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Miklós Spányi|Bach: Complete Keyboard Concertos, Vol. 20

Bach: Complete Keyboard Concertos, Vol. 20

Miklos Spanyi

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This is the last in a series of 20 albums devoted by the BIS label and Hungarian keyboardist Miklós Spányi to the keyboard concertos of Carl Philipp Emanuel Bach. BIS is to be commended for this ambitious project, which one hardly thinks will repay the investment but which has exposed a great deal of interesting music. This release is devoted to double concertos, which were rare in Bach's output as they were in that of other composers of the time. The incongruously named Sonatina in D major, Wq 109, is a real oddity and should strongly appeal to anyone enamored of this Bach son's idiosyncratic musical thinking. It is a work for two keyboards (here harpsichords) and quite a large orchestra, including horns, flutes, oboes, trumpets, and timpani. It is a sort of giant Divertimento or Feldparthie in an unusual eight-movement form, and Spányi and the group Concerto Armonico Budapest deserve credit for letting the work be weird instead of trying to smooth off its edges. The late Concerto for fortepiano, harpsichord, and orchestra in E flat major, Wq 47, written in the last year of Bach's life, is also intriguing; the two solo instruments are specified in the score, and their timbral qualities are played off nicely against each other. In its expansive structure it is not too different from the Concerto for two harpsichords in F major, Wq 46, written some 50 years before. The only real objection here is the sound, usually a BIS strong point: working in a Budapest studio, the engineers give the properly small orchestra an overresonant sound that drowns out the subtle keyboard effects in, especially, the E flat major concerto. Nevertheless, an enjoyable romp full of the surprises that are essential to the music of this composer.

© TiVo

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Bach: Complete Keyboard Concertos, Vol. 20

Miklós Spányi

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Concerto for Harpsichord and Piano in E-Flat Major, Wq. 47, H. 479 (Carl Philipp Emanuel Bach)

1
I. Allegro di molto
00:07:47

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Tamas Szekendy, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

2
II. Larghetto
00:05:45

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Tamas Szekendy, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

3
III. Vivace
00:05:11

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Tamas Szekendy, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

Double Concerto in F Major, Wq. 46, H. 408 (Carl Philipp Emanuel Bach)

4
I. Allegro
00:10:49

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

5
II. Largo
00:08:08

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

6
III. Allegro assai
00:06:14

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Marta Abraham, Conductor, MainArtist - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer

2014 BIS 2014 (P) BIS

Keyboard Sonatina in D Major, Wq. 109, H. 453 (Carl Philipp Emanuel Bach)

7
I. Presto
00:00:46

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

8
II. Arioso
00:02:26

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

9
III. Ein wenig lebhafter
00:01:00

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

10
IV. Presto
00:00:43

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

11
V. Arioso
00:02:55

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

12
VI. Tempo di minuetto
00:02:37

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

13
VII. Allegro
00:01:16

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

14
VIII. Tempo di minuetto
00:04:05

Carl Philipp Emanuel Bach, Composer - Miklos Spanyi, MainArtist, AssociatedPerformer - Concerto Armonico, Ensemble, MainArtist - Cristiano Holtz, MainArtist, AssociatedPerformer - Peter Szuts, Conductor, MainArtist

2014 BIS 2014 (P) BIS

Approfondimenti

This is the last in a series of 20 albums devoted by the BIS label and Hungarian keyboardist Miklós Spányi to the keyboard concertos of Carl Philipp Emanuel Bach. BIS is to be commended for this ambitious project, which one hardly thinks will repay the investment but which has exposed a great deal of interesting music. This release is devoted to double concertos, which were rare in Bach's output as they were in that of other composers of the time. The incongruously named Sonatina in D major, Wq 109, is a real oddity and should strongly appeal to anyone enamored of this Bach son's idiosyncratic musical thinking. It is a work for two keyboards (here harpsichords) and quite a large orchestra, including horns, flutes, oboes, trumpets, and timpani. It is a sort of giant Divertimento or Feldparthie in an unusual eight-movement form, and Spányi and the group Concerto Armonico Budapest deserve credit for letting the work be weird instead of trying to smooth off its edges. The late Concerto for fortepiano, harpsichord, and orchestra in E flat major, Wq 47, written in the last year of Bach's life, is also intriguing; the two solo instruments are specified in the score, and their timbral qualities are played off nicely against each other. In its expansive structure it is not too different from the Concerto for two harpsichords in F major, Wq 46, written some 50 years before. The only real objection here is the sound, usually a BIS strong point: working in a Budapest studio, the engineers give the properly small orchestra an overresonant sound that drowns out the subtle keyboard effects in, especially, the E flat major concerto. Nevertheless, an enjoyable romp full of the surprises that are essential to the music of this composer.

© TiVo

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