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Pierre-Laurent Aimard, Irina Kataeva, Zsigmond Szathmáry|György Ligeti Edition, Vol. 6: Keyboard Works

György Ligeti Edition, Vol. 6: Keyboard Works

Pierre-Laurent Aimard, Irina Kataeva, Zsigmond Szathmáry

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Representing virtually all phases of György Ligeti's mercurial career, the keyboard works on this disc make a fitting résumé. While a number of the pieces here reflect his avant-garde innovations -- chiefly Continuum and Volumina -- others are more accessible and appealing. The Five Pieces for piano four hands (1942-1950) are stylistically similar to music by Bartók and Poulenc, imbued with Hungarian color and rhythmic drive but presented with cosmopolitan flair and wit. The two Capriccios and the Invention (1947-1948) are exercises in dissonant counterpoint, yet the transparency of Ligeti's writing makes these pieces fairly easy to digest. Monument, Selbstportrait, and In zart fließender Bewegung (1976) show Ligeti's interest in minimalism, particularly as they move parts in and out of phase and push restricted material to ultimate ends. The harpsichord pieces Passacaglia ungharese and Hungarian Rock (both 1978), fully exploit the instrument's timbral possibilities, while Continuum (1968) is a perpetual-motion etude of illusory pattern-shifting and compelling virtuosity. The Two Studies for Organ (1967-1969) involve transformations of the instrument's sound into clustered washes and static patterns. But Ligeti's most fascinating and daring keyboard work surely must be Volumina (1961-1962), a tour de force of atmospheric clusters and sweeping sonorities notorious for causing the literal meltdown of the organ in Göteborg Cathedral.

© TiVo

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György Ligeti Edition, Vol. 6: Keyboard Works

Pierre-Laurent Aimard, Irina Kataeva, Zsigmond Szathmáry

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1
Induló
Pierre-Laurent Aimard
00:02:04

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

2
Polifón etüd
Pierre-Laurent Aimard
00:02:08

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

3 Lakodalmi tánc (György Ligeti)

3
No. 1, A kapuban a szekér
Pierre-Laurent Aimard
00:00:26

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

4
No. 2, Hopp ide tisztán
Pierre-Laurent Aimard
00:01:11

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

5
No. 3, Csángó forgós
Pierre-Laurent Aimard
00:00:59

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

Sonatina for Piano 4 Hands (György Ligeti)

6
I. Allegro
Pierre-Laurent Aimard
00:01:11

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

7
II. Andante
Pierre-Laurent Aimard
00:01:38

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

8
III. Vivace
Pierre-Laurent Aimard
00:01:19

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

9
Allegro for Piano 4 Hands
Pierre-Laurent Aimard
00:00:41

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

10
2 Capricci: No. 1, Allegretto capriccioso
Irina Kataeva
00:02:33

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

11
Invention
Irina Kataeva
00:01:12

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

12
2 Capricci: No. 2, Allegro robusto
Irina Kataeva
00:01:47

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

3 Pieces for 2 Pianos (György Ligeti)

13
I. Monument
Pierre-Laurent Aimard
00:04:23

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

14
II. Selbstportrait mit Reich und Riley
Pierre-Laurent Aimard
00:08:18

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

15
III. In zart fließender Bewegung
Pierre-Laurent Aimard
00:04:21

Irina Kataeva, Piano, MainArtist - Gyorgy Ligeti, Composer - Pierre-Laurent Aimard, Piano, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

16
Passacaglia ungherese
Elisabeth Chojnacka
00:05:02

Gyorgy Ligeti, Composer - Élisabeth Chojnacka, Harpsichord, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

17
Hungarian Rock (Chaconne)
Elisabeth Chojnacka
00:05:08

Gyorgy Ligeti, Composer - Élisabeth Chojnacka, Harpsichord, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

18
Continuum
Elisabeth Chojnacka
00:03:36

Gyorgy Ligeti, Composer - Élisabeth Chojnacka, Harpsichord, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

19
Musica ricercata: No. 11, Omaggio a Girolamo Frescobaldi. Andante misurato e tranquillo
Zsigmond Szathmary
00:04:33

Gyorgy Ligeti, Composer - Zsigmond Szathmary, Organ, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

2 Studies for Organ (György Ligeti)

20
I. Harmonies
Zsigmond Szathmary
00:06:42

Gyorgy Ligeti, Composer - Zsigmond Szathmary, Organ, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

21
II. Coulée
Zsigmond Szathmary
00:04:03

Gyorgy Ligeti, Composer - Zsigmond Szathmary, Organ, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

22
Volumina
Zsigmond Szathmary
00:14:11

Gyorgy Ligeti, Composer - Zsigmond Szathmary, Organ, MainArtist - Dr. Steven E. Paul, Executive Producer - Georg Fassbinder, Producer

(P) 1997 Sony Music Entertainment

Chronique

Representing virtually all phases of György Ligeti's mercurial career, the keyboard works on this disc make a fitting résumé. While a number of the pieces here reflect his avant-garde innovations -- chiefly Continuum and Volumina -- others are more accessible and appealing. The Five Pieces for piano four hands (1942-1950) are stylistically similar to music by Bartók and Poulenc, imbued with Hungarian color and rhythmic drive but presented with cosmopolitan flair and wit. The two Capriccios and the Invention (1947-1948) are exercises in dissonant counterpoint, yet the transparency of Ligeti's writing makes these pieces fairly easy to digest. Monument, Selbstportrait, and In zart fließender Bewegung (1976) show Ligeti's interest in minimalism, particularly as they move parts in and out of phase and push restricted material to ultimate ends. The harpsichord pieces Passacaglia ungharese and Hungarian Rock (both 1978), fully exploit the instrument's timbral possibilities, while Continuum (1968) is a perpetual-motion etude of illusory pattern-shifting and compelling virtuosity. The Two Studies for Organ (1967-1969) involve transformations of the instrument's sound into clustered washes and static patterns. But Ligeti's most fascinating and daring keyboard work surely must be Volumina (1961-1962), a tour de force of atmospheric clusters and sweeping sonorities notorious for causing the literal meltdown of the organ in Göteborg Cathedral.

© TiVo

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