularity.

© Peter Fawthrop /TiVo

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