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Bud Powell|The Definitive Bud Powell

The Definitive Bud Powell

Bud Powell

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Langue disponible : anglais

Bud Powell changed the way that the piano is played in jazz, virtually inventing bebop-style piano. This sampler draws its music from his Blue Note sessions of 1947-1953, some of his finest recordings. Actually, with the exception of 1947's "Bud's Bubble" and "Glass Enclosure" from 1953, the music is all from 1949 or 1951. Three selections (including "Tempus Fugit" and "Celia") are played with bassist Ray Brown and drummer Max Roach, there are three unaccompanied piano solos from 1951 (including "Parisian Thoroughfare" and "Hallucinations"), and trio versions of "Un Poco Loco" and "Autumn in New York." Most exciting are meetings with trumpeter Fats Navarro and tenor saxophonist Sonny Rollins on "Dance of the Infidels" and "Bouncing With Bud." Overall this is a fine (if brief) one-CD sampling of Bud Powell at his prime, although most jazz collectors will prefer to acquire the pianist's complete sessions.
© Scott Yanow /TiVo

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The Definitive Bud Powell

Bud Powell

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1
Bud's Bubble (1990 Digital Remaster)
Bud Powell Trio
00:02:34
2
Tempus Fugue It
Bud Powell
00:02:27
3
Celia
Bud Powell
00:02:59
4
Cherokee
Bud Powell
00:03:37
5
I'll Keep Loving You
Bud Powell
00:02:41
6
Bouncin' With Bud (Rudy Van Gelder Edition)
Bud Powell
00:03:01
7
Dance Of The Infidels (1998 Digital Remaster;The Rudy Van Gelder Edition)
Bud Powell
00:02:51
8
Parisian Thoroughfare
Bud Powell
00:02:29
9
Dusk In Sandi
Bud Powell
00:02:14
10
Hallucinations
Bud Powell
00:02:26
11
Un Poco Loco (1998 Digital Remaster;The Rudy Van Gelder Edition)
Bud Powell
00:04:46
12
Glass Enclosure (Rudy Van Gelder 24Bit Mastering 98)
Bud Powell
00:02:23
13
Autumn In New York (Rudy Van Gelder 24 Bit Mastering 98)
Bud Powell
00:02:50

Chronique

Bud Powell changed the way that the piano is played in jazz, virtually inventing bebop-style piano. This sampler draws its music from his Blue Note sessions of 1947-1953, some of his finest recordings. Actually, with the exception of 1947's "Bud's Bubble" and "Glass Enclosure" from 1953, the music is all from 1949 or 1951. Three selections (including "Tempus Fugit" and "Celia") are played with bassist Ray Brown and drummer Max Roach, there are three unaccompanied piano solos from 1951 (including "Parisian Thoroughfare" and "Hallucinations"), and trio versions of "Un Poco Loco" and "Autumn in New York." Most exciting are meetings with trumpeter Fats Navarro and tenor saxophonist Sonny Rollins on "Dance of the Infidels" and "Bouncing With Bud." Overall this is a fine (if brief) one-CD sampling of Bud Powell at his prime, although most jazz collectors will prefer to acquire the pianist's complete sessions.
© Scott Yanow /TiVo

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