Qobuz Store wallpaper
Categorie:
Carrello 0

Il tuo carrello è vuoto

Ryan Adams|1989

1989

Ryan Adams

Disponibile in
24-Bit/44.1 kHz Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Abbonati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

Sometime in August 2015, Ryan Adams let everybody in on a secret: he'd decided to cover Taylor Swift's 1989 in total. This was not the first album-length cover of Adams' career (he never released his version of the Strokes' Is This It), nor was this his first attempt at 1989. He initially attempted a stark, four-track rendition of the record -- naturally dubbed his Nebraska -- but he wound up settling on "in the style of 'As played by the Smiths'," which was an elegant way of saying Adams' 1989 could easily slide onto a PostModern MTV playlist from 1989-1990 and not ruffle many feathers. Such shimmering sadness is Adams' default mope mode, neatly showcased on Love Is Hell (co-produced by John Porter, who helmed the first Smiths records), and this is certainly a cousin. Sharp guy that he is, Adams realizes the bulk of the record can't all be brokenhearted strums, so not all of 1989 glimmers in a flat black pool. "All You Had to Do Was Stay" surges to a Modern Rock pulse, but he cheekily inverts the exuberance of "Shake It Off," strips the T'Pau and Chvrches out of "Out of the Woods," and softens the steely "Blank Space," thereby turning the first three singles into laments. Nevertheless, there's no disguising how Ryan Adams flips Taylor Swift's 1989 upside-down, turning a moment of triumph into bedsit introspection, a concept that is undoubtedly theoretically interesting, but the record works because Adams doesn't play this as a stunt. He's as canny a producer as he is a conceptualist, coaxing forgotten college rock sounds out of his Pax-Am Studios and treating Swift's originals as text to be interpreted, a move that neither saves nor strengthens the originals but rather highlights the skill of Taylor the songwriter and Adams the musician.

© Stephen Thomas Erlewine /TiVo

Maggiori informazioni

1989

Ryan Adams

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato

A partire da 12,49€/mese

1
Welcome to New York
00:03:18

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Taylor Swift, Composer - Ryan Tedder, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Acoustic Guitar, Electric Guitar - Nate Walcott, Organ, Piano, Synthesizer - Gavin Lurssen, Mastering Engineer

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

2
Blank Space
00:03:21

Ryan Adams, Acoustic Guitar, Associated Performer, Main Artist, Producer - Max Martin, Composer - Shellback, Composer - Taylor Swift, Composer - Stephen Patt, Bass, Strings - Nate Walcott, Organ, Piano - Charlie Stavish, Engineer, Mixing Engineer - Gavin Lurssen, Mastering Engineer

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

3
Style
00:02:44

Ryan Adams, Associated Performer, Electric Guitar, Main Artist, Producer, Synthesizer - Max Martin, Composer - Ali Payami, Composer - Shellback, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Gavin Lurssen, Mastering Engineer - Tod Wisenbaker, Electric Guitar

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

4
Out of the Woods
00:06:07

Ryan Adams, Associated Performer, Electric Guitar, Main Artist, Organ, Producer - Jack Antonoff, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Acoustic Guitar, Electric Guitar - Gavin Lurssen, Mastering Engineer - The Section Quartet, Strings

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

5
All You Had to Do Was Stay
00:03:30

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Max Martin, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Acoustic Guitar, Electric Guitar - Gavin Lurssen, Mastering Engineer

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

6
Shake It Off
00:04:06

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Percussion, Producer, Synthesizer - Max Martin, Composer - Shellback, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Acoustic Guitar, Electric Guitar - Stephen Patt, Guitar - Nate Walcott, Organ - Gavin Lurssen, Mastering Engineer - The Section Quartet, Strings

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

7
I Wish You Would
00:03:44

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Jack Antonoff, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Stephen Patt, Guitar - Nate Lotz, Drums, Percussion - Gavin Lurssen, Mastering Engineer - Tod Wisenbaker, Electric Guitar

