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Love|Da Capo

Da Capo

Love

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Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation," is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.

© Richie Unterberger /TiVo

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Da Capo

Love

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1
Stephanie Knows Who (LP/Stereo Version)
00:02:30

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

2
Orange Skies (LP Version)
00:02:50

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar, Writer - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

3
¡Que Vida! (LP Version)
00:03:40

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

4
Seven and Seven Is (LP Version)
00:02:19

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

5
The Castle (LP Version)
00:03:00

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

6
She Comes In Colors (LP Version)
00:02:46

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar - John Echols, Guitar - Ken Forssi, Bass Guitar - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

7
Revelation (LP Version)
00:18:57

LOVE, MainArtist - Arthur Lee, Guitar, Vocals, Writer - Bryan Maclean, Guitar, Writer - John Echols, Guitar, Writer - Ken Forssi, Bass Guitar, Writer - MICHAEL STUART, Percussion - Paul Rothchild, Producer - Alban Pfisterer, Drums - Tjay Cantrelli, Flute, Saxophone

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Elektra/Asylum Records

Approfondimenti

Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation," is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.

© Richie Unterberger /TiVo

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