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Jim White|Drill a Hole in that Substrate and Tell Me What You See

Drill a Hole in that Substrate and Tell Me What You See

Jim White

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Jim White writes like a Southern gentlemen. When he released his cryptic debut, Wrong-Eyed Jesus, in 1997, he was approaching 40, and with each record his civil invective and genuine yearning for redemption have become more focused, culminating in an eccentric -- yet fully realized -- body of work that requires no aging to prove itself worthy. Drill a Hole in That Substrate and Tell Me What You See preens like an alley cat with a bellyful of chicken scraps. The thick veil of gloss that co-producers Joe Henry and Tucker Martine use to coat each of the 11 hypnotic tracks is entirely transparent, resulting in a glass-bottom boat ride that's both cathartic and uncomfortably voyeuristic. White's characters are always teetering on the edge of a bridge, faces cast skyward, wondering if whatever it is that's left them might swoop down just seconds before the first shoe drops. He meets his subjects on level ground, allowing them to speak through him as well as serve as their master's mouthpiece. On the spooky Tom Waits-style dirge "Borrowed Wings," the ghosts of doomed Bonnie and Clyde-cursed lovers weep "For in the fallow field where what's reaped is what's sown/There lies a road to ruin and it's paved with our tombstones." It's not all hellfire and brimstone, though, as evidenced by the goofy Barenaked Ladies collaboration "Alabama Chrome" and the bright -- almost hopeful -- hidden track, "Land Called Home." There's a deep Southern gothic vibe at work here that brings to mind the Spanish moss meanderings of Daniel Lanois' For the Beauty of Wynona, but it's the shadow of Waits that always gets the last word; "If Jesus Drove a Motor Home" sounds like a cross between something off of The Black Rider and the theme to The Sopranos, but it's interesting that despite all of the celebrity guests (Aimee Mann, Bill Frisell, M. Ward), it's White's self-produced tracks that mirror their creator's sewn up -- but still bleeding a little -- heart.

© James Christopher Monger /TiVo

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Drill a Hole in that Substrate and Tell Me What You See

Jim White

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1
Static on the Radio
00:06:31

Aimee Mann, FeaturedArtist, AssociatedPerformer - Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

2
Bluebird
00:05:29

Copyright Control, MusicPublisher - M. Ward, FeaturedArtist, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

3
Combing My Hair In a Brand New Style
00:06:24

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

4
That Girl From Brownsville Texas
00:06:22

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

5
Borrowed Wings
00:04:34

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist - Suzie Ungerleider, FeaturedArtist - Oh Susanna (Susie Ungerleider), AssociatedPerformer

2006 Luaka Bop Records 2006 Luaka Bop Records

6
If Jesus Drove a Motor Home
00:04:36

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

7
Objects In Motion
00:05:58

Copyright Control, MusicPublisher - Bill Frisell, FeaturedArtist, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

8
Buzzards of Love
00:07:00

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

9
Alabama Chrome
00:04:25

Barenaked Ladies, FeaturedArtist, AssociatedPerformer - Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

10
Phone Booth In Heaven
00:07:09

Copyright Control, MusicPublisher - M. Ward, FeaturedArtist, AssociatedPerformer - Mary Gauthier, AssociatedPerformer - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

11
Land Called Home
00:04:11

Copyright Control, MusicPublisher - Jim White, Composer, Lyricist, Producer, MainArtist

2006 Luaka Bop Records 2006 Luaka Bop Records

Chronique

Jim White writes like a Southern gentlemen. When he released his cryptic debut, Wrong-Eyed Jesus, in 1997, he was approaching 40, and with each record his civil invective and genuine yearning for redemption have become more focused, culminating in an eccentric -- yet fully realized -- body of work that requires no aging to prove itself worthy. Drill a Hole in That Substrate and Tell Me What You See preens like an alley cat with a bellyful of chicken scraps. The thick veil of gloss that co-producers Joe Henry and Tucker Martine use to coat each of the 11 hypnotic tracks is entirely transparent, resulting in a glass-bottom boat ride that's both cathartic and uncomfortably voyeuristic. White's characters are always teetering on the edge of a bridge, faces cast skyward, wondering if whatever it is that's left them might swoop down just seconds before the first shoe drops. He meets his subjects on level ground, allowing them to speak through him as well as serve as their master's mouthpiece. On the spooky Tom Waits-style dirge "Borrowed Wings," the ghosts of doomed Bonnie and Clyde-cursed lovers weep "For in the fallow field where what's reaped is what's sown/There lies a road to ruin and it's paved with our tombstones." It's not all hellfire and brimstone, though, as evidenced by the goofy Barenaked Ladies collaboration "Alabama Chrome" and the bright -- almost hopeful -- hidden track, "Land Called Home." There's a deep Southern gothic vibe at work here that brings to mind the Spanish moss meanderings of Daniel Lanois' For the Beauty of Wynona, but it's the shadow of Waits that always gets the last word; "If Jesus Drove a Motor Home" sounds like a cross between something off of The Black Rider and the theme to The Sopranos, but it's interesting that despite all of the celebrity guests (Aimee Mann, Bill Frisell, M. Ward), it's White's self-produced tracks that mirror their creator's sewn up -- but still bleeding a little -- heart.

© James Christopher Monger /TiVo

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