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Deadsoul Tribe|A Murder Of Crows

A Murder Of Crows

Deadsoul Tribe

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A Murder of Crows, the second album by Dead Soul Tribe, carries further the ideas introduced in the group's debut. Devon Graves' lyrics determine the atmosphere shifts in the music (pretty dark in general) and his guitar drives the band into progressive metal territory. This conceptual album revolves around the idea that crows carry the souls of the dead to the afterlife. So what happens to souls that crows were unable to get to? This plot can lead to very routine places, but Graves develops it intelligently and without letting it become a prison. Lyrics are occasionally pretentious, but in general they work well with the guitar-heavy rock of the band (the lineup has been augmented by Roland "Rollz" Kerschbaumer on rhythm guitar, for extra crunch). The opener, the two-part "Feed," sets the parameters very quickly, presenting the soft and rough sides of Dead Soul Tribe. After that, there won't be any surprises, but you will encounter a few strong melodies, especially in "The Messenger," "Crows on the Wire," and "I'm Not Waving." For "Black Smoke and Mirrors" the guys take out the acoustic guitars to deliver a sweet-and-sour song topped in its heavier section by a fluttering flute solo. The last song, "Time," is identified as a bonus track, but why it shouldn't belong to the "main" part of the album remains unclear. Maybe because it has a lighter feel.
© François Couture /TiVo

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A Murder Of Crows

Deadsoul Tribe

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1
Feed Pt. I: Stone By Stone
00:05:04

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

2
Feed Pt. II: The Awakening
00:02:53

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

3
The Messenger
00:05:15

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

4
In A Garden Made Of Stones
00:06:25

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

5
Some Things You Can't Return
00:05:19

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

6
Angels In Vertigo
00:04:36

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

7
Regret
00:04:36

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

8
Crows On The Wire
00:06:47

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

9
I'm Not Waving
00:05:34

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

10
Flies
00:05:11

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

11
Black Smoke And Mirrors
00:04:58

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

12
Time
00:04:27

Devon Graves, Composer, Writer - Deadsoul Tribe, MainArtist

© 2003 Deadsoul Tribe ℗ 2003 Deadsoul Tribe

Approfondimenti

A Murder of Crows, the second album by Dead Soul Tribe, carries further the ideas introduced in the group's debut. Devon Graves' lyrics determine the atmosphere shifts in the music (pretty dark in general) and his guitar drives the band into progressive metal territory. This conceptual album revolves around the idea that crows carry the souls of the dead to the afterlife. So what happens to souls that crows were unable to get to? This plot can lead to very routine places, but Graves develops it intelligently and without letting it become a prison. Lyrics are occasionally pretentious, but in general they work well with the guitar-heavy rock of the band (the lineup has been augmented by Roland "Rollz" Kerschbaumer on rhythm guitar, for extra crunch). The opener, the two-part "Feed," sets the parameters very quickly, presenting the soft and rough sides of Dead Soul Tribe. After that, there won't be any surprises, but you will encounter a few strong melodies, especially in "The Messenger," "Crows on the Wire," and "I'm Not Waving." For "Black Smoke and Mirrors" the guys take out the acoustic guitars to deliver a sweet-and-sour song topped in its heavier section by a fluttering flute solo. The last song, "Time," is identified as a bonus track, but why it shouldn't belong to the "main" part of the album remains unclear. Maybe because it has a lighter feel.
© François Couture /TiVo

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