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Blood On The Wall|Awesomer

Awesomer

Blood On The Wall

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Gratefully, musical sophistication is something that doesn't much appeal to Blood on the Wall. Instead of being more carefully produced or less manic or just plain better, the trio's third disc is, as they christened it, simply Awesomer. Ben Shanks shrieks with the same lit-up, near-lunatic force he brought to the band's self-titled debut, and his sister Courtney Shanks continues to sound as though she wished she were playing with Yo La Tengo or Cowboy Junkies; all the racket just makes her want to retreat into some lo-fi hollow. Still, Blood on the Wall -- which is way unfortunately named, calling to mind as it does a screamo or metal outfit -- is a band that manages to pull its disparate energies together, and that's what makes its music so likable and so genuinely fresh. Between "You Are a Mess" and "Mary Susan," Ben manages to recall both the Violent Femmes and the Beastie Boys. Opener "Stoner Jam," meanwhile, seems in service to Courtney's ultra-coolness. Combined, all of Awesomer's songs stimulate a need to follow the band for its next few outings. Schizophrenia -- not to mention the vast bulk of safe-playing indie rock acts -- never sounded this good.
© Tammy La Gorce /TiVo

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Awesomer

Blood On The Wall

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1
Stoner Jam
00:03:06

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

2
Reunite on Ice
00:03:01

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

3
Heat from the Day
00:01:50

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

4
I'd Like to Take You out Tonight
00:03:37

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

5
You Are a Mess
00:02:12

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

6
Keep Your Eyes
00:01:58

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

7
Gone
00:01:31

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

8
Mary Susan
00:02:58

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

9
Hey Hey
00:00:50

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

10
Can You Hear Me
00:01:40

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

11
Right to Lite Tonight
00:02:19

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

12
Get the Fuck off My Cloud
00:01:48

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

13
Dead Edge of Town
00:02:09

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

14
Going to Heaven
00:03:03

Blood On The Wall, Composer, MainArtist

2005 FatCat Records 2005 FatCat Records

Approfondimenti

Gratefully, musical sophistication is something that doesn't much appeal to Blood on the Wall. Instead of being more carefully produced or less manic or just plain better, the trio's third disc is, as they christened it, simply Awesomer. Ben Shanks shrieks with the same lit-up, near-lunatic force he brought to the band's self-titled debut, and his sister Courtney Shanks continues to sound as though she wished she were playing with Yo La Tengo or Cowboy Junkies; all the racket just makes her want to retreat into some lo-fi hollow. Still, Blood on the Wall -- which is way unfortunately named, calling to mind as it does a screamo or metal outfit -- is a band that manages to pull its disparate energies together, and that's what makes its music so likable and so genuinely fresh. Between "You Are a Mess" and "Mary Susan," Ben manages to recall both the Violent Femmes and the Beastie Boys. Opener "Stoner Jam," meanwhile, seems in service to Courtney's ultra-coolness. Combined, all of Awesomer's songs stimulate a need to follow the band for its next few outings. Schizophrenia -- not to mention the vast bulk of safe-playing indie rock acts -- never sounded this good.
© Tammy La Gorce /TiVo

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