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

8
Bad Blood
00:03:55

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Martin Sandberg, Composer - Shellback, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Electric Guitar - Gavin Lurssen, Mastering Engineer - Nate Walcott, Piano

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

9
Wildest Dreams
00:05:21

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Organ, Producer - Max Martin, Composer - Shellback, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Gavin Lurssen, Mastering Engineer - Tod Wisenbaker, Electric Guitar

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

10
How You Get the Girl
00:03:50

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Max Martin, Composer - Shellback, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Electric Guitar - The Section Quartet, Strings - Nate Walcott, Piano, Synthesizer - Gavin Lurssen, Mastering Engineer

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

11
This Love
00:04:45

Ryan Adams, Associated Performer, Main Artist, Piano, Producer - Taylor Swift, Composer - Nate Lotz, Organ, Synthesizer - Charlie Stavish, Engineer, Mixing Engineer - Gavin Lurssen, Mastering Engineer - Tod Wisenbaker, Electric Guitar

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

12
I Know Places
00:05:14

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Taylor Swift, Composer - Ryan Tedder, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer, Percussion, Synthesizer - Gavin Lurssen, Mastering Engineer - Nate Lotz, Drums - Tod Wisenbaker, Electric Guitar

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

13
Clean
00:04:23

Ryan Adams, Acoustic Guitar, Associated Performer, Electric Guitar, Main Artist, Producer - Imogen Heap, Composer - Taylor Swift, Composer - Charlie Stavish, Bass Guitar, Engineer, Mixing Engineer - Nate Lotz, Drums, Percussion - Tod Wisenbaker, Electric Guitar - Gavin Lurssen, Mastering Engineer

(P) 2015 PaxAmericana Recording Company LLC under exclusive license to Sony Music Entertainment UK Limited

Approfondimenti

Sometime in August 2015, Ryan Adams let everybody in on a secret: he'd decided to cover Taylor Swift's 1989 in total. This was not the first album-length cover of Adams' career (he never released his version of the Strokes' Is This It), nor was this his first attempt at 1989. He initially attempted a stark, four-track rendition of the record -- naturally dubbed his Nebraska -- but he wound up settling on "in the style of 'As played by the Smiths'," which was an elegant way of saying Adams' 1989 could easily slide onto a PostModern MTV playlist from 1989-1990 and not ruffle many feathers. Such shimmering sadness is Adams' default mope mode, neatly showcased on Love Is Hell (co-produced by John Porter, who helmed the first Smiths records), and this is certainly a cousin. Sharp guy that he is, Adams realizes the bulk of the record can't all be brokenhearted strums, so not all of 1989 glimmers in a flat black pool. "All You Had to Do Was Stay" surges to a Modern Rock pulse, but he cheekily inverts the exuberance of "Shake It Off," strips the T'Pau and Chvrches out of "Out of the Woods," and softens the steely "Blank Space," thereby turning the first three singles into laments. Nevertheless, there's no disguising how Ryan Adams flips Taylor Swift's 1989 upside-down, turning a moment of triumph into bedsit introspection, a concept that is undoubtedly theoretically interesting, but the record works because Adams doesn't play this as a stunt. He's as canny a producer as he is a conceptualist, coaxing forgotten college rock sounds out of his Pax-Am Studios and treating Swift's originals as text to be interpreted, a move that neither saves nor strengthens the originals but rather highlights the skill of Taylor the songwriter and Adams the musician.

© Stephen Thomas Erlewine /TiVo

A proposito dell'album

Migliorare le informazioni sugli album

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Altro su Qobuz
Di Ryan Adams

Love Is Hell

Ryan Adams

Love Is Hell Ryan Adams

Return to Carnegie Hall

Ryan Adams

Star Sign

Ryan Adams

Star Sign Ryan Adams

Sword & Stone

Ryan Adams

Sword & Stone Ryan Adams

Gold

Ryan Adams

Gold Ryan Adams
Ti potrebbe piacere anche...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish