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Sleaford Mods|Eton Alive

Eton Alive

Sleaford Mods

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Piano, piano. Sleaford Mods are the kind of band that move slowly but surely. And uncompromisingly as well. Now that they’ve finally broken through after so many albums, Nottingham's two proletarian fortysomethings have their heads firmly screwed onto their shoulders. With alcohol and drugs now taken off his shopping list, Jason Williamson has stripped back his ego as much as his prose. Following the success of English Tapas, the duo has released Eton Alive, a pun that addresses the elitism consuming England. Their language is always radical, and their new melody-diatribe formula is mixing together well. With Jason's penchant for angry rants, the lyrics revolve around the gloom shrouding the nation: Brexit, class conflicts and thought conditioning. The influence of grime is tangible in the thick beats (Big Burt, Discourse) and we even find touches of soul (Negative Script). As one of the most interesting groups in the UK, Sleaford Mods prove (as if that’s even necessary) that they are part of the ever-expanding new British punk scene. © Charlotte Saintoin/Qobuz

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Eton Alive

Sleaford Mods

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A partire da 12,49€/mese

1
Into The Payzone Explicit
00:02:17

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

2
Kebab Spider Explicit
00:03:40

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

3
Policy Cream Explicit
00:03:29

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

4
O.B.C.T
00:04:05

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

5
When You Come Up To Me
00:03:43

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

6
Top It Up Explicit
00:02:45

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

7
Flipside Explicit
00:02:40

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

8
Subtraction
00:03:16

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

9
Firewall
00:03:22

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

10
Big Burt Explicit
00:03:20

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

11
Discourse Explicit
00:03:21

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2019 Extreme Eating

12
Negative Script
00:02:46

Sleaford Mods, MainArtist - Extreme Eating Records, MusicPublisher

2018 Extreme Eating Records 2018 Extreme Eating Records

Approfondimenti

Piano, piano. Sleaford Mods are the kind of band that move slowly but surely. And uncompromisingly as well. Now that they’ve finally broken through after so many albums, Nottingham's two proletarian fortysomethings have their heads firmly screwed onto their shoulders. With alcohol and drugs now taken off his shopping list, Jason Williamson has stripped back his ego as much as his prose. Following the success of English Tapas, the duo has released Eton Alive, a pun that addresses the elitism consuming England. Their language is always radical, and their new melody-diatribe formula is mixing together well. With Jason's penchant for angry rants, the lyrics revolve around the gloom shrouding the nation: Brexit, class conflicts and thought conditioning. The influence of grime is tangible in the thick beats (Big Burt, Discourse) and we even find touches of soul (Negative Script). As one of the most interesting groups in the UK, Sleaford Mods prove (as if that’s even necessary) that they are part of the ever-expanding new British punk scene. © Charlotte Saintoin/Qobuz

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