Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Don Byron|You Are #6

You Are #6

Don Byron

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Don Byron's fourth Blue Note album is a belated follow-up to 1995's Music for Six Musicians. Six musicians are once again featured here, but they're joined by a large number of guests, bringing the cumulative total to 20. As always, Byron looks to unlikely sources for inspiration, beginning with Henry Mancini's theme from the 1962 John Wayne flick Hatari. (The artist is a diligent student of Mancini's music in general.) The rest of the tracks are originals, save for "Shake 'Em Up," a calypso party song that features Don Byron, Sr. on bass and Designer on vocals. Byron emphasizes an Afro-Carribean vibe throughout, often setting up dense, harmonically ambiguous vamps for group interplay, as on "Klang," "B-Setting," the extended piece "Dark Room," and the fragmentary "You Are #6," the last of which is reprised later in the program as "You Are #6.5." By the time we get to "A Whisper in My Ear" the sonorities are a bit more consonant and familiar, though no less evocative. Pianist Edsel Gomez and trumpeter James Zollar turn in strong solos. This being Latin music, the percussionists also loom large; they are Milton Cardona and Ben Wittman, along with guests Johnny Almendra and Mauro Refosco. The clarinet/piano duet "No Whine," hauntingly beautiful but a bit out of place, recalls what Byron and Uri Caine did with Puccini and Schumann on 2000's A Fine Line: Arias and Lieder. There are also the requisite Byron-esque oddities, like "Dub-Ya," a 58-second taunt directed at President Bush the younger. Julie Patton's vocalizing toward the end of "B-Setting" is quirky in the extreme, yet strangely compelling, as is the sample of seemingly overheard conversation that interrupts and ends the title track. Here Byron evinces an interest in album programming as sound collage, in the manner of a hip-hop artist (compare 1998's Nu Blaxploitation). In this light, it's all the more fitting that he concludes the record with a DJ Spooky remix of the infectious bossa nova "Belmondo's Lip."

© David R. Adler /TiVo

Plus d'informations

You Are #6

Don Byron

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Theme From "Hatari"
00:06:25

Milton Cardona, Arranger, Percussion, Vocals, Conga, Work Arranger, AssociatedPerformer - Henry Mancini, Composer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Producer, Arranger, Clarinet, Bass Clarinet, Work Arranger, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

2
You Are #6
00:01:55

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

3
Klang
00:05:42

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

4
B-Setting
00:06:46

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

5
A Whisper In My Ear (For Mario Bauza)
00:07:14

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

6
Dub-Ya
00:00:59

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

7
Belmondo's Lip
00:03:07

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

8
Shake 'Em Up
00:05:51

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Traditional, Composer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

9
You Are #6.5
00:02:26

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

10
No Whine
00:04:03

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

11
Dark Room
00:09:39

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

12
Belmondo's Lip (Remix)
00:03:30

Milton Cardona, Percussion, Vocals, Conga, AssociatedPerformer - Hans Wendl, Producer - Tom Lazarus, Mixer, Recording Engineer, StudioPersonnel - Ben Wittman, Drums, Percussion, AssociatedPerformer - Don Byron, Composer, Producer, Clarinet, Bass Clarinet, MainArtist, AssociatedPerformer - James Zollar, Flugelhorn, Trumpet, AssociatedPerformer - Edsel Gomez, Piano, AssociatedPerformer - Leo Traversa, Vocals, AssociatedPerformer, Bass (Vocal)

(C) 2001 Blue Note Records ℗ 2001 Capitol Records, LLC

Chronique

Don Byron's fourth Blue Note album is a belated follow-up to 1995's Music for Six Musicians. Six musicians are once again featured here, but they're joined by a large number of guests, bringing the cumulative total to 20. As always, Byron looks to unlikely sources for inspiration, beginning with Henry Mancini's theme from the 1962 John Wayne flick Hatari. (The artist is a diligent student of Mancini's music in general.) The rest of the tracks are originals, save for "Shake 'Em Up," a calypso party song that features Don Byron, Sr. on bass and Designer on vocals. Byron emphasizes an Afro-Carribean vibe throughout, often setting up dense, harmonically ambiguous vamps for group interplay, as on "Klang," "B-Setting," the extended piece "Dark Room," and the fragmentary "You Are #6," the last of which is reprised later in the program as "You Are #6.5." By the time we get to "A Whisper in My Ear" the sonorities are a bit more consonant and familiar, though no less evocative. Pianist Edsel Gomez and trumpeter James Zollar turn in strong solos. This being Latin music, the percussionists also loom large; they are Milton Cardona and Ben Wittman, along with guests Johnny Almendra and Mauro Refosco. The clarinet/piano duet "No Whine," hauntingly beautiful but a bit out of place, recalls what Byron and Uri Caine did with Puccini and Schumann on 2000's A Fine Line: Arias and Lieder. There are also the requisite Byron-esque oddities, like "Dub-Ya," a 58-second taunt directed at President Bush the younger. Julie Patton's vocalizing toward the end of "B-Setting" is quirky in the extreme, yet strangely compelling, as is the sample of seemingly overheard conversation that interrupts and ends the title track. Here Byron evinces an interest in album programming as sound collage, in the manner of a hip-hop artist (compare 1998's Nu Blaxploitation). In this light, it's all the more fitting that he concludes the record with a DJ Spooky remix of the infectious bossa nova "Belmondo's Lip."

© David R. Adler /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
À découvrir également
Par Don Byron

Do The Boomerang: The Music Of Junior Walker

Don Byron

Romance With The Unseen

Don Byron

Random Dances and (A)tonalities

Don Byron

Bug Music

Don Byron

Bug Music Don Byron

Ivey-Divey

Don Byron

Ivey-Divey Don Byron

Playlists

Dans la même thématique...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Orchestras

Bill Frisell

Orchestras Bill Frisell

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson