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Ensemble 1684|Rosenmüller: Sacred Concertos

Rosenmüller: Sacred Concertos

Ensemble 1684, Gregor Meyer

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Langue disponible : anglais

Following the first volume with sacred concertos by Johann Rosenmüller, the Ensemble 1684 is now releasing another volume with concertos for larger ensembles by this genial composer and musician who quite soon attracted attention with his perfect musical blend and tireless creative drive as well as with his persistent striving for innovation.

In his works Rosenmüller succeeded in blending the new Italian colorfulness and tonal sensitivity with the gravity of Central German music into a unique, sublime style. The more than one hundred works by Rosenmüller that have come down to us, most of them dimensioned on the large scale, reveal a composer who gave everything he had to bring to perfection the mixing of Central German and Italian stylistics begun in Leipzig and ultimately to lend the sacred concerto a personal signature. The music speaks for itself, for it is filled with enthralling moments. Such a discovery would not be possible without such an impressive interpretation as that of the Ensemble 1684. © CPO

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Rosenmüller: Sacred Concertos

Ensemble 1684

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Magnificat anima mea dominum (Johann Rosenmüller)

1
Magnificat anima mea Dominum
00:15:32

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Der Name des Herren (Johann Rosenmüller)

2
Der Name des Herren
00:05:03

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Domine, probasti me (Johann Rosenmüller)

3
Domine, probasti me
00:06:38

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Ego te laudo (Johann Rosenmüller)

4
Ego te laudo
00:04:26

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Sinfonia No. 1 (Johann Rosenmüller)

5
Sinfonia No. 1
00:08:04

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Confitebor tibi, Domine (Johann Rosenmüller)

6
Confitebor tibi, Domine
00:11:45

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Welt, ade! Ich bin dein müde (Johann Rosenmüller)

7
Welt, ade! Ich bin dein müde
00:03:48

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Nunc dimittis (Johann Rosenmüller)

8
Nunc dimittis
00:07:21

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Bleibe bei uns, denn es will Abend werden (Johann Rosenmüller)

9
Bleibe bei uns, denn es will Abend werden
00:08:14

Johann Rosenmüller, Composer - Gregor Meyer, Conductor, MainArtist - Ensemble 1684, Ensemble, MainArtist

(C) 2021 CPO (P) 2021 CPO

Chronique

Following the first volume with sacred concertos by Johann Rosenmüller, the Ensemble 1684 is now releasing another volume with concertos for larger ensembles by this genial composer and musician who quite soon attracted attention with his perfect musical blend and tireless creative drive as well as with his persistent striving for innovation.

In his works Rosenmüller succeeded in blending the new Italian colorfulness and tonal sensitivity with the gravity of Central German music into a unique, sublime style. The more than one hundred works by Rosenmüller that have come down to us, most of them dimensioned on the large scale, reveal a composer who gave everything he had to bring to perfection the mixing of Central German and Italian stylistics begun in Leipzig and ultimately to lend the sacred concerto a personal signature. The music speaks for itself, for it is filled with enthralling moments. Such a discovery would not be possible without such an impressive interpretation as that of the Ensemble 1684. © CPO

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