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Saito Kinen Orchestra|Beethoven: Leonore Overture No. 3; Symphony No. 7

Beethoven: Leonore Overture No. 3; Symphony No. 7

Saito Kinen Orchestra, Seiji Ozawa

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Emblazoned with a red "85th Birthday" banner across the top of the graphics, this live release is indeed cause for celebration. Seiji Ozawa has made a number of recordings in his old age with the Saito Kinen Orchestra that he founded, and the results have been impressive, but he will have a hard time outdoing this live performance. The Saito Kinen Orchestra is not a standing orchestra but a group that frequently turns over with new players, most of whom have a connection with Ozawa. The musicians are young, and Ozawa rides their energy, catching their excitement at being part of a great performance for perhaps the very first time. Ozawa's interpretation is impressive. He takes the music deliberately, revealing many small details and unusual relationships between sections of a movement; the scherzo is especially deftly handled in this regard. The subtle progression of the slow movement, less a funeral march than a death-haunted house, is also memorable. It all adds up to a performance that draws on a lifetime of experience. The crowd roars with approval at the end of the symphony, and so will listeners.

© TiVo

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Beethoven: Leonore Overture No. 3; Symphony No. 7

Saito Kinen Orchestra

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1
Leonore Overture No. 3, Op. 72b (Live)
00:14:24

Seiji Ozawa, Conductor, MainArtist - Saito Kinen Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer, Editor, Executive Producer, Recording Producer, StudioPersonnel

℗ 2020 Seiji Ozawa Matsumoto Festival

Symphony No. 7 in A major, Op. 92 (Ludwig van Beethoven)

2
I. Poco sostenuto - Vivace (Live)
00:14:50

Seiji Ozawa, Conductor, MainArtist - Saito Kinen Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer, Editor, Executive Producer, Recording Producer, StudioPersonnel

℗ 2020 Seiji Ozawa Matsumoto Festival

3
II. Allegretto (Live)
00:08:31

Seiji Ozawa, Conductor, MainArtist - Saito Kinen Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer, Editor, Executive Producer, Recording Producer, StudioPersonnel

℗ 2020 Seiji Ozawa Matsumoto Festival

4
III. Presto - Assai meno presto (Live)
00:07:24

Seiji Ozawa, Conductor, MainArtist - Saito Kinen Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer, Editor, Executive Producer, Recording Producer, StudioPersonnel

℗ 2020 Seiji Ozawa Matsumoto Festival

5
IV. Allegro con brio (Live)
00:07:41

Seiji Ozawa, Conductor, MainArtist - Saito Kinen Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Dominic Fyfe, Producer, Editor, Executive Producer, Recording Producer, StudioPersonnel

℗ 2020 Seiji Ozawa Matsumoto Festival

Approfondimenti

Emblazoned with a red "85th Birthday" banner across the top of the graphics, this live release is indeed cause for celebration. Seiji Ozawa has made a number of recordings in his old age with the Saito Kinen Orchestra that he founded, and the results have been impressive, but he will have a hard time outdoing this live performance. The Saito Kinen Orchestra is not a standing orchestra but a group that frequently turns over with new players, most of whom have a connection with Ozawa. The musicians are young, and Ozawa rides their energy, catching their excitement at being part of a great performance for perhaps the very first time. Ozawa's interpretation is impressive. He takes the music deliberately, revealing many small details and unusual relationships between sections of a movement; the scherzo is especially deftly handled in this regard. The subtle progression of the slow movement, less a funeral march than a death-haunted house, is also memorable. It all adds up to a performance that draws on a lifetime of experience. The crowd roars with approval at the end of the symphony, and so will listeners.

© TiVo

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